Rock and Rhapsodies
Rock and Rhapsodies
The Music of Queen
Oxford University Press Inc
10/2021
320
Dura
Inglês
9780197526736
10
Descrição não disponível.
Notes on Musical Examples Acknowledgements List of Tables and Figures 1. Introduction The Book The Study of Queen Issues of Style 2. Queen's Idiolect: A Primer Harmonic Structure and Gestures Textural Foundations and the Sound-Box Arrangement and Performance Gestures Sounds Like Queen, and other Conclusions 3. Artistic Craft and Crafted Artistry: Queen's Structural Archetypes Introduction and Definitions Conventional Forms Variations on Conventional Forms Episodic Songs Artistic Craft and Crafted Artistry 4. Temporal Processes in Queen's Large-Scale Songs Time and Popular Song Phrase and Intra-Sectional Linearity Sectional Temporality Closure Queen's Temporal Processes and Exceptions 5. Brian May and Roger Taylor Analyzing the Voice The Voices of Brian May and Roger Taylor May, Taylor, and Rock Authenticity 6. Freddie Mercury The Voices Structural Dynamics Stylistic Incongruities, Queer and Camp Voices, and the "Real" Freddie Mercury, Rock Authenticity, and Interpretation Coda 7. Hard Rock, Glam Rock and Progressive Rock in the 1970s Commentary and Conceptual Considerations Queen's "Dominant Voice": The Hard Rock Connection The Glam Rock Connection: Exaggeration, Irony, and Play Progressive Rock, and Interplay 8. The Musical World(s) of Queen A "Unique" Sonic Fingerprint and Pastiche in the 1970s Queen's Sonic Patterns and Stylistic Connections The Musical World(s) of Queen 9. A Day at the Races and the Gestural Unity of Queen Queen in 1976 and the Ideal of Evolution The Notion of Gestural Unity: Idiolect Revisited A Day at the Races The Gestural Unity of Queen 10. Was It All Worth It? Queen in the 1980s A Decade of Changing Fortunes From "Save Me" to "Staying Power" The Rock Ballads Revisited Hard Rock by Numbers Was It All Worth It? 11. Queen's Jubilee: The Late Style of Innuendo Introduction "Innuendo" "The Show Must Go On" A Late Style of Queen 12. Legacy Post-1991 Replacing Freddie "No One But You" We Will Rock You The Influence of Queen The End of the Story Bibliography Appendix A
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Notes on Musical Examples Acknowledgements List of Tables and Figures 1. Introduction The Book The Study of Queen Issues of Style 2. Queen's Idiolect: A Primer Harmonic Structure and Gestures Textural Foundations and the Sound-Box Arrangement and Performance Gestures Sounds Like Queen, and other Conclusions 3. Artistic Craft and Crafted Artistry: Queen's Structural Archetypes Introduction and Definitions Conventional Forms Variations on Conventional Forms Episodic Songs Artistic Craft and Crafted Artistry 4. Temporal Processes in Queen's Large-Scale Songs Time and Popular Song Phrase and Intra-Sectional Linearity Sectional Temporality Closure Queen's Temporal Processes and Exceptions 5. Brian May and Roger Taylor Analyzing the Voice The Voices of Brian May and Roger Taylor May, Taylor, and Rock Authenticity 6. Freddie Mercury The Voices Structural Dynamics Stylistic Incongruities, Queer and Camp Voices, and the "Real" Freddie Mercury, Rock Authenticity, and Interpretation Coda 7. Hard Rock, Glam Rock and Progressive Rock in the 1970s Commentary and Conceptual Considerations Queen's "Dominant Voice": The Hard Rock Connection The Glam Rock Connection: Exaggeration, Irony, and Play Progressive Rock, and Interplay 8. The Musical World(s) of Queen A "Unique" Sonic Fingerprint and Pastiche in the 1970s Queen's Sonic Patterns and Stylistic Connections The Musical World(s) of Queen 9. A Day at the Races and the Gestural Unity of Queen Queen in 1976 and the Ideal of Evolution The Notion of Gestural Unity: Idiolect Revisited A Day at the Races The Gestural Unity of Queen 10. Was It All Worth It? Queen in the 1980s A Decade of Changing Fortunes From "Save Me" to "Staying Power" The Rock Ballads Revisited Hard Rock by Numbers Was It All Worth It? 11. Queen's Jubilee: The Late Style of Innuendo Introduction "Innuendo" "The Show Must Go On" A Late Style of Queen 12. Legacy Post-1991 Replacing Freddie "No One But You" We Will Rock You The Influence of Queen The End of the Story Bibliography Appendix A
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