Oxford Handbook of Shakespearean Tragedy

Part I: Genre 1: Paul A. Kottman: What is Shakespearean Tragedy? 2: Richard Halpern: The Classical Inheritance 3: Rory Loughnane: The Medieval Inheritance 4: Edward Pechter: The Romantic Inheritance 5: Tzachi Zamir: Ethics and Shakespearean Tragedy 6: Emma Smith: Character in Shakespearean Tragedy 7: Philip Armstrong: Preposterous Nature in Shakespeare's Tragedies 8: Lynne Magnusson: Shakespearean Tragedy and the Language of Lament 9: David Hillman: The Pity of It: Shakespearean Tragedy and Affect 10: Steven Mullaney: 'Do You See This?' The Politics of Attention in Shakespearean Tragedy 11: Peter Lake: Tragedy and Religion: Religion and Revenge in Titus Andronicus and Hamlet 12: Richard Sugg: Shakespeare's Anatomies of Death 13: Gail Kern Paster: 'Minded Like the Weather': The Tragic Body and its Passions 14: Andrew Hadfield: Shakespeare's Tragedy and English History 15: Tom Bishop: Shakespeare's Tragedy and Roman History 16: Hester Lees-Jeffries: Tragedy and the Satiric Voice 17: Subha Mukherji: 'The action of my life': Tragedy, Tragicomedy, and Shakespeare's Mimetic Experiments 18: Lee Edelman and Madhavi Menon: Queer Tragedy, or Two Meditations on Cause Part II: Textual Issues 19: Paul Werstine: Authorial Revision in the Tragedies 20: Michael Witmore, Jonathan Hope and Michael Gleicher: Digital Approaches to the Language of Shakespearean Tragedy Pert III: Reading the Tragedies 21: Michael Neill: 'Romaine Tragedie': The Designs of Titus Andronicus 22: Crystal Bartolovich: Romeo and Juliet as Event 23: Emily C. Bartels: Julius Caesar: Making History 24: Catherine Belsey: The Question of Hamlet 25: Ian Smith: Seeing Blackness, Reading Race in Othello 26: Leah S. Marcus: King Lear and the Death of the World 27: Andrew J. Power: 'O horror! horror! horror!' Macbeth and Fear 28: Bernhard Klein: Antony and Cleopatra 29: David Schalkwyk: Coriolanus: A Tragedy of Language Part IV: Stage and Screen 30: Tiffany Stern: Early Modern Tragedy and Performance 31: Peter Holland: Performing Shakespearean Tragedy, 1660-1780 32: Russell Jackson: Staging Shakespearean Tragedy: The Nineteenth Century 33: Bridget Escolme: Tragedy in Twentieth and Twenty-first Century Theatre Production: Hamlet, Lear, and the Politics of Intimacy 34: Courtney Lehmann: Ontological Shivers: The Cinematic Afterlives of Shakespeare's Romeo and Juliet 35: Douglas Lanier: Hamlet: Tragedy and Film Adaptation 36: Sujata Iyengar: Intermediated Bodies and Bodies of Media: Screen Othellos 37: Macdonald P. Jackson: Screening the Tragedies King Lear 38: Katherine Rowe: Macbeth on Changing Screens 39: Sarah Hatchuel and Nathalie Vienne-Guerrin: The Roman Plays on Screen: Autonomy, Serialization, Conflation 40: Peter Byrne: 'The Bowe of Ulysses': Reworking the Tragedies of Shakespeare 41: William Germano: Shakespeare's Tragedies on the Operatic Stage Part V: The Tragedies Worldwide: (I) European Responses 42: Shaul Bassi: The Tragedies in Italy 43: Andreas Hoefele: The Tragedies in Germany 44: Pascale Drouet and Nathalie Rivere de Carles: French Receptions of Shakespearean Tragedy: Between Liberty And Memory 45: Pavel Drabek: Shakesperean Tragedy in Eastern Europe 46: John Givens: Shakespearean Tragedy in Russia: In Equal Scale Weighing Delight and Dole (II) The Wider World 47: Gay Smith: Shakespearean Tragedy in the Nineteenth-Century United States: The Case of Julius Caesar 48: Mark Houlahan: Unsettling the Bard: Australasia and the Pacific 49: Colette Gordon, Daniel Roux and David Schalkwyk: Shakespeare's Tragedies in Southern Africa 50: Araham Oz: In Blood Stepped in: Tragedy and the Modern Israelites 51: Khalid Amine: Shakespeare's Tragedies in North Africa and the Arab World 52: Alfredo Michel Modenessi and Margarida Gandara Rauen: Shakespearean Tragedy in Latin America and the Caribbean 53: Poonam Trivedi: Shakespearean Tragedy in India: Politics of Genre - or How Newness Entered Indian Literary Culture 54: Alexa Huang: 'It is the East': Shakespearean Tragedies in East Asia

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• Estudos teatrais
• Estudos literários: c 1500 a c 1800
• Estudos e crítica shakespeareana