From Camelot to Spamalot
From Camelot to Spamalot
Musical Retellings of Arthurian Legend on Stage and Screen
Oxford University Press Inc
08/2021
248
Mole
Inglês
9780197511039
364
Descrição não disponível.
Acknowledgements Introduction Part 1: Adapting Mark Twain's A Connecticut Yankee in King Arthur's Court Prelude: Twain as Adapter Chapter 1: Musical Storytelling and Revision in Rodgers and Hart's A Connecticut Yankee Chapter 2: Bing Crosby's Stardom and Legend in A Connecticut Yankee in King Arthur's Court Part 2: Adapting T.H. White's The Once and Future King Chapter 3: Interpretation and Characterization in Lerner and Loewe's Camelot Chapter 4: Naivete and the Depiction of Arthur's Childhood in Disney's The Sword in the Stone Part 3: Monty Python as Adapters Chapter 5: Parody and the Role of Song in Monty Python and the Holy Grail Chapter 6: Notions of Place, Legend, and Broadway in Monty Python's Spamalot Conclusion Archival Collections Bibliography Index
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Acknowledgements Introduction Part 1: Adapting Mark Twain's A Connecticut Yankee in King Arthur's Court Prelude: Twain as Adapter Chapter 1: Musical Storytelling and Revision in Rodgers and Hart's A Connecticut Yankee Chapter 2: Bing Crosby's Stardom and Legend in A Connecticut Yankee in King Arthur's Court Part 2: Adapting T.H. White's The Once and Future King Chapter 3: Interpretation and Characterization in Lerner and Loewe's Camelot Chapter 4: Naivete and the Depiction of Arthur's Childhood in Disney's The Sword in the Stone Part 3: Monty Python as Adapters Chapter 5: Parody and the Role of Song in Monty Python and the Holy Grail Chapter 6: Notions of Place, Legend, and Broadway in Monty Python's Spamalot Conclusion Archival Collections Bibliography Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
