Complete Musician
Complete Musician
An Integrated Approach to Theory, Analysis, and Listening
;
Oxford University Press Inc
10/2022
960
Mole
Inglês
9780190924508
Descrição não disponível.
PREFACE PART 1: FOUNDATIONS CHAPTER 1A Musical Space: Pitches, Scales, and Keys CHAPTER 1B Musical Time: Meter and Rhythm CHAPTER 1C Musical Distance: Intervals CHAPTER 2 Pitch and Meter Combine: Melody and Counterpoint CHAPTER 3 Triads, Seventh Chords, and Texture PART 2: FUSING MELODY, HARMONY, AND COUNTERPOINT CHAPTER 4 The Role of Context: Embellishing Tones and Melodic Shape CHAPTER 5 Tonic, Dominant, and Voice Leading CHAPTER 6 V7 and Two-Level Analysis CHAPTER 7 Expanding Tonic and Dominant with First-Inversion Triads CHAPTER 8 Inversions of V7 and Leading-Tone Seventh Chords PART 3: ESTABLISHING, EXPANDING, AND EMBELLISHING THE PHRASE MODEL CHAPTER 9 The Pre-Dominant Function and the Phrase Model CHAPTER 10 Accented and Chromatic Embellishing Tones CHAPTER 11 Six-Four Chords and Plagal Motions CHAPTER 12 Pre-Dominant Seventh Chords and Embedded Phrase Models CHAPTER 13 The Submediant and the Step-Descent Bass CHAPTER 14 The Mediant and the Back-Relating Dominant PART 4: SMALL FORMS CHAPTER 15 Periods CHAPTER 16 Sentences, Double Periods, and Asymmetric Periods AN INTERMEZZO ON MUSICAL MOTIVES PART 5: EXPRESSIVE COLOR THROUGH CHROMATICISM CHAPTER 17 Applied Chords CHAPTER 18 Modulation CHAPTER 19 Harmonic Sequences CHAPTER 20 Binary Form and Variations CHAPTER 21 Modal Mixture CHAPTER 22 Chromatic Modulation and Text-Music Relations CHAPTER 23 Neapolitan Chords CHAPTER 24 Augmented-Sixth Chords PART 6: LARGE FORMS CHAPTER 25 Ternary Form CHAPTER 26 Rondo Form CHAPTER 27 Sonata Form PART 7: NEAR, AT, AND PAST THE EDGES OF TONALITY CHAPTER 28 Tonal Ambiguity and Symmetrically Constructed Harmonies CHAPTER 29 Symmetry Stretches Tonality: Chromatic Sequences and Equal Divisions of the Octave CHAPTER 30 Centricity, Extended and Non-Tertian Sonorities, and Collections CHAPTER 31 Analysis with Sets CHAPTER 32 Metrical and Serial Techniques GLOSSARY CREDITS INDEX OF TERMS AND CONCEPTS INDEX OF MUSICAL EXAMPLES AND EXERCISES
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PREFACE PART 1: FOUNDATIONS CHAPTER 1A Musical Space: Pitches, Scales, and Keys CHAPTER 1B Musical Time: Meter and Rhythm CHAPTER 1C Musical Distance: Intervals CHAPTER 2 Pitch and Meter Combine: Melody and Counterpoint CHAPTER 3 Triads, Seventh Chords, and Texture PART 2: FUSING MELODY, HARMONY, AND COUNTERPOINT CHAPTER 4 The Role of Context: Embellishing Tones and Melodic Shape CHAPTER 5 Tonic, Dominant, and Voice Leading CHAPTER 6 V7 and Two-Level Analysis CHAPTER 7 Expanding Tonic and Dominant with First-Inversion Triads CHAPTER 8 Inversions of V7 and Leading-Tone Seventh Chords PART 3: ESTABLISHING, EXPANDING, AND EMBELLISHING THE PHRASE MODEL CHAPTER 9 The Pre-Dominant Function and the Phrase Model CHAPTER 10 Accented and Chromatic Embellishing Tones CHAPTER 11 Six-Four Chords and Plagal Motions CHAPTER 12 Pre-Dominant Seventh Chords and Embedded Phrase Models CHAPTER 13 The Submediant and the Step-Descent Bass CHAPTER 14 The Mediant and the Back-Relating Dominant PART 4: SMALL FORMS CHAPTER 15 Periods CHAPTER 16 Sentences, Double Periods, and Asymmetric Periods AN INTERMEZZO ON MUSICAL MOTIVES PART 5: EXPRESSIVE COLOR THROUGH CHROMATICISM CHAPTER 17 Applied Chords CHAPTER 18 Modulation CHAPTER 19 Harmonic Sequences CHAPTER 20 Binary Form and Variations CHAPTER 21 Modal Mixture CHAPTER 22 Chromatic Modulation and Text-Music Relations CHAPTER 23 Neapolitan Chords CHAPTER 24 Augmented-Sixth Chords PART 6: LARGE FORMS CHAPTER 25 Ternary Form CHAPTER 26 Rondo Form CHAPTER 27 Sonata Form PART 7: NEAR, AT, AND PAST THE EDGES OF TONALITY CHAPTER 28 Tonal Ambiguity and Symmetrically Constructed Harmonies CHAPTER 29 Symmetry Stretches Tonality: Chromatic Sequences and Equal Divisions of the Octave CHAPTER 30 Centricity, Extended and Non-Tertian Sonorities, and Collections CHAPTER 31 Analysis with Sets CHAPTER 32 Metrical and Serial Techniques GLOSSARY CREDITS INDEX OF TERMS AND CONCEPTS INDEX OF MUSICAL EXAMPLES AND EXERCISES
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