Oxford Handbook of the Phenomenology of Music Cultures
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Oxford Handbook of the Phenomenology of Music Cultures
Berger, Harris M.; VanderHamm, David; Riedel, Friedlind
Oxford University Press Inc
03/2024
752
Dura
Inglês
9780190693879
15 a 20 dias
Descrição não disponível.
Preface
Harris M. Berger, Friedlind Riedel, and David VanderHamm
Acknowledgments
List of Contributors
About the Companion Website
Section 1. Historical Perspectives and Disciplinary Directions
1. Phenomenological Approaches in the History of Ethnomusicology
Harris M. Berger, David VanderHamm, and Friedlind Riedel
2. Carl Stumpf and the Phenomenology of Musical Utterances
Julia Kursell
3. Aesthetic Experience, Social Interfaces, and the Phenomenology of Music
Roger W. H. Savage
4. The Expressive Culture of Sound Communication among Humans and Other Beings: A Phenomenological and Ecological Approach
Jeff Todd Titon
Section 2. Memory, Imagination, and Consciousness
5. Listening Beyond Sound and Life: Reflections on Imagined Music
J. Martin Daughtry
6. Young People's Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives
Ruth Herbert
Section 3. Transformations and Possibilities of the Person
7. Sexed Bodies / (Im)Possible Bodies / Polyphonic Bodies
Stephen Amico
8. Phenomenology and Habitus in Music Listening
Andrew McGuiness
9. Playing and Listening: Phenomenological Hermeneutics and Improvisation
Charles Sharp
Section 4. Intercorporeality, Perception, and Movement
10. Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill
David VanderHamm
11. The Sound of Movement: Hearing Kathak Dance
Monica Dalidowicz
12. Scrape, Brush, Flick: The Phenomenology of Sound
Katharine Young
Section 5. Ontologies
13. Not Just One, Not Just Now: Relational Voices in Time
Matthew Rahaim
14. Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama
Friedlind Riedel
15. Intuitive Sensory Presentiation and Recollection: A Phenomenological Interpretation of the Deer Dance
Helena Simonett
Section 6. Rasa, Affect, Atmosphere
16. Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad K=irtan Practice
Inderjit N. Kaur
17. The Aesthetics of Proximity and the Ethics of Empathy
Deborah Kapchan
18. Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief
Daniel Fisher
Section 7. Ethics of Performance, Ethics of Research
19. Jazz Etiquette: Between Aesthetics and Ethics
Alessandro Duranti, Jason Throop, and Matthew McCoy
20. Facing the Musical Other: Alfred Schutz, Emmanuel Levinas, and the Ethnography of Musical Experience
Esther Clinton and Jeremy Wallach
21. Artificial Intelligence and Phenomenological Ethnography
Ritwik Banerji
22. Ways of the Mind: Toward a Phenomenological Ethnomusicology of Autistic Musical Experience
Dotan Nitzberg and Michael B. Bakan
Index
Harris M. Berger, Friedlind Riedel, and David VanderHamm
Acknowledgments
List of Contributors
About the Companion Website
Section 1. Historical Perspectives and Disciplinary Directions
1. Phenomenological Approaches in the History of Ethnomusicology
Harris M. Berger, David VanderHamm, and Friedlind Riedel
2. Carl Stumpf and the Phenomenology of Musical Utterances
Julia Kursell
3. Aesthetic Experience, Social Interfaces, and the Phenomenology of Music
Roger W. H. Savage
4. The Expressive Culture of Sound Communication among Humans and Other Beings: A Phenomenological and Ecological Approach
Jeff Todd Titon
Section 2. Memory, Imagination, and Consciousness
5. Listening Beyond Sound and Life: Reflections on Imagined Music
J. Martin Daughtry
6. Young People's Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives
Ruth Herbert
Section 3. Transformations and Possibilities of the Person
7. Sexed Bodies / (Im)Possible Bodies / Polyphonic Bodies
Stephen Amico
8. Phenomenology and Habitus in Music Listening
Andrew McGuiness
9. Playing and Listening: Phenomenological Hermeneutics and Improvisation
Charles Sharp
Section 4. Intercorporeality, Perception, and Movement
10. Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill
David VanderHamm
11. The Sound of Movement: Hearing Kathak Dance
Monica Dalidowicz
12. Scrape, Brush, Flick: The Phenomenology of Sound
Katharine Young
Section 5. Ontologies
13. Not Just One, Not Just Now: Relational Voices in Time
Matthew Rahaim
14. Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama
Friedlind Riedel
15. Intuitive Sensory Presentiation and Recollection: A Phenomenological Interpretation of the Deer Dance
Helena Simonett
Section 6. Rasa, Affect, Atmosphere
16. Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad K=irtan Practice
Inderjit N. Kaur
17. The Aesthetics of Proximity and the Ethics of Empathy
Deborah Kapchan
18. Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief
Daniel Fisher
Section 7. Ethics of Performance, Ethics of Research
19. Jazz Etiquette: Between Aesthetics and Ethics
Alessandro Duranti, Jason Throop, and Matthew McCoy
20. Facing the Musical Other: Alfred Schutz, Emmanuel Levinas, and the Ethnography of Musical Experience
Esther Clinton and Jeremy Wallach
21. Artificial Intelligence and Phenomenological Ethnography
Ritwik Banerji
