Oxford Handbook of Scottish Theatre
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Oxford Handbook of Scottish Theatre
Stevenson, Randall; Walker, Greg
Oxford University Press
02/2025
872
Dura
9780192857385
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Preface
Introduction
SECTION I: HISTORIES
Medieval to 1700
1: Sarah Carpenter: The Theatre Scene I: Stages, Performers, Audiences: Medieval to 1700
2: Pamela M. King: The Theatre Scene II: Stages, Performers, Audiences: The Sixteenth and Seventeenth Centuries
3: Greg Walker: Major Play I: Sir David Lyndsay, Ane Satyre of the Thrie Estaitis: Renaissance Scotland's Best Kept Secret?
The Eighteenth Century
4: Rebecca Tierney-Hynes: The Theatre Scene III: Stages, Performers, Audiences: The Long Eighteenth Century
5: Brianna Robertson-Kirkland: Major Play II: Allan Ramsay, The Gentle Shepherd (1725 & 1729)
6: Ian Brown: Major Play III: John Home, Douglas (1756)
7: Penelope Cole: The London Scots
The Nineteenth Century
8: Barbara Bell: The Theatre Scene IV: Stages, Performers, Audiences in the early Nineteenth Century
9: Alison Lumsden: Major Play IV: Rob Roy
10: Clare Brennan: Major Playwright I: Joanna Baillie
11: Paul Maloney: The Theatre Scene V: Stages, Performers, Audiences in the late Nineteenth Century
12: Penelope Cole: J.M. Barrie and Turn-of-the-Century London
1900 to the Mid-Twentieth Century
13: Ian Brown: The Theatre Scene VI: Stages, Performers, Audiences, 1900-1950
14: David Goldie: Companies and Writers: 1900 to 1940
15: Donald Smith: The 1920s and After: The Scottish National Players
16: Gerard Carruthers: Major Playwright II: James Bridie and His Theatre
17: Linda Mackenney: Popular, Political Theatre in the 1920s, 30s, and 40s
18: Linda Mackenney: Major Play V: Ena Lamont Stewart, Men Should Weep
The Mid-Twentieth Century to 2000
19: Ksenija Horvat: The Theatre Scene VII: Stages. Performers, Audiences, c.1950-2000
20: Anne Varty: Scottish Playwrights 1950-1970
21: David Hutchison: 'Citizens and Studios': The Glasgow Citizens, Traverse, and Close Theatres
22: Olga Taxidou: John McGrath and 7:84: 'The Moon Belongs to Everyone'
23: Tom Maguire: The Post-1980 (post-Devolution Bill) Scottish Theatre Renaissance
24: Randall Stevenson: Major Play VI: Liz Lochhead, Mary Queen of Scots Got Her Head Chopped Off
The Twenty-First Century
25: David Overend: The Theatre Scene VIII: Stages, Performers, Audiences: The Twenty-First Century
26: Allan Radcliffe: The National Theatre of Scotland: Theatre Without Walls
27: Nicola McCartney: New Playwrights: Plays and Playwriting in Scotland, the 1990s to the 2020s
SECTION II: THEMES AND VARIATIONS
28: John Corbett: Scots Language Drama (including Translation/Adaptation)
29: Michelle MacLeod: The Professionalisation of Gaelic Drama
30: Paul Maloney: Popular Theatre, Music Hall, Variety and Pantomime
31: Ben Fletcher-Watson: Theatre for Young Audiences in Scotland
32: Femi Folorunso: Influences from Abroad
33: Gerry Mulgrew: Directing
34: Bruce Young: Radio Drama
35: Brian Hoyle: A Makeshift Bastard . . .': Peter McDougall's Just Your Luck and Just Another Saturday Night and Troy Kennedy Martin's 'New Drama for Television'
36: Mark Fisher: Critics and Reviewers
37: Michael Billington: Afterword
Index
Introduction
SECTION I: HISTORIES
Medieval to 1700
1: Sarah Carpenter: The Theatre Scene I: Stages, Performers, Audiences: Medieval to 1700
2: Pamela M. King: The Theatre Scene II: Stages, Performers, Audiences: The Sixteenth and Seventeenth Centuries
3: Greg Walker: Major Play I: Sir David Lyndsay, Ane Satyre of the Thrie Estaitis: Renaissance Scotland's Best Kept Secret?
