Modernist Cinema
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portes grátis
Modernist Cinema
Film Art from 1914 to 1941
Klein, Scott W.; Moses, Michael Valdez
Oxford University Press Inc
02/2022
332
Dura
Inglês
9780199379453
15 a 20 dias
640
Descrição não disponível.
Introduction
Chapter 1: Giovanni Pastrone's Cabiria, Gesture, Modernism, by Enda Duffy and Maurizia Boscagli
Chapter 2: D. W. Griffith's Intolerance and the Ever-Present Now, by Michael North
Chapter 3: Sergei Eisenstein's Collage: Filming Montage in Museums at Night, by Lisa Siraganian
Chapter 4: From Automaton to Autonomy: Mechanical Reproduction in Fritz Lang's Metropolis, by Richard Begam
Chapter 5: "Suspense is Like a Woman": Sex and Style in Alfred Hitchcock's Pleasure Garden and The Lodger, by Laura Frost
Chapter 6: F. W. Murnau's Sunrise: Between Two Worlds, by Laura Marcus
Chapter 7: "A Language Worth the Trouble of Learning"? Carl Theodore Dreyer's The Passion of Joan of Arc, by Andrzej Gasiorek
Chapter 8: Intervals of Transition: Dziga Vertov's The Man With a Movie Camera, by Tyrus Miller
Chapter 9: Luis Bunuel, Surrealism and the Politics of Disorder, by Michael Wood
Chapter 10: Yasujir's Ozu's A Story of Floating Weeds and the Art of Being Behind, by Carrie J. Preston
Chapter 11: "Saved from the Blessings of Civilization": John Ford's Stagecoach, the West, and American Vernacular Modernism, by Michael Valdez Moses
Chapter 12: "Tout le monde a ses raisons" The Problem of Impressionist Commitment in Jean Renoir's La Regle du jeu, by Jesse Matz
Chapter 13: "You Must Speak": Silence, Scale, and Power in Charlie Chaplin's The Great Dictator, by Scott W. Klein
Chapter 14: Leni Riefenstahl's Nazi Neoclassicism: Olympia, by Elizabeth Otto
Chapter 15: On Auratic and Sentimental Objects: High and Low Modernism in Orson Welles' Citizen Kane, by Douglas Mao
Index
Chapter 1: Giovanni Pastrone's Cabiria, Gesture, Modernism, by Enda Duffy and Maurizia Boscagli
Chapter 2: D. W. Griffith's Intolerance and the Ever-Present Now, by Michael North
Chapter 3: Sergei Eisenstein's Collage: Filming Montage in Museums at Night, by Lisa Siraganian
Chapter 4: From Automaton to Autonomy: Mechanical Reproduction in Fritz Lang's Metropolis, by Richard Begam
Chapter 5: "Suspense is Like a Woman": Sex and Style in Alfred Hitchcock's Pleasure Garden and The Lodger, by Laura Frost
Chapter 6: F. W. Murnau's Sunrise: Between Two Worlds, by Laura Marcus
Chapter 7: "A Language Worth the Trouble of Learning"? Carl Theodore Dreyer's The Passion of Joan of Arc, by Andrzej Gasiorek
Chapter 8: Intervals of Transition: Dziga Vertov's The Man With a Movie Camera, by Tyrus Miller
Chapter 9: Luis Bunuel, Surrealism and the Politics of Disorder, by Michael Wood
Chapter 10: Yasujir's Ozu's A Story of Floating Weeds and the Art of Being Behind, by Carrie J. Preston
Chapter 11: "Saved from the Blessings of Civilization": John Ford's Stagecoach, the West, and American Vernacular Modernism, by Michael Valdez Moses
Chapter 12: "Tout le monde a ses raisons" The Problem of Impressionist Commitment in Jean Renoir's La Regle du jeu, by Jesse Matz
Chapter 13: "You Must Speak": Silence, Scale, and Power in Charlie Chaplin's The Great Dictator, by Scott W. Klein
Chapter 14: Leni Riefenstahl's Nazi Neoclassicism: Olympia, by Elizabeth Otto
