Uncollected Writings
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Uncollected Writings
Writing on Art
Kemp, Gary; Toreno, Elisabetta; Wollheim, Richard
Oxford University Press
02/2025
368
Dura
9780198890126
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction
Part I. Lectures
1: Pictorial Form and Pictorial Organization
Part II.
2: Style Now (1975)
3: Aesthetics, Anthropology and Style: Some Programmatic Remarks (1978)
4: Style in Painting (1995)
Part III. The Theory of Pictorial Representation
5: On Pictorial Representation (1998)
6: What Makes Representational Painting Truly Visual? (2003)
7: In Defense of Seeing-In (2003)
Part IV.
8: Forms, Elements and Modernity: Reply to Michael Podro (1966)
9: A Critic of Our Time (1959)
10: The Image in Form: Introduction (1972)
11: Imagination and Pictorial Understanding (1986)
12: A Note on Mimesis as Make-Believe (1991)
13: Danto's Gallery of Indiscernibles (1993)
14: Walter Pater: From Philosophy to Art (1995)
15: Review of Problems of Art, by Susanne K. Langer (1957)
16: Professor Gombrich [Review of Meditations on a Hobby Horse] (1964)
17: Wittgenstein on Art (1966)
Part V.
18: Sociological Explanations of the Arts (1956)
19: On Expression and Expressionism (1964)
20: Neurosis and the Artist (1975)
21: On the Question 'Why Is Painting an Art?' (1984)
22: Art, Interpretation, and the Creative Process (1984)
23: The Core of Aesthetics (1991)
24: Why Is Drawing Interesting? (2005)
Part I. Lectures
1: Pictorial Form and Pictorial Organization
Part II.
2: Style Now (1975)
3: Aesthetics, Anthropology and Style: Some Programmatic Remarks (1978)
4: Style in Painting (1995)
Part III. The Theory of Pictorial Representation
5: On Pictorial Representation (1998)
6: What Makes Representational Painting Truly Visual? (2003)
7: In Defense of Seeing-In (2003)
Part IV.
8: Forms, Elements and Modernity: Reply to Michael Podro (1966)
9: A Critic of Our Time (1959)
10: The Image in Form: Introduction (1972)
11: Imagination and Pictorial Understanding (1986)
12: A Note on Mimesis as Make-Believe (1991)
13: Danto's Gallery of Indiscernibles (1993)
14: Walter Pater: From Philosophy to Art (1995)
15: Review of Problems of Art, by Susanne K. Langer (1957)
16: Professor Gombrich [Review of Meditations on a Hobby Horse] (1964)
17: Wittgenstein on Art (1966)
Part V.
18: Sociological Explanations of the Arts (1956)
19: On Expression and Expressionism (1964)
20: Neurosis and the Artist (1975)
21: On the Question 'Why Is Painting an Art?' (1984)
22: Art, Interpretation, and the Creative Process (1984)
23: The Core of Aesthetics (1991)
24: Why Is Drawing Interesting? (2005)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction
Part I. Lectures
1: Pictorial Form and Pictorial Organization
Part II.
2: Style Now (1975)
3: Aesthetics, Anthropology and Style: Some Programmatic Remarks (1978)
4: Style in Painting (1995)
Part III. The Theory of Pictorial Representation
5: On Pictorial Representation (1998)
6: What Makes Representational Painting Truly Visual? (2003)
7: In Defense of Seeing-In (2003)
Part IV.
8: Forms, Elements and Modernity: Reply to Michael Podro (1966)
9: A Critic of Our Time (1959)
10: The Image in Form: Introduction (1972)
11: Imagination and Pictorial Understanding (1986)
12: A Note on Mimesis as Make-Believe (1991)
13: Danto's Gallery of Indiscernibles (1993)
14: Walter Pater: From Philosophy to Art (1995)
15: Review of Problems of Art, by Susanne K. Langer (1957)
16: Professor Gombrich [Review of Meditations on a Hobby Horse] (1964)
17: Wittgenstein on Art (1966)
Part V.
18: Sociological Explanations of the Arts (1956)
19: On Expression and Expressionism (1964)
20: Neurosis and the Artist (1975)
21: On the Question 'Why Is Painting an Art?' (1984)
22: Art, Interpretation, and the Creative Process (1984)
23: The Core of Aesthetics (1991)
24: Why Is Drawing Interesting? (2005)
Part I. Lectures
1: Pictorial Form and Pictorial Organization
Part II.
2: Style Now (1975)
3: Aesthetics, Anthropology and Style: Some Programmatic Remarks (1978)
4: Style in Painting (1995)
Part III. The Theory of Pictorial Representation
5: On Pictorial Representation (1998)
6: What Makes Representational Painting Truly Visual? (2003)
7: In Defense of Seeing-In (2003)
Part IV.
8: Forms, Elements and Modernity: Reply to Michael Podro (1966)
9: A Critic of Our Time (1959)
10: The Image in Form: Introduction (1972)
11: Imagination and Pictorial Understanding (1986)
12: A Note on Mimesis as Make-Believe (1991)
13: Danto's Gallery of Indiscernibles (1993)
14: Walter Pater: From Philosophy to Art (1995)
15: Review of Problems of Art, by Susanne K. Langer (1957)
16: Professor Gombrich [Review of Meditations on a Hobby Horse] (1964)
17: Wittgenstein on Art (1966)
Part V.
18: Sociological Explanations of the Arts (1956)
19: On Expression and Expressionism (1964)
20: Neurosis and the Artist (1975)
21: On the Question 'Why Is Painting an Art?' (1984)
22: Art, Interpretation, and the Creative Process (1984)
23: The Core of Aesthetics (1991)
24: Why Is Drawing Interesting? (2005)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