22. Ways of the Mind: Toward a Phenomenological Ethnomusicology of Autistic Musical Experience
Dotan Nitzberg and Michael B. Bakan
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Preface
Harris M. Berger, Friedlind Riedel, and David VanderHamm
Acknowledgments
List of Contributors
About the Companion Website
Section 1. Historical Perspectives and Disciplinary Directions
1. Phenomenological Approaches in the History of Ethnomusicology
Harris M. Berger, David VanderHamm, and Friedlind Riedel
2. Carl Stumpf and the Phenomenology of Musical Utterances
Julia Kursell
3. Aesthetic Experience, Social Interfaces, and the Phenomenology of Music
Roger W. H. Savage
4. The Expressive Culture of Sound Communication among Humans and Other Beings: A Phenomenological and Ecological Approach
Jeff Todd Titon
Section 2. Memory, Imagination, and Consciousness
5. Listening Beyond Sound and Life: Reflections on Imagined Music
J. Martin Daughtry
6. Young People's Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives
Ruth Herbert
Section 3. Transformations and Possibilities of the Person
7. Sexed Bodies / (Im)Possible Bodies / Polyphonic Bodies
Stephen Amico
8. Phenomenology and Habitus in Music Listening
Andrew McGuiness
9. Playing and Listening: Phenomenological Hermeneutics and Improvisation
Charles Sharp
Section 4. Intercorporeality, Perception, and Movement
10. Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill
David VanderHamm
11. The Sound of Movement: Hearing Kathak Dance
Monica Dalidowicz
12. Scrape, Brush, Flick: The Phenomenology of Sound
Katharine Young
Section 5. Ontologies
13. Not Just One, Not Just Now: Relational Voices in Time
Matthew Rahaim
14. Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama
Friedlind Riedel
15. Intuitive Sensory Presentiation and Recollection: A Phenomenological Interpretation of the Deer Dance
Helena Simonett
Section 6. Rasa, Affect, Atmosphere
16. Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad K=irtan Practice
Inderjit N. Kaur
17. The Aesthetics of Proximity and the Ethics of Empathy
Deborah Kapchan
18. Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief
Daniel Fisher
Section 7. Ethics of Performance, Ethics of Research
19. Jazz Etiquette: Between Aesthetics and Ethics
Alessandro Duranti, Jason Throop, and Matthew McCoy
20. Facing the Musical Other: Alfred Schutz, Emmanuel Levinas, and the Ethnography of Musical Experience
Esther Clinton and Jeremy Wallach
21. Artificial Intelligence and Phenomenological Ethnography
Ritwik Banerji
22. Ways of the Mind: Toward a Phenomenological Ethnomusicology of Autistic Musical Experience
Dotan Nitzberg and Michael B. Bakan
Index
Harris M. Berger, Friedlind Riedel, and David VanderHamm
Acknowledgments
List of Contributors
About the Companion Website
Section 1. Historical Perspectives and Disciplinary Directions
1. Phenomenological Approaches in the History of Ethnomusicology
Harris M. Berger, David VanderHamm, and Friedlind Riedel
2. Carl Stumpf and the Phenomenology of Musical Utterances
Julia Kursell
3. Aesthetic Experience, Social Interfaces, and the Phenomenology of Music
Roger W. H. Savage
4. The Expressive Culture of Sound Communication among Humans and Other Beings: A Phenomenological and Ecological Approach
Jeff Todd Titon
Section 2. Memory, Imagination, and Consciousness
5. Listening Beyond Sound and Life: Reflections on Imagined Music
J. Martin Daughtry
6. Young People's Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives
Ruth Herbert
Section 3. Transformations and Possibilities of the Person
7. Sexed Bodies / (Im)Possible Bodies / Polyphonic Bodies
Stephen Amico
8. Phenomenology and Habitus in Music Listening
Andrew McGuiness
9. Playing and Listening: Phenomenological Hermeneutics and Improvisation
Charles Sharp
Section 4. Intercorporeality, Perception, and Movement
10. Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill
David VanderHamm
11. The Sound of Movement: Hearing Kathak Dance
Monica Dalidowicz
12. Scrape, Brush, Flick: The Phenomenology of Sound
Katharine Young
Section 5. Ontologies
13. Not Just One, Not Just Now: Relational Voices in Time
Matthew Rahaim
14. Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama
Friedlind Riedel
15. Intuitive Sensory Presentiation and Recollection: A Phenomenological Interpretation of the Deer Dance
Helena Simonett
Section 6. Rasa, Affect, Atmosphere
16. Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad K=irtan Practice
Inderjit N. Kaur
17. The Aesthetics of Proximity and the Ethics of Empathy
Deborah Kapchan
18. Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief
Daniel Fisher
Section 7. Ethics of Performance, Ethics of Research
19. Jazz Etiquette: Between Aesthetics and Ethics
Alessandro Duranti, Jason Throop, and Matthew McCoy
20. Facing the Musical Other: Alfred Schutz, Emmanuel Levinas, and the Ethnography of Musical Experience
Esther Clinton and Jeremy Wallach
21. Artificial Intelligence and Phenomenological Ethnography
Ritwik Banerji
22. Ways of the Mind: Toward a Phenomenological Ethnomusicology of Autistic Musical Experience
Dotan Nitzberg and Michael B. Bakan
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
