Oxford Handbook of Music in China and the Chinese Diaspora
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Oxford Handbook of Music in China and the Chinese Diaspora
Hui, Yu; Stock, Jonathan P.J.
Oxford University Press Inc
12/2023
568
Dura
Inglês
9780190661960
15 a 20 dias
Descrição não disponível.
Acknowledgements
List of Figures
List of Contributors
1. Introduction: Frames of Reference for the Study of Music in China and Its Diaspora
Yu Hui and Jonathan P.J. Stock
PART I NEW DIRECTIONS IN HISTORY AND THEORY
2. Musical Archaeology and the Prehistory of Chinese Music
Yang Yuanzheng
3. Theorizing "Natural Sound": Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin Intonation
Yu Hui and Chen Yingshi
4. The Huxuan and Huteng Dances: Foreign Musical Dances in Chinese History
Zhao Weiping
5. Kunqu from Analytical Perspectives: A Focus on Feng Ru Song
Kar Lun Alan Lau
6. Why and How do Chinese Sing Shijing Songs?
Joseph S.C. Lam
7. Music History and Historiography in the Chinese Context
Hon-Lun Helan Yang
8. Chinese Music Modernities
Frederick Lau
PART II MUSIC GENRES AND PRACTICES IN EVOLVING CONTEXTS
9. Traditional Instruments and Heterophonic Practice
Alan R. Thrasher
10. Jiangnan Sizhu in the Greater Suzhou Area: Context, Repertoire, and Sustainability
Mercedes M. Dujunco
11. Social Change and the Maintenance of Music Tradition Among the Western Yugurs
Du Yaxiong
12. The Making of a Musical Community as a Manifestation of Nationalism: The Jinyu Qinshe Society in 1930s China
Yu Hui
13. A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of "At Break Of Day"
Francesca R. Sborgi Lawson
14. The Emergence of Taiwanese New Xiqu: A Case Study on Chichiao Musical Theater
Hsieh Hsiao-Mei
15. Hybridity in the Modern Chinese Orchestral Music (Guoyue) of Taiwan
Ching-Yi Chen
16. Trends in the Globalization of Pipa Music
Ben Wu
PART III Cross-Cutting Issues in Contemporary Settings
17. Humanism in Red: A New Mainstream Narrative in the Pop Songs of 1980s' China
Lijuan Qian
18. Staging Race and Sexuality Across Borders: Marketing Pop Singer Coco Lee
Grace Wang
19. Re-Imagining China's Female Pianists: Yuja Wang and Zhu Xiao-Mei
Shzr Ee Tan
20. Liveness and Mediation in Chinese Art Music: From The Map to The Qingming Festival
German Gil-Curiel
21. The Professional and Amateur in Wuhan's Park Pop
Samuel Horlor
22. Minorities and the Mainstream: The Musical Place of the Non-Han Peoples in Modern China
Chuen-Fung Wong
23. "Kita Anak Malaysia" [We are the Children of Malaysia]: Performing Multicultural Chinese Identities
Tan Sooi Beng
24. Conclusions: New Directions in Chinese Music Research
Jonathan P.J. Stock
Index
List of Figures
List of Contributors
1. Introduction: Frames of Reference for the Study of Music in China and Its Diaspora
Yu Hui and Jonathan P.J. Stock
PART I NEW DIRECTIONS IN HISTORY AND THEORY
2. Musical Archaeology and the Prehistory of Chinese Music
Yang Yuanzheng
3. Theorizing "Natural Sound": Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin Intonation
Yu Hui and Chen Yingshi
4. The Huxuan and Huteng Dances: Foreign Musical Dances in Chinese History
Zhao Weiping
5. Kunqu from Analytical Perspectives: A Focus on Feng Ru Song
Kar Lun Alan Lau
6. Why and How do Chinese Sing Shijing Songs?
Joseph S.C. Lam
7. Music History and Historiography in the Chinese Context
Hon-Lun Helan Yang
8. Chinese Music Modernities
Frederick Lau
PART II MUSIC GENRES AND PRACTICES IN EVOLVING CONTEXTS
9. Traditional Instruments and Heterophonic Practice
Alan R. Thrasher
10. Jiangnan Sizhu in the Greater Suzhou Area: Context, Repertoire, and Sustainability
Mercedes M. Dujunco
11. Social Change and the Maintenance of Music Tradition Among the Western Yugurs
Du Yaxiong
12. The Making of a Musical Community as a Manifestation of Nationalism: The Jinyu Qinshe Society in 1930s China
Yu Hui
13. A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of "At Break Of Day"
Francesca R. Sborgi Lawson
14. The Emergence of Taiwanese New Xiqu: A Case Study on Chichiao Musical Theater
Hsieh Hsiao-Mei
15. Hybridity in the Modern Chinese Orchestral Music (Guoyue) of Taiwan
Ching-Yi Chen
16. Trends in the Globalization of Pipa Music
Ben Wu
PART III Cross-Cutting Issues in Contemporary Settings
17. Humanism in Red: A New Mainstream Narrative in the Pop Songs of 1980s' China
Lijuan Qian
18. Staging Race and Sexuality Across Borders: Marketing Pop Singer Coco Lee
Grace Wang
19. Re-Imagining China's Female Pianists: Yuja Wang and Zhu Xiao-Mei
Shzr Ee Tan
20. Liveness and Mediation in Chinese Art Music: From The Map to The Qingming Festival
German Gil-Curiel
21. The Professional and Amateur in Wuhan's Park Pop
Samuel Horlor
22. Minorities and the Mainstream: The Musical Place of the Non-Han Peoples in Modern China
Chuen-Fung Wong
23. "Kita Anak Malaysia" [We are the Children of Malaysia]: Performing Multicultural Chinese Identities
