Oxford Handbook of Country Music
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Oxford Handbook of Country Music
Stimeling, Travis D.
Oxford University Press Inc
03/2022
588
Mole
Inglês
9780197619544
15 a 20 dias
970
Descrição não disponível.
CONTRIBUTORS
INTRODUCTION: Situating Country Music Studies
Travis D. Stimeling
Chapter 1: "Come Hither to Go Yonder": The Folklorist's Zigzag Path to Country Music Studies
Erika Brady
Chapter 2: The "Southernness" of Country Music
Patrick Huber
Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music's History
Diane Pecknold
Chapter 4: Country Music as Cultural Practice
Clifford R. Murphy
Chapter 5: Geography and Country Music: Constructing "Geo-Cultural" Identities
Jada Watson
Chapter 6: On the Notion of "Old-Time" in Country Music
Greg Reish
Chapter 7: Country Music and Recording Practice
Travis D. Stimeling
Chapter 8: The Singing Voice in Country Music
Stephanie Vander Wel
Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar
Tim Sterner Miller
Chapter 10: Country Music and the Recording Industry
Charles L. Hughes
Chapter 11: Country Radio: The Dialectic of Format and Genre
Eric Weisbard
Chapter 12: Country Music and Television
Tracey E.W. Laird
Chapter 13: Country Music and Film
Barry Mazor
Chapter 14: The Sociology of Country Music
Richard Lloyd
Chapter 15: Class in Country Music
Leigh H. Edwards
Chapter 16: Race in Country Music Scholarship
Olivia Carter Mather
Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender
Kristine M. McCusker
Chapter 18: Sexuality in Country Music
Pamela Fox
Chapter 19: On the Sacred in Country Music
Stephen Shearon
Chapter 20: Goin' Hillbilly Nuts: Fashion Culture and Visual Style in Country Music
Caroline Gnagy
Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage
Jocelyn R. Neal
Chapter 22: "These Are My People": The Politics of Country Music
Jason Mellard
Chapter 23: Country Music and Fan Culture
Jonathan Wynn
Chapter 24: What's International About International Country Music?: Country Music and National Identity around the World
Nathan D. Gibson
INDEX
INTRODUCTION: Situating Country Music Studies
Travis D. Stimeling
Chapter 1: "Come Hither to Go Yonder": The Folklorist's Zigzag Path to Country Music Studies
Erika Brady
Chapter 2: The "Southernness" of Country Music
Patrick Huber
Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music's History
Diane Pecknold
Chapter 4: Country Music as Cultural Practice
Clifford R. Murphy
Chapter 5: Geography and Country Music: Constructing "Geo-Cultural" Identities
Jada Watson
Chapter 6: On the Notion of "Old-Time" in Country Music
Greg Reish
Chapter 7: Country Music and Recording Practice
Travis D. Stimeling
Chapter 8: The Singing Voice in Country Music
Stephanie Vander Wel
Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar
Tim Sterner Miller
Chapter 10: Country Music and the Recording Industry
Charles L. Hughes
Chapter 11: Country Radio: The Dialectic of Format and Genre
Eric Weisbard
Chapter 12: Country Music and Television
Tracey E.W. Laird
Chapter 13: Country Music and Film
Barry Mazor
Chapter 14: The Sociology of Country Music
Richard Lloyd
Chapter 15: Class in Country Music
Leigh H. Edwards
Chapter 16: Race in Country Music Scholarship
Olivia Carter Mather
Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender
Kristine M. McCusker
Chapter 18: Sexuality in Country Music
Pamela Fox
Chapter 19: On the Sacred in Country Music
Stephen Shearon
Chapter 20: Goin' Hillbilly Nuts: Fashion Culture and Visual Style in Country Music
Caroline Gnagy
Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage
Jocelyn R. Neal
Chapter 22: "These Are My People": The Politics of Country Music
Jason Mellard
Chapter 23: Country Music and Fan Culture
Jonathan Wynn
Chapter 24: What's International About International Country Music?: Country Music and National Identity around the World
