Oxford Handbook of Music Listening in the 19th and 20th Centuries
Oxford Handbook of Music Listening in the 19th and 20th Centuries
Thorau, Christian; Ziemer, Hansjakob
Oxford University Press Inc
01/2019
536
Dura
Inglês
9780190466961
1088
Descrição não disponível.
The Art of Listening and Its Histories: An Introduction Christian Thorau and Hansjakob Ziemer Section I: Listening Behaviors and Emotions 1. Who Cares if you Listen? Researching Audience Behavior(s) in Nineteenth-Century Paris Katharine Ellis 2. The Well-Mannered Auditor: Zones of Attention and the Imposition of Silence in the Salon of the Nineteenth Century James Deaville 3. The Problem of Eclectic Listening in French and German Concerts, 1860-1910 William Weber 4. The Crisis of Listening in Interwar Germany Hansjakob Ziemer 5. Listening as a Practice of Everyday Life: The Munich Philharmonic Orchestra and Its Audiences in the Second World War Neil Gregor Section II: Listening Ideologies and Instructions 6. Turning Liebhaber into Kenner: Forkel's Lectures on the Art of Listening, c. 1780-1785 Mark Evan Bonds 7. Designated Attention: The Transformation of Music Announcements in Leipzig's Concert Life, 1781-1850 Anselma Lanzendoerfer 8. Concert Listening the British Way?: Program Notes and Victorian Culture Christina Bashford 9. "What ought to be heard": Touristic Listening and the Guided Ear Christian Thorau Section III: Listening Spaces and Encounters 10. Architectural Acoustics and the Trained Ear in the Arts: A Journey from 1780 to 1830 Viktoria Tkaczyk and Stefan Weinzierl 11. Amateurs and Auditors: Listening to the British Musical Festival, 1810-1835 Charles Edward McGuire 12. The Intimate Art of Listening: Music in the Private Sphere during the Nineteenth Century Wolfgang Fuhrmann 13. Symmetries in Spaces, Symmetries in Listening: Musical Theater Buildings in Europe around 1900 Gesa zur Nieden 14. Music in the Air-Listening in the Streets: Popular Music and Urban Listening Habits in Berlin around 1900 Daniel Morat Section IV: Listening and Technologies 15. From the Music-Telegraph to the Opera-Telephone-Listening to Music in the Late Nineteenth and Early Twentieth Centuries Sonja Neumann 16. First Re-Creations: Psychology, Phonographs, and New Cultures of Listening at the Beginning of the Twentieth Century Alexandra Hui 17. Between Personal Experience and Public Discourse: Reproduced Music and the Politics of Listening in the Twentieth Century Axel Volmar Section V: Towards an Art of Listening of the Twenty-First Century 18. Capturing the Landscape Within: On Writing the History of Experience James H. Johnson 19. Listening and Possessing Fred Maus 20. Is Listening to Music an Art-or Not? Wolfgang Gratzer 21. "Performer or listener, everybody in the concert hall should be devoted entirely to the music": On the Actuality of Not Listening to Music in Symphonic Concerts Christiane Tewinkel
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The Art of Listening and Its Histories: An Introduction Christian Thorau and Hansjakob Ziemer Section I: Listening Behaviors and Emotions 1. Who Cares if you Listen? Researching Audience Behavior(s) in Nineteenth-Century Paris Katharine Ellis 2. The Well-Mannered Auditor: Zones of Attention and the Imposition of Silence in the Salon of the Nineteenth Century James Deaville 3. The Problem of Eclectic Listening in French and German Concerts, 1860-1910 William Weber 4. The Crisis of Listening in Interwar Germany Hansjakob Ziemer 5. Listening as a Practice of Everyday Life: The Munich Philharmonic Orchestra and Its Audiences in the Second World War Neil Gregor Section II: Listening Ideologies and Instructions 6. Turning Liebhaber into Kenner: Forkel's Lectures on the Art of Listening, c. 1780-1785 Mark Evan Bonds 7. Designated Attention: The Transformation of Music Announcements in Leipzig's Concert Life, 1781-1850 Anselma Lanzendoerfer 8. Concert Listening the British Way?: Program Notes and Victorian Culture Christina Bashford 9. "What ought to be heard": Touristic Listening and the Guided Ear Christian Thorau Section III: Listening Spaces and Encounters 10. Architectural Acoustics and the Trained Ear in the Arts: A Journey from 1780 to 1830 Viktoria Tkaczyk and Stefan Weinzierl 11. Amateurs and Auditors: Listening to the British Musical Festival, 1810-1835 Charles Edward McGuire 12. The Intimate Art of Listening: Music in the Private Sphere during the Nineteenth Century Wolfgang Fuhrmann 13. Symmetries in Spaces, Symmetries in Listening: Musical Theater Buildings in Europe around 1900 Gesa zur Nieden 14. Music in the Air-Listening in the Streets: Popular Music and Urban Listening Habits in Berlin around 1900 Daniel Morat Section IV: Listening and Technologies 15. From the Music-Telegraph to the Opera-Telephone-Listening to Music in the Late Nineteenth and Early Twentieth Centuries Sonja Neumann 16. First Re-Creations: Psychology, Phonographs, and New Cultures of Listening at the Beginning of the Twentieth Century Alexandra Hui 17. Between Personal Experience and Public Discourse: Reproduced Music and the Politics of Listening in the Twentieth Century Axel Volmar Section V: Towards an Art of Listening of the Twenty-First Century 18. Capturing the Landscape Within: On Writing the History of Experience James H. Johnson 19. Listening and Possessing Fred Maus 20. Is Listening to Music an Art-or Not? Wolfgang Gratzer 21. "Performer or listener, everybody in the concert hall should be devoted entirely to the music": On the Actuality of Not Listening to Music in Symphonic Concerts Christiane Tewinkel
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