The Eighteenth Century
4: Rebecca Tierney-Hynes: The Theatre Scene III: Stages, Performers, Audiences: The Long Eighteenth Century
5: Brianna Robertson-Kirkland: Major Play II: Allan Ramsay, The Gentle Shepherd (1725 & 1729)
6: Ian Brown: Major Play III: John Home, Douglas (1756)
7: Penelope Cole: The London Scots
The Nineteenth Century
8: Barbara Bell: The Theatre Scene IV: Stages, Performers, Audiences in the early Nineteenth Century
9: Alison Lumsden: Major Play IV: Rob Roy
10: Clare Brennan: Major Playwright I: Joanna Baillie
11: Paul Maloney: The Theatre Scene V: Stages, Performers, Audiences in the late Nineteenth Century
12: Penelope Cole: J.M. Barrie and Turn-of-the-Century London
1900 to the Mid-Twentieth Century
13: Ian Brown: The Theatre Scene VI: Stages, Performers, Audiences, 1900-1950
14: David Goldie: Companies and Writers: 1900 to 1940
15: Donald Smith: The 1920s and After: The Scottish National Players
16: Gerard Carruthers: Major Playwright II: James Bridie and His Theatre
17: Linda Mackenney: Popular, Political Theatre in the 1920s, 30s, and 40s
18: Linda Mackenney: Major Play V: Ena Lamont Stewart, Men Should Weep
The Mid-Twentieth Century to 2000
19: Ksenija Horvat: The Theatre Scene VII: Stages. Performers, Audiences, c.1950-2000
20: Anne Varty: Scottish Playwrights 1950-1970
21: David Hutchison: 'Citizens and Studios': The Glasgow Citizens, Traverse, and Close Theatres
22: Olga Taxidou: John McGrath and 7:84: 'The Moon Belongs to Everyone'
23: Tom Maguire: The Post-1980 (post-Devolution Bill) Scottish Theatre Renaissance
24: Randall Stevenson: Major Play VI: Liz Lochhead, Mary Queen of Scots Got Her Head Chopped Off
The Twenty-First Century
25: David Overend: The Theatre Scene VIII: Stages, Performers, Audiences: The Twenty-First Century
26: Allan Radcliffe: The National Theatre of Scotland: Theatre Without Walls
27: Nicola McCartney: New Playwrights: Plays and Playwriting in Scotland, the 1990s to the 2020s
SECTION II: THEMES AND VARIATIONS
28: John Corbett: Scots Language Drama (including Translation/Adaptation)
29: Michelle MacLeod: The Professionalisation of Gaelic Drama
30: Paul Maloney: Popular Theatre, Music Hall, Variety and Pantomime
31: Ben Fletcher-Watson: Theatre for Young Audiences in Scotland
32: Femi Folorunso: Influences from Abroad
33: Gerry Mulgrew: Directing
34: Bruce Young: Radio Drama
35: Brian Hoyle: A Makeshift Bastard . . .': Peter McDougall's Just Your Luck and Just Another Saturday Night and Troy Kennedy Martin's 'New Drama for Television'
36: Mark Fisher: Critics and Reviewers
37: Michael Billington: Afterword
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Preface
Introduction
SECTION I: HISTORIES
Medieval to 1700
1: Sarah Carpenter: The Theatre Scene I: Stages, Performers, Audiences: Medieval to 1700
2: Pamela M. King: The Theatre Scene II: Stages, Performers, Audiences: The Sixteenth and Seventeenth Centuries
3: Greg Walker: Major Play I: Sir David Lyndsay, Ane Satyre of the Thrie Estaitis: Renaissance Scotland's Best Kept Secret?
The Eighteenth Century
4: Rebecca Tierney-Hynes: The Theatre Scene III: Stages, Performers, Audiences: The Long Eighteenth Century
5: Brianna Robertson-Kirkland: Major Play II: Allan Ramsay, The Gentle Shepherd (1725 & 1729)
6: Ian Brown: Major Play III: John Home, Douglas (1756)
7: Penelope Cole: The London Scots
The Nineteenth Century
8: Barbara Bell: The Theatre Scene IV: Stages, Performers, Audiences in the early Nineteenth Century
9: Alison Lumsden: Major Play IV: Rob Roy
10: Clare Brennan: Major Playwright I: Joanna Baillie
11: Paul Maloney: The Theatre Scene V: Stages, Performers, Audiences in the late Nineteenth Century
12: Penelope Cole: J.M. Barrie and Turn-of-the-Century London
1900 to the Mid-Twentieth Century
13: Ian Brown: The Theatre Scene VI: Stages, Performers, Audiences, 1900-1950
14: David Goldie: Companies and Writers: 1900 to 1940
15: Donald Smith: The 1920s and After: The Scottish National Players
16: Gerard Carruthers: Major Playwright II: James Bridie and His Theatre
17: Linda Mackenney: Popular, Political Theatre in the 1920s, 30s, and 40s
18: Linda Mackenney: Major Play V: Ena Lamont Stewart, Men Should Weep
The Mid-Twentieth Century to 2000
19: Ksenija Horvat: The Theatre Scene VII: Stages. Performers, Audiences, c.1950-2000
20: Anne Varty: Scottish Playwrights 1950-1970
