Metacinema
Metacinema
The Form and Content of Filmic Reference and Reflexivity
LaRocca, David
Oxford University Press Inc
12/2021
344
Mole
Inglês
9780190095352
496
Foreword
The Cinematic Question: "What Do You Want From Me?"
Robert B. Pippin
Introduction
An Invitation to the Varieties and Virtues of "Meta-ness" in the Art and Culture of Film
David LaRocca
Part I. Conceptual and Theoretical Reorientation to Metacinema
1. Cinematic Self-Consciousness in Hitchcock's Rear Window
Robert B. Pippin
2. Adaptations, Refractions, and Obstructions: The Prophecies of Andre Bazin
Timothy Corrigan
3. A Metacinematic Spectrum: Technique Through Text to Context
Garrett Stewart
4. Recursive Reflections: Types, Modes, and Forms of Cinematic Reflexivity
Daniel Yacavone
5. Melies, Astruc, and Scorsese: Authorship, Historiography, and Videographic Styles
Eleni Palis
Part II. Illumination from the Duplications and Repetitions of Reflexive Cinema
6. 8 1/2: Self-Reflexive Fiction and Mental Training
Joshua Landy
7. Clouds of Sils Maria: True Characters and Fictional Selves in the Construction of Filmic Identities
Laura T. Di Summa
8. Holy Motors: Metameditation on Digital Cinema's Present and Future
Ohad Landesman
Part III. Affectivity and Embodiment in Metanarratives
9. Fight Club: Enlivenment, Love, and the Aesthetics of Violence in the Age of Trump
J. M. Bernstein
10. Funny Games: Film, Imagination, and Moral Complicity
Paul Schofield
11. Shoah: Art as Visualizing What Cannot Be Grasped
Shoshana Felman
Part IV. Metadocumentary, Experimental Film, and Animation
12. The Act of Killing: Empathy, Morality, and Reenactment
Thomas E. Wartenberg
13. Waltz with Bashir's Animated Traces: Troubled Indexicality in Contemporary Documentary Rhetorics
Yotam Shibolet
14. Alone., Again: On Martin Arnold's Metaformal Invention by Intervention
David LaRocca
Acknowledgments
Index
Foreword
The Cinematic Question: "What Do You Want From Me?"
Robert B. Pippin
Introduction
An Invitation to the Varieties and Virtues of "Meta-ness" in the Art and Culture of Film
David LaRocca
Part I. Conceptual and Theoretical Reorientation to Metacinema
1. Cinematic Self-Consciousness in Hitchcock's Rear Window
Robert B. Pippin
2. Adaptations, Refractions, and Obstructions: The Prophecies of Andre Bazin
Timothy Corrigan
3. A Metacinematic Spectrum: Technique Through Text to Context
Garrett Stewart
4. Recursive Reflections: Types, Modes, and Forms of Cinematic Reflexivity
Daniel Yacavone
5. Melies, Astruc, and Scorsese: Authorship, Historiography, and Videographic Styles
Eleni Palis
Part II. Illumination from the Duplications and Repetitions of Reflexive Cinema
6. 8 1/2: Self-Reflexive Fiction and Mental Training
Joshua Landy
7. Clouds of Sils Maria: True Characters and Fictional Selves in the Construction of Filmic Identities
Laura T. Di Summa
8. Holy Motors: Metameditation on Digital Cinema's Present and Future
Ohad Landesman
Part III. Affectivity and Embodiment in Metanarratives
9. Fight Club: Enlivenment, Love, and the Aesthetics of Violence in the Age of Trump
J. M. Bernstein
10. Funny Games: Film, Imagination, and Moral Complicity
Paul Schofield
11. Shoah: Art as Visualizing What Cannot Be Grasped
Shoshana Felman
Part IV. Metadocumentary, Experimental Film, and Animation
12. The Act of Killing: Empathy, Morality, and Reenactment
Thomas E. Wartenberg
13. Waltz with Bashir's Animated Traces: Troubled Indexicality in Contemporary Documentary Rhetorics
Yotam Shibolet
14. Alone., Again: On Martin Arnold's Metaformal Invention by Intervention
David LaRocca
Acknowledgments
Index