Analytical Essays on Music by Women Composers: Concert Music, 1900-1960

Acknowledgements
About the Companion Website
Chapter 1. Introduction
Laurel Parsons and Brenda Ravenscroft

Part 1. Music for Voice
Chapter 2. Alma Mahler-Werfel, "Licht in der Nacht" (1901): Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht"
Kenneth M. Smith
Chapter 3. Rebecca Clarke, "Tiger, Tiger" (1933): Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger"
Zachary Bernstein
Chapter 4. Ethel Smyth, The Boatswain's Mate (1913-1914): A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate
Rachel Lumsden
Chapter 5. Ruth Crawford, Chants for Women's Chorus (1930): "Not yet accepted as singing": Ruth Crawford's "To An Angel" from Chants for Women's Chorus
Ellie M. Hisama

Part 2. Instrumental Music
Chapter 6. Florence B. Price, Piano Sonata in E minor (1932): Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement)
Horace J. Maxile, Jr.
Chapter 7. Galina Ustvolskaya, Sonata for Violin and Piano (1952): Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano
Tim Sullivan
Chapter 8. J. M. Beyer, String Quartet no. 2 (1933-34): Imagination and Method: J. M. Beyer's String Quartet no. 2
Marguerite Boland
Chapter 9. Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53): Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica
Victoria Rogers

Glossary
Bibliography
Index

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• Compositores e músicos individuais, bandas e grupos específicos