Poem as Icon
Poem as Icon
A Study in Aesthetic Cognition
Freeman, Margaret H.
Oxford University Press Inc
06/2020
216
Dura
Inglês
9780190080419
15 a 20 dias
488
Chapter 1 Poetic Cognition
1. Iconicity and the Being of Reality
2. Toward a Theory of Aesthetic Cognition
3. The Sentience of Cognition
4. Developing a Multidisciplinary Terminology
5. Outline of Chapters
Chapter 2 Icon
1. What Is an Icon?
1.1 The semiotic icon
1.2 The religious icon
1.3 The linguistic icon
1.4 The popular icon
2. The Slippery Slopes of Meaning
2.1 Reification as cognitive economy
2.2 The form-content dichotomy
3. Iconicity in the Arts
4. Iconicity in Literary Criticism
Chapter 3 Semblance
1. Beyond Mimesis
2. Manifestation
3. The In-visibility of Being
4. The Ontology of Poetic Perception as Iconic of Reality
4.1 Prosodic structure
4.2 Prepositional use
4.3 Concealed images
4.4 Sound patterning
Chapter 4 Metaphor
1. Metaphor as Actual World Formation
2. Metaphor as Possible World Formation
3. Metaphor in the Literary Arts
4. The Semeosis of Poetic Metaphor
5. Metaphoring as Cognitive Processing
6. The Hierarchy of Cognitive Metaphoring
7. The Ontology of Poetic Metaphor
8. The Role of Metaphor in Poetic Iconicity
Chapter 5 Schema
1. Probing Sensate Cognition
2. Schema as Correlation Between Self and World
3. Schema as Constraint on Experience
4. The Role of Schema in Imagination and Language
5. Schema as Internalizing Sensate Structure in Poetry
6. PATH and VERTICALITY Schemata in Li Bai's Shudaoan
7. The Poetic Use of Schema
8. Schema as Defining a Poetics
Chapter 6 Affect
1. The Synaesthetics of Affect
2. Sonic and Structural Prosodies
3. The Import of Affect
4. Schema Theory and the Structure of Affects
5. The Force Dynamics of Affective Schemata
5.1 The level of hearer/reader - poem
5.2 The level of physical - force elements
5.3 The level of sound - sight
5.4 The level of internal sensibility - external stimuli
5.5 The level of interior memory - interior emotion
6. Emotive - Conceptual Schemata
Chapter 7 The Poem as Icon
1. A Case Study of Two Poems
1.1 Prosodic details in Smith's sonnet
1.2 Prosodic details in Shelley's sonnet
2. The Workings of Poetic Iconicity
2.1 The trap of the gap
2.2 Closing the gap
3. The Poetic Icon
3.1 I Seventy Years Later
3.2 II The Poem as Icon
3.3 III Forms of the Rock in a Night-Hymn
4. The Transformative Power of the Icon
Chapter 8 Aesthetic Cognition
1. The Aesthetic Faculty
2. Aesthetic Function
3. Aesthetic Iconicity in the Arts
4. Aesthetic Evaluation
5. Iconic Aesthetics in "Dover Beach"
Afterword
1. Poetry in Context
2. Eve's Dilemma
3. A Theory of Everything?
4. Poetry as an Icon of the Being of Reality
Glossary
References
Index
Chapter 1 Poetic Cognition
1. Iconicity and the Being of Reality
2. Toward a Theory of Aesthetic Cognition
3. The Sentience of Cognition
4. Developing a Multidisciplinary Terminology
5. Outline of Chapters
Chapter 2 Icon
1. What Is an Icon?
1.1 The semiotic icon
1.2 The religious icon
1.3 The linguistic icon
1.4 The popular icon
2. The Slippery Slopes of Meaning
2.1 Reification as cognitive economy
2.2 The form-content dichotomy
3. Iconicity in the Arts
4. Iconicity in Literary Criticism
Chapter 3 Semblance
1. Beyond Mimesis
2. Manifestation
3. The In-visibility of Being
4. The Ontology of Poetic Perception as Iconic of Reality
4.1 Prosodic structure
4.2 Prepositional use
4.3 Concealed images
4.4 Sound patterning
Chapter 4 Metaphor
1. Metaphor as Actual World Formation
2. Metaphor as Possible World Formation
3. Metaphor in the Literary Arts
4. The Semeosis of Poetic Metaphor
5. Metaphoring as Cognitive Processing
6. The Hierarchy of Cognitive Metaphoring
7. The Ontology of Poetic Metaphor
8. The Role of Metaphor in Poetic Iconicity
Chapter 5 Schema
1. Probing Sensate Cognition
2. Schema as Correlation Between Self and World
3. Schema as Constraint on Experience
4. The Role of Schema in Imagination and Language
5. Schema as Internalizing Sensate Structure in Poetry
6. PATH and VERTICALITY Schemata in Li Bai's Shudaoan
7. The Poetic Use of Schema
8. Schema as Defining a Poetics
Chapter 6 Affect
1. The Synaesthetics of Affect
2. Sonic and Structural Prosodies
3. The Import of Affect
4. Schema Theory and the Structure of Affects
5. The Force Dynamics of Affective Schemata
5.1 The level of hearer/reader - poem
5.2 The level of physical - force elements
5.3 The level of sound - sight
5.4 The level of internal sensibility - external stimuli
5.5 The level of interior memory - interior emotion
6. Emotive - Conceptual Schemata
Chapter 7 The Poem as Icon
1. A Case Study of Two Poems
1.1 Prosodic details in Smith's sonnet
1.2 Prosodic details in Shelley's sonnet
2. The Workings of Poetic Iconicity
2.1 The trap of the gap
2.2 Closing the gap
3. The Poetic Icon
3.1 I Seventy Years Later
3.2 II The Poem as Icon
3.3 III Forms of the Rock in a Night-Hymn
4. The Transformative Power of the Icon
Chapter 8 Aesthetic Cognition
1. The Aesthetic Faculty
2. Aesthetic Function
3. Aesthetic Iconicity in the Arts
4. Aesthetic Evaluation
5. Iconic Aesthetics in "Dover Beach"
Afterword
1. Poetry in Context
2. Eve's Dilemma
3. A Theory of Everything?
4. Poetry as an Icon of the Being of Reality
Glossary
References
Index