Unsound Supplies
-10%
portes grátis
Unsound Supplies
Noisy Matter and the Making of Modern Soundscapes
Tkaczyk, Viktoria; Pantalony, David; Gribenski, Fanny
Oxford University Press Inc
03/2026
320
Mole
Inglês
9780197814581
15 a 20 dias
Descrição não disponível.
Introduction
Part I. Rethinking Sonic Perfection
1: Elodie A. Roy: Phonographic Imperfect: A Network Archaeology of Shellac
2: Rebecca Wolf: High Energy for a Great Modernity: Musical Instruments Made with Aluminum
Part II. Writing Against the Chain
3: Edward J. Gillin: Keyed In: Ivory, Slavery, and the Colonial Networks of the Piano, 1850-1931
4: Michael Silvers: Pernambuco: Listening for "the Very Substance of America"
Part III. Paying Attention to Noisy Matter
5: Matthew Hockenberry: Paper: A Sonic Archaeology of Some Vegetable Fibers
Part IV. Conducting Material-Oriented Provenance Research
6: Fanny Gribenski and David Pantalony: Forging Acoustic Precision
7: Viktoria Tkaczyk: Sounds in Wax: Comparative Musicology, Chemistry, and the World as a Resource
8: Panagiotis Poulopoulos: The Troubling Sound of Mahogany: Sugar, Slaves, and Square Pianos
Part V. Tuning In to Sound Cultures Beyond Extractivism
9: James Q. Davies: Kautschukmelodie: Blood Rubber, Epistemic Murk, Song Properties
10: Thamarai Selvan Kannan: Sweet and Sound: Crafting Jackfruit Kattai in South India
Part I. Rethinking Sonic Perfection
1: Elodie A. Roy: Phonographic Imperfect: A Network Archaeology of Shellac
2: Rebecca Wolf: High Energy for a Great Modernity: Musical Instruments Made with Aluminum
Part II. Writing Against the Chain
3: Edward J. Gillin: Keyed In: Ivory, Slavery, and the Colonial Networks of the Piano, 1850-1931
4: Michael Silvers: Pernambuco: Listening for "the Very Substance of America"
Part III. Paying Attention to Noisy Matter
5: Matthew Hockenberry: Paper: A Sonic Archaeology of Some Vegetable Fibers
Part IV. Conducting Material-Oriented Provenance Research
6: Fanny Gribenski and David Pantalony: Forging Acoustic Precision
7: Viktoria Tkaczyk: Sounds in Wax: Comparative Musicology, Chemistry, and the World as a Resource
8: Panagiotis Poulopoulos: The Troubling Sound of Mahogany: Sugar, Slaves, and Square Pianos
Part V. Tuning In to Sound Cultures Beyond Extractivism
9: James Q. Davies: Kautschukmelodie: Blood Rubber, Epistemic Murk, Song Properties
10: Thamarai Selvan Kannan: Sweet and Sound: Crafting Jackfruit Kattai in South India
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction
Part I. Rethinking Sonic Perfection
1: Elodie A. Roy: Phonographic Imperfect: A Network Archaeology of Shellac
2: Rebecca Wolf: High Energy for a Great Modernity: Musical Instruments Made with Aluminum
Part II. Writing Against the Chain
3: Edward J. Gillin: Keyed In: Ivory, Slavery, and the Colonial Networks of the Piano, 1850-1931
4: Michael Silvers: Pernambuco: Listening for "the Very Substance of America"
Part III. Paying Attention to Noisy Matter
5: Matthew Hockenberry: Paper: A Sonic Archaeology of Some Vegetable Fibers
Part IV. Conducting Material-Oriented Provenance Research
6: Fanny Gribenski and David Pantalony: Forging Acoustic Precision
7: Viktoria Tkaczyk: Sounds in Wax: Comparative Musicology, Chemistry, and the World as a Resource
8: Panagiotis Poulopoulos: The Troubling Sound of Mahogany: Sugar, Slaves, and Square Pianos
Part V. Tuning In to Sound Cultures Beyond Extractivism
9: James Q. Davies: Kautschukmelodie: Blood Rubber, Epistemic Murk, Song Properties
10: Thamarai Selvan Kannan: Sweet and Sound: Crafting Jackfruit Kattai in South India
Part I. Rethinking Sonic Perfection
1: Elodie A. Roy: Phonographic Imperfect: A Network Archaeology of Shellac
2: Rebecca Wolf: High Energy for a Great Modernity: Musical Instruments Made with Aluminum
Part II. Writing Against the Chain
3: Edward J. Gillin: Keyed In: Ivory, Slavery, and the Colonial Networks of the Piano, 1850-1931
4: Michael Silvers: Pernambuco: Listening for "the Very Substance of America"
Part III. Paying Attention to Noisy Matter
5: Matthew Hockenberry: Paper: A Sonic Archaeology of Some Vegetable Fibers
Part IV. Conducting Material-Oriented Provenance Research
6: Fanny Gribenski and David Pantalony: Forging Acoustic Precision
7: Viktoria Tkaczyk: Sounds in Wax: Comparative Musicology, Chemistry, and the World as a Resource
8: Panagiotis Poulopoulos: The Troubling Sound of Mahogany: Sugar, Slaves, and Square Pianos
Part V. Tuning In to Sound Cultures Beyond Extractivism
9: James Q. Davies: Kautschukmelodie: Blood Rubber, Epistemic Murk, Song Properties
10: Thamarai Selvan Kannan: Sweet and Sound: Crafting Jackfruit Kattai in South India
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
