J. S. Bach at His Royal Instrument

INTRODUCTION

ONE
Studies and Discoveries

TWO
Bach and the Varied Stollen

THREE
Some Observations on Mendelssohn's Reception of Bach's Organ Works

FOUR
Bach's Organ Works and Schumann's Neue Zeitschrift

FIVE
Cesar Franck as a Receptor of Bach's Organ Works
Franck's Performances of Bach's Organ Works
Matters of Pedagogy
Franck's Compositional Responses to Bach's Organ Works

SIX
Edward Elgar as a Receptor of Bach's Organ Works
Elgar as Bach Interpreter
Elgar as Bach Devotee and Bach Critic
Elgar's Bach Transcriptions

SEVEN
Aspects of Reception from Bach's Day to the Present
The Six Trio Sonatas, BWV 525-30
The Prelude and Fugue in D Major, BWV 532
The Prelude and Fugue in E Minor, BWV 533
The Toccata and Fugue in F Major, BWV 540
The Fantasy and Fugue in G Minor, BWV 542
The Six Great Preludes and Fugues, BWV 543-48
The Prelude and Fugue in E-flat Major, BWV 552
The Toccata, Adagio, and Fugue in C Major, BWV 564
The Toccata and Fugue in D Minor, BWV 565
The Fantasy in G Major (Piece d'Orgue), BWV 572
The Passacaglia in C Minor, BWV 582
"Ich ruf zu dir, Herr Jesu Christ," BWV 639
"Herzlich tut mich verlangen," BWV 727

APPENDIX 1

APPENDIX 2

LITERATURE CITED

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• Música barroca (desde ~1600 até ~1750)
• Compositores e músicos individuais, bandas e grupos específicos
• Instrumentos de teclado