Relentless Pursuit of Tone
Relentless Pursuit of Tone
Timbre in Popular Music
Wallmark, Zachary; Fink, Robert; Latour, Melinda
Oxford University Press Inc
11/2018
408
Mole
Inglês
9780199985234
674
Descrição não disponível.
Introduction Chasing the Dragon: In Search of Tone in Popular Music Robert Fink, Zachary Wallmark, and Melinda Latour I. Genre Chapter 1 Hearing Timbre: Perceptual Learning Among Early Bay Area Ravers Cornelia Fales Chapter 2 The Twang Factor in Country Music Jocelyn R. Neal Chapter 3 The Sound of Evil: Timbre, Body, and Sacred Violence in Death Metal Zachary Wallmark Chapter 4 Below 100 Hz: Toward a Musicology of Subbass Robert Fink II. Voice Chapter 5 Timbre and Legal Likeness: The Case of Tom Waits Mark C. Samples Chapter 6 "The Triumph of Jimmy Scott": A Voice Beyond Category Nina Sun Eidsheim Chapter 7 Auto-tune, Labor, and the Pop Music Voice Catherine Provenzano III. Instrument Chapter 8 Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul John Howland Chapter 9 Santana and the Metaphysics of Tone: Feedback Loops, Volume Knobs and the Quest for Transcendence Melinda Latour Chapter 10 Synthesizers as Social Protest in Early 1970s Funk Griffin Woodworth Chapter 11 Crossing the Electronic Divide: Guitars, Synthesizers, and the Shifting Sound Field of Fusion Steve Waksman IV. Production Chapter 12 Clash of the Timbres: Recording Authenticity in the California Rock Scene, 1966-68 Jan Butler Chapter 13 The Death Rattle of a Laughing Hyena: The Sound of Musical Democracy Albin J. Zak III Chapter 14 The Sound of Nowhere: Reverb and the Construction of Sonic Space Paul Theberge Chapter 15 The Spectromorphology of Recorded Popular Music: The Shaping of Sonic Cartoons Through Record Production Simon Zagorski-Thomas Afterword Simon Frith
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Introduction Chasing the Dragon: In Search of Tone in Popular Music Robert Fink, Zachary Wallmark, and Melinda Latour I. Genre Chapter 1 Hearing Timbre: Perceptual Learning Among Early Bay Area Ravers Cornelia Fales Chapter 2 The Twang Factor in Country Music Jocelyn R. Neal Chapter 3 The Sound of Evil: Timbre, Body, and Sacred Violence in Death Metal Zachary Wallmark Chapter 4 Below 100 Hz: Toward a Musicology of Subbass Robert Fink II. Voice Chapter 5 Timbre and Legal Likeness: The Case of Tom Waits Mark C. Samples Chapter 6 "The Triumph of Jimmy Scott": A Voice Beyond Category Nina Sun Eidsheim Chapter 7 Auto-tune, Labor, and the Pop Music Voice Catherine Provenzano III. Instrument Chapter 8 Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul John Howland Chapter 9 Santana and the Metaphysics of Tone: Feedback Loops, Volume Knobs and the Quest for Transcendence Melinda Latour Chapter 10 Synthesizers as Social Protest in Early 1970s Funk Griffin Woodworth Chapter 11 Crossing the Electronic Divide: Guitars, Synthesizers, and the Shifting Sound Field of Fusion Steve Waksman IV. Production Chapter 12 Clash of the Timbres: Recording Authenticity in the California Rock Scene, 1966-68 Jan Butler Chapter 13 The Death Rattle of a Laughing Hyena: The Sound of Musical Democracy Albin J. Zak III Chapter 14 The Sound of Nowhere: Reverb and the Construction of Sonic Space Paul Theberge Chapter 15 The Spectromorphology of Recorded Popular Music: The Shaping of Sonic Cartoons Through Record Production Simon Zagorski-Thomas Afterword Simon Frith
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