Virgil's Cinematic Art

Introduction
Seeing with Eyes Tightly Shut
Two Worlds in Dialogue: Film Analysis and Classic Narratology

Chapter One: Introducing Suture
Tracking Turnus: Visual Pursuit
Watching Paris: Hatred at First Sight
Sightings, First and Last: the Insect Similes of the Aeneid

Chapter Two: Precedents in Earlier Roman Poetry
Getting High with Lucretius
Vertical Relations
The Grammar of Angles Taken
The Other Side of High: Positioning Pathos

Chapter Three: Seeing as Telling
The Temple Ecphrasis of Aeneid 1
Aeneas the Neoteric
Duces Feminae: Fade to Dido
Image Pairs: the Catullan Background
Caving in to Desire: Dido's Wedding Parade

Chapter Four: Imagery as Understory
Dido's Visual Feast
Picturing Virgil's Words: Dido in the Middle
Golden Dido
On Keeping Dido Unfathomable
Girl on Fire

Chapter Five: Imagery as Counternarrative in the Death of Camilla
Imagining Camilla
Tracking Prey with Camilla
Dressed to Kill: Clothing as Fire-starter, Again
The Death of Camilla as a Life Fully Lived
One Last Look: Visual Counternarrative, and the Humanness of Virgil's 'Heroes'

Appendix of Classic Film Edits
Works Cited
Index

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• História clássica / civilização clássica
• Teoria e crítica de filmes
• Textos clássicos