Tan Sooi Beng
24. Conclusions: New Directions in Chinese Music Research
Jonathan P.J. Stock
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Acknowledgements
List of Figures
List of Contributors
1. Introduction: Frames of Reference for the Study of Music in China and Its Diaspora
Yu Hui and Jonathan P.J. Stock
PART I NEW DIRECTIONS IN HISTORY AND THEORY
2. Musical Archaeology and the Prehistory of Chinese Music
Yang Yuanzheng
3. Theorizing "Natural Sound": Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin Intonation
Yu Hui and Chen Yingshi
4. The Huxuan and Huteng Dances: Foreign Musical Dances in Chinese History
Zhao Weiping
5. Kunqu from Analytical Perspectives: A Focus on Feng Ru Song
Kar Lun Alan Lau
6. Why and How do Chinese Sing Shijing Songs?
Joseph S.C. Lam
7. Music History and Historiography in the Chinese Context
Hon-Lun Helan Yang
8. Chinese Music Modernities
Frederick Lau
PART II MUSIC GENRES AND PRACTICES IN EVOLVING CONTEXTS
9. Traditional Instruments and Heterophonic Practice
Alan R. Thrasher
10. Jiangnan Sizhu in the Greater Suzhou Area: Context, Repertoire, and Sustainability
Mercedes M. Dujunco
11. Social Change and the Maintenance of Music Tradition Among the Western Yugurs
Du Yaxiong
12. The Making of a Musical Community as a Manifestation of Nationalism: The Jinyu Qinshe Society in 1930s China
Yu Hui
13. A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of "At Break Of Day"
Francesca R. Sborgi Lawson
14. The Emergence of Taiwanese New Xiqu: A Case Study on Chichiao Musical Theater
Hsieh Hsiao-Mei
15. Hybridity in the Modern Chinese Orchestral Music (Guoyue) of Taiwan
Ching-Yi Chen
16. Trends in the Globalization of Pipa Music
Ben Wu
PART III Cross-Cutting Issues in Contemporary Settings
17. Humanism in Red: A New Mainstream Narrative in the Pop Songs of 1980s' China
Lijuan Qian
18. Staging Race and Sexuality Across Borders: Marketing Pop Singer Coco Lee
Grace Wang
19. Re-Imagining China's Female Pianists: Yuja Wang and Zhu Xiao-Mei
Shzr Ee Tan
20. Liveness and Mediation in Chinese Art Music: From The Map to The Qingming Festival
German Gil-Curiel
21. The Professional and Amateur in Wuhan's Park Pop
Samuel Horlor
22. Minorities and the Mainstream: The Musical Place of the Non-Han Peoples in Modern China
Chuen-Fung Wong
23. "Kita Anak Malaysia" [We are the Children of Malaysia]: Performing Multicultural Chinese Identities
Tan Sooi Beng
24. Conclusions: New Directions in Chinese Music Research
Jonathan P.J. Stock
Index
List of Figures
List of Contributors
1. Introduction: Frames of Reference for the Study of Music in China and Its Diaspora
Yu Hui and Jonathan P.J. Stock
PART I NEW DIRECTIONS IN HISTORY AND THEORY
2. Musical Archaeology and the Prehistory of Chinese Music
Yang Yuanzheng
3. Theorizing "Natural Sound": Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin Intonation
Yu Hui and Chen Yingshi
4. The Huxuan and Huteng Dances: Foreign Musical Dances in Chinese History
Zhao Weiping
5. Kunqu from Analytical Perspectives: A Focus on Feng Ru Song
Kar Lun Alan Lau
6. Why and How do Chinese Sing Shijing Songs?
Joseph S.C. Lam
7. Music History and Historiography in the Chinese Context
Hon-Lun Helan Yang
8. Chinese Music Modernities
Frederick Lau
PART II MUSIC GENRES AND PRACTICES IN EVOLVING CONTEXTS
9. Traditional Instruments and Heterophonic Practice
Alan R. Thrasher
10. Jiangnan Sizhu in the Greater Suzhou Area: Context, Repertoire, and Sustainability
Mercedes M. Dujunco
11. Social Change and the Maintenance of Music Tradition Among the Western Yugurs
Du Yaxiong
12. The Making of a Musical Community as a Manifestation of Nationalism: The Jinyu Qinshe Society in 1930s China
Yu Hui
13. A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of "At Break Of Day"
Francesca R. Sborgi Lawson
14. The Emergence of Taiwanese New Xiqu: A Case Study on Chichiao Musical Theater
Hsieh Hsiao-Mei
15. Hybridity in the Modern Chinese Orchestral Music (Guoyue) of Taiwan
Ching-Yi Chen
16. Trends in the Globalization of Pipa Music
Ben Wu
PART III Cross-Cutting Issues in Contemporary Settings
17. Humanism in Red: A New Mainstream Narrative in the Pop Songs of 1980s' China
Lijuan Qian
18. Staging Race and Sexuality Across Borders: Marketing Pop Singer Coco Lee
Grace Wang
19. Re-Imagining China's Female Pianists: Yuja Wang and Zhu Xiao-Mei
Shzr Ee Tan
20. Liveness and Mediation in Chinese Art Music: From The Map to The Qingming Festival
German Gil-Curiel
21. The Professional and Amateur in Wuhan's Park Pop
Samuel Horlor
22. Minorities and the Mainstream: The Musical Place of the Non-Han Peoples in Modern China
Chuen-Fung Wong
23. "Kita Anak Malaysia" [We are the Children of Malaysia]: Performing Multicultural Chinese Identities
Tan Sooi Beng
24. Conclusions: New Directions in Chinese Music Research
Jonathan P.J. Stock
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.