Nathan D. Gibson
INDEX
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
CONTRIBUTORS
INTRODUCTION: Situating Country Music Studies
Travis D. Stimeling
Chapter 1: "Come Hither to Go Yonder": The Folklorist's Zigzag Path to Country Music Studies
Erika Brady
Chapter 2: The "Southernness" of Country Music
Patrick Huber
Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music's History
Diane Pecknold
Chapter 4: Country Music as Cultural Practice
Clifford R. Murphy
Chapter 5: Geography and Country Music: Constructing "Geo-Cultural" Identities
Jada Watson
Chapter 6: On the Notion of "Old-Time" in Country Music
Greg Reish
Chapter 7: Country Music and Recording Practice
Travis D. Stimeling
Chapter 8: The Singing Voice in Country Music
Stephanie Vander Wel
Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar
Tim Sterner Miller
Chapter 10: Country Music and the Recording Industry
Charles L. Hughes
Chapter 11: Country Radio: The Dialectic of Format and Genre
Eric Weisbard
Chapter 12: Country Music and Television
Tracey E.W. Laird
Chapter 13: Country Music and Film
Barry Mazor
Chapter 14: The Sociology of Country Music
Richard Lloyd
Chapter 15: Class in Country Music
Leigh H. Edwards
Chapter 16: Race in Country Music Scholarship
Olivia Carter Mather
Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender
Kristine M. McCusker
Chapter 18: Sexuality in Country Music
Pamela Fox
Chapter 19: On the Sacred in Country Music
Stephen Shearon
Chapter 20: Goin' Hillbilly Nuts: Fashion Culture and Visual Style in Country Music
Caroline Gnagy
Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage
Jocelyn R. Neal
Chapter 22: "These Are My People": The Politics of Country Music
Jason Mellard
Chapter 23: Country Music and Fan Culture
Jonathan Wynn
Chapter 24: What's International About International Country Music?: Country Music and National Identity around the World
Nathan D. Gibson
INDEX
INTRODUCTION: Situating Country Music Studies
Travis D. Stimeling
Chapter 1: "Come Hither to Go Yonder": The Folklorist's Zigzag Path to Country Music Studies
Erika Brady
Chapter 2: The "Southernness" of Country Music
Patrick Huber
Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music's History
Diane Pecknold
Chapter 4: Country Music as Cultural Practice
Clifford R. Murphy
Chapter 5: Geography and Country Music: Constructing "Geo-Cultural" Identities
Jada Watson
Chapter 6: On the Notion of "Old-Time" in Country Music
Greg Reish
Chapter 7: Country Music and Recording Practice
Travis D. Stimeling
Chapter 8: The Singing Voice in Country Music
Stephanie Vander Wel
Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar
Tim Sterner Miller
Chapter 10: Country Music and the Recording Industry
Charles L. Hughes
Chapter 11: Country Radio: The Dialectic of Format and Genre
Eric Weisbard
Chapter 12: Country Music and Television
Tracey E.W. Laird
Chapter 13: Country Music and Film
Barry Mazor
Chapter 14: The Sociology of Country Music
Richard Lloyd
Chapter 15: Class in Country Music
Leigh H. Edwards
Chapter 16: Race in Country Music Scholarship
Olivia Carter Mather
Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender
Kristine M. McCusker
Chapter 18: Sexuality in Country Music
Pamela Fox
Chapter 19: On the Sacred in Country Music
Stephen Shearon
Chapter 20: Goin' Hillbilly Nuts: Fashion Culture and Visual Style in Country Music
Caroline Gnagy
Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage
Jocelyn R. Neal
Chapter 22: "These Are My People": The Politics of Country Music
Jason Mellard
Chapter 23: Country Music and Fan Culture
Jonathan Wynn
Chapter 24: What's International About International Country Music?: Country Music and National Identity around the World
Nathan D. Gibson
INDEX
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
