Century in 16mm

Part I. Technology and Industry
1: Alice Lovejoy: Forests, Fibers, and Film: The International Chemical Industry and the Rise of 16mm
2: Andrea Mariani andSimona Schneider: 16mm Standardization and Agfa's Strategic Policies in Fascist Italy
3: Louis Pelletier: 16mm Leaves Home: The Cine-Kodak Special and the Rise of Professional Small-Gauge Filmmaking
4: Martin L. Johnson: 16mm's Other Pioneer: Considering Bell & Howell
5: John Powers: A Little Steam Locomotive, Right in Your Hands: The Bolex H-16 Camera and the American Avant-Garde
Part II. The Audiovisual State
6: Tom Rice: The Raw Stock Exchange: 16mm Across the British Empire
7: Navdeep Sharma: Modern, Mobile, and Modular: 16mm Projectors and the Promise of Development in India, 1945-1965
8: Loren Pilcher: Making Progress at the Margins? Segregation and Southern Turpentine on 16mm
9: Lisa M. Rabin: Cold War "Useable Knowledge" on 16mm: Julien Bryan, the International Film Foundation, and US Area Studies, 1945-1980
10: Konrad Klejsa: The Perverse Incentive: Small-Gauge Cinema Chain in the People's Republic of Poland
Part III. Circulation and Networks
11: Charles Tepperman,Keith M. Johnston,Andrea Mariani,Noriko Morisue, andSimona Schneider: Moving Amateur Movies: The International Amateur Cinema Network in the 1930s
12: Tanya Goldman: A "Lusty Infant" Comes of Age: The Allied Non-Theatrical Film Association and the Growth of the 16mm Sector, 1939-1949
13: Kit Hughes: Connection and Projection: The Lost Lives of 16mm Kinescope Networks
14: Rafael de Luna Freire,Filipe Gama, andTiago Quintes: A Survey of the History of Non-Theatrical 16mm Film Exhibition in Brazil until the 1960s
15: Michael Zryd: 16mm as North American Experimental Film's Medium Gauge
Part IV. New Sites and Expanded Practices
16: Denise Khor: Beyond Home Movies: Japanese Americans, Amateur Filmmaking, and Camera Clubs in the 1930s
17: Joseph W. Ho: Moving Visions: 16mm Filmmaking as Transnational Missionary Apparatus in Twentieth-Century East Asia
18: Liz Czach: 16mm as a Professional Filmmaking Tool: The Case of Women Film-Lecturers
19: Scott Curtis: 16mm, Postwar Radiology, and the Production of Knowledge
20: Travis Vogan: 16mm and Football: Teaching and Selling
21: Eric Schaefer: 16mm Smut
22: Josh Guilford: Instructions for Experimentation: Multi-Projection Films, Portable Projectors, and Avant-Garde Instruction Sheets
23: Paola Margulis: Standards and Institutionalization: 16mm in Political Documentaries of the 1980s in Argentina, Chile, and Uruguay

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• Produção de filmes: habilidades técnicas e de fundo
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