John Sullivan Dwight

Acknowledgements
Illustrations
Introduction

PART I: Musica sub rosa
1. A Lineage so Grandly Historic
The Dwights of Massachusetts
Irrepressible Fondness
Dwight's Early Education
Genius and Enterprise

2. Musical Awakenings
Life at Harvard
Musica sub rosa
Harvard Divinity School

3. The World Idealized
Ralph Waldo Emerson
Gardiner's The Music of Nature (1832)
Goethe, Schiller & Carlyle
George Ripley
Early Major Writings

4. Preaching, The Dial, and the HMA
Northampton
The Dial (1840-1844)
The Harvard Musical Association

PART II: The Music of Transcendentalism
5. Dwight at Brook Farm
Gentleman Farmers
The Arts at Brook Farm
The Emerging Journalist

6. The Harbinger, Beethoven, and the End of Brook Farm
The Harbinger
Beethoven Storms Boston
Dwight's Fourieristic Writings
Gone Like a Dream

7. The Maturing Critic
Back in Boston
The Daily Chronotype
Sartain's Magazine
Graham's Magazine
New Prospects

PART III: The World at Arm's Length
8. Dwight's Journal of Music
Founding the Journal
Models and Influences
Early Reception of the Journal
Oliver Ditson

9. Years in Days
Dwight's Grand Tour
Music in Europe
The Great Eastern

10. Dwight on the Issues
Responses to the Civil War
Dwight contra Enterprise
Native Musicians
Music of the Future
Murmurs of a Grander Future
Music Libraries in Boston

11. The End of Dwight's Journal of Music
We Still Live
Howling Wolves
The Journal Folds

CODA
12. The Last Transcendentalist
Life After the Journal
The Perkins Institution for the Blind
Last writings
The Last Transcendentalist

Appendices
1. Dwight's Harvard Forensics & Themes Topics
2. Selected Original Poems by Dwight
3. Musical Repertoire & Guest Artists at Brook Farm
4. Selected Song Translations & Adaptations by Dwight
5. Dwight's Major Original Essays in the Journal (1852-1881)
6. Dwight's European

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• História das Américas
• Música: estilos e gêneros
• Música opiniões e críticas
• Estudos literários: c 1800 a c 1900