Chapter 15: On Auratic and Sentimental Objects: High and Low Modernism in Orson Welles' Citizen Kane, by Douglas Mao
Index
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Introduction
Chapter 1: Giovanni Pastrone's Cabiria, Gesture, Modernism, by Enda Duffy and Maurizia Boscagli
Chapter 2: D. W. Griffith's Intolerance and the Ever-Present Now, by Michael North
Chapter 3: Sergei Eisenstein's Collage: Filming Montage in Museums at Night, by Lisa Siraganian
Chapter 4: From Automaton to Autonomy: Mechanical Reproduction in Fritz Lang's Metropolis, by Richard Begam
Chapter 5: "Suspense is Like a Woman": Sex and Style in Alfred Hitchcock's Pleasure Garden and The Lodger, by Laura Frost
Chapter 6: F. W. Murnau's Sunrise: Between Two Worlds, by Laura Marcus
Chapter 7: "A Language Worth the Trouble of Learning"? Carl Theodore Dreyer's The Passion of Joan of Arc, by Andrzej Gasiorek
Chapter 8: Intervals of Transition: Dziga Vertov's The Man With a Movie Camera, by Tyrus Miller
Chapter 9: Luis Bunuel, Surrealism and the Politics of Disorder, by Michael Wood
Chapter 10: Yasujir's Ozu's A Story of Floating Weeds and the Art of Being Behind, by Carrie J. Preston
Chapter 11: "Saved from the Blessings of Civilization": John Ford's Stagecoach, the West, and American Vernacular Modernism, by Michael Valdez Moses
Chapter 12: "Tout le monde a ses raisons" The Problem of Impressionist Commitment in Jean Renoir's La Regle du jeu, by Jesse Matz
Chapter 13: "You Must Speak": Silence, Scale, and Power in Charlie Chaplin's The Great Dictator, by Scott W. Klein
Chapter 14: Leni Riefenstahl's Nazi Neoclassicism: Olympia, by Elizabeth Otto
Chapter 15: On Auratic and Sentimental Objects: High and Low Modernism in Orson Welles' Citizen Kane, by Douglas Mao
Index
Chapter 1: Giovanni Pastrone's Cabiria, Gesture, Modernism, by Enda Duffy and Maurizia Boscagli
Chapter 2: D. W. Griffith's Intolerance and the Ever-Present Now, by Michael North
Chapter 3: Sergei Eisenstein's Collage: Filming Montage in Museums at Night, by Lisa Siraganian
Chapter 4: From Automaton to Autonomy: Mechanical Reproduction in Fritz Lang's Metropolis, by Richard Begam
Chapter 5: "Suspense is Like a Woman": Sex and Style in Alfred Hitchcock's Pleasure Garden and The Lodger, by Laura Frost
Chapter 6: F. W. Murnau's Sunrise: Between Two Worlds, by Laura Marcus
Chapter 7: "A Language Worth the Trouble of Learning"? Carl Theodore Dreyer's The Passion of Joan of Arc, by Andrzej Gasiorek
Chapter 8: Intervals of Transition: Dziga Vertov's The Man With a Movie Camera, by Tyrus Miller
Chapter 9: Luis Bunuel, Surrealism and the Politics of Disorder, by Michael Wood
Chapter 10: Yasujir's Ozu's A Story of Floating Weeds and the Art of Being Behind, by Carrie J. Preston
Chapter 11: "Saved from the Blessings of Civilization": John Ford's Stagecoach, the West, and American Vernacular Modernism, by Michael Valdez Moses
Chapter 12: "Tout le monde a ses raisons" The Problem of Impressionist Commitment in Jean Renoir's La Regle du jeu, by Jesse Matz
Chapter 13: "You Must Speak": Silence, Scale, and Power in Charlie Chaplin's The Great Dictator, by Scott W. Klein
Chapter 14: Leni Riefenstahl's Nazi Neoclassicism: Olympia, by Elizabeth Otto
Chapter 15: On Auratic and Sentimental Objects: High and Low Modernism in Orson Welles' Citizen Kane, by Douglas Mao
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