21: David Hutchison: 'Citizens and Studios': The Glasgow Citizens, Traverse, and Close Theatres
22: Olga Taxidou: John McGrath and 7:84: 'The Moon Belongs to Everyone'
23: Tom Maguire: The Post-1980 (post-Devolution Bill) Scottish Theatre Renaissance
24: Randall Stevenson: Major Play VI: Liz Lochhead, Mary Queen of Scots Got Her Head Chopped Off
The Twenty-First Century
25: David Overend: The Theatre Scene VIII: Stages, Performers, Audiences: The Twenty-First Century
26: Allan Radcliffe: The National Theatre of Scotland: Theatre Without Walls
27: Nicola McCartney: New Playwrights: Plays and Playwriting in Scotland, the 1990s to the 2020s
SECTION II: THEMES AND VARIATIONS
28: John Corbett: Scots Language Drama (including Translation/Adaptation)
29: Michelle MacLeod: The Professionalisation of Gaelic Drama
30: Paul Maloney: Popular Theatre, Music Hall, Variety and Pantomime
31: Ben Fletcher-Watson: Theatre for Young Audiences in Scotland
32: Femi Folorunso: Influences from Abroad
33: Gerry Mulgrew: Directing
34: Bruce Young: Radio Drama
35: Brian Hoyle: A Makeshift Bastard . . .': Peter McDougall's Just Your Luck and Just Another Saturday Night and Troy Kennedy Martin's 'New Drama for Television'
36: Mark Fisher: Critics and Reviewers
37: Michael Billington: Afterword
Index
Introduction
SECTION I: HISTORIES
Medieval to 1700
1: Sarah Carpenter: The Theatre Scene I: Stages, Performers, Audiences: Medieval to 1700
2: Pamela M. King: The Theatre Scene II: Stages, Performers, Audiences: The Sixteenth and Seventeenth Centuries
3: Greg Walker: Major Play I: Sir David Lyndsay, Ane Satyre of the Thrie Estaitis: Renaissance Scotland's Best Kept Secret?
The Eighteenth Century
4: Rebecca Tierney-Hynes: The Theatre Scene III: Stages, Performers, Audiences: The Long Eighteenth Century
5: Brianna Robertson-Kirkland: Major Play II: Allan Ramsay, The Gentle Shepherd (1725 & 1729)
6: Ian Brown: Major Play III: John Home, Douglas (1756)
7: Penelope Cole: The London Scots
The Nineteenth Century
8: Barbara Bell: The Theatre Scene IV: Stages, Performers, Audiences in the early Nineteenth Century
9: Alison Lumsden: Major Play IV: Rob Roy
10: Clare Brennan: Major Playwright I: Joanna Baillie
11: Paul Maloney: The Theatre Scene V: Stages, Performers, Audiences in the late Nineteenth Century
12: Penelope Cole: J.M. Barrie and Turn-of-the-Century London
1900 to the Mid-Twentieth Century
13: Ian Brown: The Theatre Scene VI: Stages, Performers, Audiences, 1900-1950
14: David Goldie: Companies and Writers: 1900 to 1940
15: Donald Smith: The 1920s and After: The Scottish National Players
16: Gerard Carruthers: Major Playwright II: James Bridie and His Theatre
17: Linda Mackenney: Popular, Political Theatre in the 1920s, 30s, and 40s
18: Linda Mackenney: Major Play V: Ena Lamont Stewart, Men Should Weep
The Mid-Twentieth Century to 2000
19: Ksenija Horvat: The Theatre Scene VII: Stages. Performers, Audiences, c.1950-2000
20: Anne Varty: Scottish Playwrights 1950-1970
21: David Hutchison: 'Citizens and Studios': The Glasgow Citizens, Traverse, and Close Theatres
22: Olga Taxidou: John McGrath and 7:84: 'The Moon Belongs to Everyone'
23: Tom Maguire: The Post-1980 (post-Devolution Bill) Scottish Theatre Renaissance
24: Randall Stevenson: Major Play VI: Liz Lochhead, Mary Queen of Scots Got Her Head Chopped Off
The Twenty-First Century
25: David Overend: The Theatre Scene VIII: Stages, Performers, Audiences: The Twenty-First Century
26: Allan Radcliffe: The National Theatre of Scotland: Theatre Without Walls
27: Nicola McCartney: New Playwrights: Plays and Playwriting in Scotland, the 1990s to the 2020s
SECTION II: THEMES AND VARIATIONS
28: John Corbett: Scots Language Drama (including Translation/Adaptation)
29: Michelle MacLeod: The Professionalisation of Gaelic Drama
30: Paul Maloney: Popular Theatre, Music Hall, Variety and Pantomime
31: Ben Fletcher-Watson: Theatre for Young Audiences in Scotland
32: Femi Folorunso: Influences from Abroad
33: Gerry Mulgrew: Directing
34: Bruce Young: Radio Drama
35: Brian Hoyle: A Makeshift Bastard . . .': Peter McDougall's Just Your Luck and Just Another Saturday Night and Troy Kennedy Martin's 'New Drama for Television'
36: Mark Fisher: Critics and Reviewers
37: Michael Billington: Afterword
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
