Experimentalisms in Practice
Experimentalisms in Practice
Music Perspectives from Latin America
Madrid, Alejandro L.; Alonso-Minutti, Ana R.; Herrera, Eduardo
Oxford University Press Inc
03/2018
370
Dura
Inglês
9780190842741
650
Descrição não disponível.
List of Figures List of Music Examples List of Tables List of Contributors Acknowledgements About the Companion Website Chapter 1. The Practices of Experimentalism in Latin@ and Latin American Music: An Introduction by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid I. Centers and Institutions Chapter 2. "That's Not Something to Show in a Concert": Experimentation and Legitimacy at the Centro Latinoamericano de Altos Estudios Musicales by Eduardo Herrera Chapter 3. Experimental Alternatives: Institutionalism, Avant-gardism, and Popular Music at the Margins of the Cuban Revolution by Susan Thomas II. Beyond the Limits of Hybridity Chapter 4. "I Go against the Grain of Your Memory": Iconoclastic Experiments with Traditional Sounds in Northeast Brazil by Dan Sharp Chapter 5. Peruvian Cumbia at the Theoretical Limits of Techno-Utopian Hybridity by Joshua Tucker Chapter 6. Experimentalism as Estrangement: Cafe Tacvba's Reves/Yosoy by Alejandro L. Madrid and Pepe Rojo III. Anti-Colonial Practices Chapter 7. "Gatas y Vatas": Female Empowerment and Community-Oriented Experimentalism by Ana R. Alonso-Minutti Chapter 8. Noise, Sonic Experimentation, and Interior Coloniality in Costa Rica by Susan Campos Fonseca IV. Performance, Movements, and Scenes Chapter 9. "We Began from Silence": Toward a Genealogy of Free Improvisation in Mexico City: Atras del Cosmos at Teatro El Galeon, 1975-1977 by Tamar Barzel Chapter 10. Experimentation and Improvisation in Bogota at the End of the Twentieth Century by Rodolfo Acosta Chapter 11. Experimental Music and the Avant-garde in Post-1959 Cuba: Revolutionary Music for the Revolution by Marysol Quevedo Chapter 12. Performance, Resistance, and the Sounding of Public Space: Movimiento Musica Mas in Buenos Aires, 1969-73 by Andrew Raffo Dewar Chapter 13. Afterword: Locating Hemispheric Experimentalisms by Benjamin Piekut Bibliography
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List of Figures List of Music Examples List of Tables List of Contributors Acknowledgements About the Companion Website Chapter 1. The Practices of Experimentalism in Latin@ and Latin American Music: An Introduction by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid I. Centers and Institutions Chapter 2. "That's Not Something to Show in a Concert": Experimentation and Legitimacy at the Centro Latinoamericano de Altos Estudios Musicales by Eduardo Herrera Chapter 3. Experimental Alternatives: Institutionalism, Avant-gardism, and Popular Music at the Margins of the Cuban Revolution by Susan Thomas II. Beyond the Limits of Hybridity Chapter 4. "I Go against the Grain of Your Memory": Iconoclastic Experiments with Traditional Sounds in Northeast Brazil by Dan Sharp Chapter 5. Peruvian Cumbia at the Theoretical Limits of Techno-Utopian Hybridity by Joshua Tucker Chapter 6. Experimentalism as Estrangement: Cafe Tacvba's Reves/Yosoy by Alejandro L. Madrid and Pepe Rojo III. Anti-Colonial Practices Chapter 7. "Gatas y Vatas": Female Empowerment and Community-Oriented Experimentalism by Ana R. Alonso-Minutti Chapter 8. Noise, Sonic Experimentation, and Interior Coloniality in Costa Rica by Susan Campos Fonseca IV. Performance, Movements, and Scenes Chapter 9. "We Began from Silence": Toward a Genealogy of Free Improvisation in Mexico City: Atras del Cosmos at Teatro El Galeon, 1975-1977 by Tamar Barzel Chapter 10. Experimentation and Improvisation in Bogota at the End of the Twentieth Century by Rodolfo Acosta Chapter 11. Experimental Music and the Avant-garde in Post-1959 Cuba: Revolutionary Music for the Revolution by Marysol Quevedo Chapter 12. Performance, Resistance, and the Sounding of Public Space: Movimiento Musica Mas in Buenos Aires, 1969-73 by Andrew Raffo Dewar Chapter 13. Afterword: Locating Hemispheric Experimentalisms by Benjamin Piekut Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
