Untimely Epic
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Untimely Epic
Apollonius Rhodius' Argonautica
Phillips, Tom
Oxford University Press
04/2020
368
Dura
Inglês
9780198848561
15 a 20 dias
666
Descrição não disponível.
Introduction
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
I. Vocabularies
II. Textual Performances
III. Form and Fashioning
IV. The Cosmic and the Momentary
1: Affecting Time
I. The Text in Time
I.1. New Beginnings
I.2. Homer's Pasts
I.3. Heracles and the Multitemporal
II. Intertexts, Intentions, and Acknowledgement
II.1. Metapoetics, Affect, Speculation
II.2. Poetry and Philology
II.3. Pensiveness
II.4. The Life of the Author
II.5. Exultation
III. Conclusions
2: Untimely Performances
I. Thynias: Epiphany, Song, Ritual
I.1. Genre and Context
I.2. Thematics and Exemplarity
I.3. The Poetics of Presence
II. The Heliades: Primordial Lament
II.1. Primordial Sound
II.2. Presence, Empathy, Finitude
II.3. Multitemporality
III. The Sirens Unheard: Time, Expressivity, Voicing
III.1. Situating the Sirens
III.2. Allusivity
III.3. Soundscape, Meaning, Voice
III.4. Voicing Untimeliness
III.5. An Ethics of Absorption
IV. Conclusions
3: Past Encounters
I. A Gathering of Wisdom
II. Dipsacus
III. Archaeologies of Perception
IV. Circe's Beasts, Orpheus' Cosmogony
V. Between the Windows of the Sea
V.1. Luminously Peopled
V.2. The Facts Were Known
VI. Reading Rituals
VI.1. Dindymum
VI.2. Idmon's Tomb
VI.3. The Black Rock
VI.4. Anaphe
VII. The Hesperides
VIII. Conclusions
4: Exemplarity, Ethics, Narrative
I. Jason's Cloak
I.1. Exemplifying Exemplarity
I.2. Ecphrasis and the Universal
I.3. Picturing Time
II. Jason, Medea, and Ariadne
II.1. Time Out of Joint
II.2. The Colour of Stars
II.3. Desire and Reflection
II.4. Gesture
II.5. Heavy Misfortunes
III. Conclusions
5: Imagined Worlds
I. Worlds Imagined
II. Aeetes
III. The Bulls
IV. The Earthborn
V. The Golden Fleece
V.1. A Special Way of Being Afraid
V.2. Answerable Style
VI. Conclusions
6: Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
