Moving Form of Film

Table of Contents

List of Illustrations
Contributors
Acknowledgements
Introduction - Stefan Solomon and Lucia Nagib

Part I - Methodologies
1. Hegel, Cinema and the Other Arts
Alain Badiou
2. One-Dimensional Man? A Reply to Alain Badiou
James Hellings
3. Hybrid Variations on an Intermedial Theme
Robert Stam
4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark
Mark Player

Part II - Technologies and Environments
5. Intermediality and the Carousel Slide Projector
Julian Ross
6. Up the Junction, Intermediality and Social Change
Sarah Street
7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema
Ismail Xavier
8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca
9. Elemental Intermedia
Stefan Solomon

Part III - National and Regional Phenomena
10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil
Luciana Correa de Araujo
11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajari
Albert Elduque
12. Impurity and Identification: Historicising Chinese Cinema through the Opera
Cecilia Mello
13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2
Lucia Nagib

Part IV - Intermedial Artists
14. Stephen Dwoskin, an Intermedial Artist
Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue
15. Intermedial Voices: Intersections in feminist sound and moving image
Claire M. Holdsworth
16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son
Jonathan Bignell
17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy
Fatima Chinita

Index

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• Realizadores e produtores de filmes individuais
• Produção de filmes: habilidades técnicas e de fundo