Shakespeare's Afterlife in the Royal Collection
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Shakespeare's Afterlife in the Royal Collection
Dynasty, Ideology, and National Culture
Tambling, Kirsten; McMullan, Gordon; Barnden, Sally; Retford, Kate
Oxford University Press
02/2025
288
Dura
9780198923152
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Sally Barnden, Gordon McMullan, Kate Retford, and Kirsten Tambling: Introduction
1616
1: Gordon McMullan: The 'Disappointment' of Charles I's Shakespeare Second Folio
1700
2: Emrys Jones: Henry V and Early Hanoverian Self-Fashioning
3: Kate Retford: 'A Wild and Unruly Youth'
4: Shormishtha Panja: Moral painting
5: Anna Myers: David Garrick and the President's Chair
6: Rosie Dias: Queen Charlotte and the Royal Narratives of Boydell's Shakespeare Prints
7: Arthur Burns: George III and the other 'Mad King'
8: Essaka Joshua: Disability and Mutable Spectatorship
9: Fiona Ritchie: Fake and Authentic Shakespeare
1800
10: Mark Westgarth: 'Well-Authenticated Blocks'
11: Emma Stuart: Why did George IV own a Shakespeare First Folio?
12: Kate Heard: From Performance to Portfolio
13: Michael Dobson: Hamlet Disowned
14: Lynne Vallone: Princess Victoria and the Cult of Celebrity
15: Eilis Smyth: Shakespeare in the Rubens Room
16: Sally Barnden: Monument and Montage
17: Gail Marshall: Puck and the Prince of Wales
18: Morna O'Neill: Much Ado about Tapestry
19: Vijeta Saini: Disappearances and The Durbar
1900
20: Kirsten Tambling: 'All England in Warm Sepia': Queen Mary and the Church of the Holy Trinity
21: Elizabeth Clark Ashby: Shakespeare in Miniature
22: Eleine Ng-Gagneux: Shashibiya
23: Kathryn Vomero Santos: Cultural (Dis)inheritance and the Decline of Empire in The Prince's Choice
Bibliography
1616
1: Gordon McMullan: The 'Disappointment' of Charles I's Shakespeare Second Folio
1700
2: Emrys Jones: Henry V and Early Hanoverian Self-Fashioning
3: Kate Retford: 'A Wild and Unruly Youth'
4: Shormishtha Panja: Moral painting
5: Anna Myers: David Garrick and the President's Chair
6: Rosie Dias: Queen Charlotte and the Royal Narratives of Boydell's Shakespeare Prints
7: Arthur Burns: George III and the other 'Mad King'
8: Essaka Joshua: Disability and Mutable Spectatorship
9: Fiona Ritchie: Fake and Authentic Shakespeare
1800
10: Mark Westgarth: 'Well-Authenticated Blocks'
11: Emma Stuart: Why did George IV own a Shakespeare First Folio?
12: Kate Heard: From Performance to Portfolio
13: Michael Dobson: Hamlet Disowned
14: Lynne Vallone: Princess Victoria and the Cult of Celebrity
15: Eilis Smyth: Shakespeare in the Rubens Room
16: Sally Barnden: Monument and Montage
17: Gail Marshall: Puck and the Prince of Wales
18: Morna O'Neill: Much Ado about Tapestry
19: Vijeta Saini: Disappearances and The Durbar
1900
20: Kirsten Tambling: 'All England in Warm Sepia': Queen Mary and the Church of the Holy Trinity
21: Elizabeth Clark Ashby: Shakespeare in Miniature
22: Eleine Ng-Gagneux: Shashibiya
23: Kathryn Vomero Santos: Cultural (Dis)inheritance and the Decline of Empire in The Prince's Choice
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sally Barnden, Gordon McMullan, Kate Retford, and Kirsten Tambling: Introduction
1616
1: Gordon McMullan: The 'Disappointment' of Charles I's Shakespeare Second Folio
1700
2: Emrys Jones: Henry V and Early Hanoverian Self-Fashioning
3: Kate Retford: 'A Wild and Unruly Youth'
4: Shormishtha Panja: Moral painting
5: Anna Myers: David Garrick and the President's Chair
6: Rosie Dias: Queen Charlotte and the Royal Narratives of Boydell's Shakespeare Prints
7: Arthur Burns: George III and the other 'Mad King'
8: Essaka Joshua: Disability and Mutable Spectatorship
9: Fiona Ritchie: Fake and Authentic Shakespeare
1800
10: Mark Westgarth: 'Well-Authenticated Blocks'
11: Emma Stuart: Why did George IV own a Shakespeare First Folio?
12: Kate Heard: From Performance to Portfolio
13: Michael Dobson: Hamlet Disowned
14: Lynne Vallone: Princess Victoria and the Cult of Celebrity
15: Eilis Smyth: Shakespeare in the Rubens Room
16: Sally Barnden: Monument and Montage
17: Gail Marshall: Puck and the Prince of Wales
18: Morna O'Neill: Much Ado about Tapestry
19: Vijeta Saini: Disappearances and The Durbar
1900
20: Kirsten Tambling: 'All England in Warm Sepia': Queen Mary and the Church of the Holy Trinity
21: Elizabeth Clark Ashby: Shakespeare in Miniature
22: Eleine Ng-Gagneux: Shashibiya
23: Kathryn Vomero Santos: Cultural (Dis)inheritance and the Decline of Empire in The Prince's Choice
Bibliography
1616
1: Gordon McMullan: The 'Disappointment' of Charles I's Shakespeare Second Folio
1700
2: Emrys Jones: Henry V and Early Hanoverian Self-Fashioning
3: Kate Retford: 'A Wild and Unruly Youth'
4: Shormishtha Panja: Moral painting
5: Anna Myers: David Garrick and the President's Chair
6: Rosie Dias: Queen Charlotte and the Royal Narratives of Boydell's Shakespeare Prints
7: Arthur Burns: George III and the other 'Mad King'
8: Essaka Joshua: Disability and Mutable Spectatorship
9: Fiona Ritchie: Fake and Authentic Shakespeare
1800
10: Mark Westgarth: 'Well-Authenticated Blocks'
11: Emma Stuart: Why did George IV own a Shakespeare First Folio?
12: Kate Heard: From Performance to Portfolio
13: Michael Dobson: Hamlet Disowned
14: Lynne Vallone: Princess Victoria and the Cult of Celebrity
15: Eilis Smyth: Shakespeare in the Rubens Room
16: Sally Barnden: Monument and Montage
17: Gail Marshall: Puck and the Prince of Wales
18: Morna O'Neill: Much Ado about Tapestry
19: Vijeta Saini: Disappearances and The Durbar
1900
20: Kirsten Tambling: 'All England in Warm Sepia': Queen Mary and the Church of the Holy Trinity
21: Elizabeth Clark Ashby: Shakespeare in Miniature
22: Eleine Ng-Gagneux: Shashibiya
23: Kathryn Vomero Santos: Cultural (Dis)inheritance and the Decline of Empire in The Prince's Choice
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
