Oxford Handbook of Shakespearean Comedy

Heather Hirschfeld: Introduction: Encountering Shakespearean Comedy
Part I: Settings, Sources, Influences
1: James Bednarz: Encountering the Elizabethan Stage
2: Robert Miola: Encountering the Past I: Shakespeare's Reception of Classical Comedy
3: Helen Cooper: Encountering the Past II: Shakespearean Comedy, Chaucer, and Medievalism
4: Kirk Melnikoff: Encountering the Present I: Shakespeare's Early Urban Comedies and the Lure of True Crime and Satire
5: Andy Kesson: Encountering the Present II: Shakespearean Comedy and Elizabethan Drama
Part II: Themes and Conventions
6: Kenneth Graham: Shakespearean Comedy and Early Modern Religious Culture
7: Amanda Bailey: Shakespearean Comedy and the Early Modern Marketplace: Sympathetic Economies
8: Catherine Richardson: Shakespearean Comedy and the Early Modern Domestic Sphere
9: Kent Cartwright: Place and Being in Shakespearean Comedy
10: Geraldo U. de Sousa: Shakespearean Comedy and the Question of Race
11: Simon Barker: Farce and Force: Shakespearean Comedy, Militarism, and Violence
12: Julie Sanders: Water Memory and the Art of Preserving: Shakespearean Comedy and Early Modern Cultures of Remembrance
13: Matthew Steggle: The Humors in Humor: Shakespeare and Early Modern Psychology
14: Kevin Curran: Shakespearean Comedy and the Senses
15: Steve Mentz: Green Comedy: Shakespeare and Ecology
16: Carolyn Sale: The Laws of Comedy: Shakespeare and Early Modern Legal Culture
17: Judith Haber: Comedy and Eros: Sexualities on Shakespeare's Stage
18: David L. Orvis: Queer Comedy
19: Erin Minear: The Music of Shakespearean Comedy
20: Michelle M. Dowd: Gender and Genre: Shakespeare's Comic Women
21: Anne M. Myers: The Architecture of Shakespearean Comedy: Domesticity, Performance, and the Empty Room
22: Laurie Shannon: Poor Things, Vile Things: Shakespeare's Comedy of Kinds
Part III: Conditions and Performance
23: Lina Perkins Wilder: Stage Props and Shakespeare's Comedies: Keeping Safe Nerissa's Ring
24: Frederick Kiefer: Shakespearean Comedy and the Discourses of Print
25: Jeremy Lopez: Imagining Shakespeare's Audience
26: Erika T. Lin: Comedy on the Boards: Shakespeare's Use of Playhouse Space
27: Katherine Scheil: Adapting Shakespeare's Comedies
28: Bridget Escolme: Brexit Dreams: Comedy, Nostalgia, and Critique in Much Ado About Nothing and A Midsummer Night's Dream
29: Doug Lanier: Shakespearean Comedy on Screen
Part IV: Plays
30: John Parker: Holy Adultery: Marriage in The Comedy of Errors, The Merchant of Venice, and The Merry Wives of Windsor
31: Joanne Diaz: Comedies of Tough Love: Two Gentlemen of Verona, Love's Labour's Lost, The Taming of the Shrew, and Much Ado About Nothing
32: Lisa Hopkins: Comedies of the Green World: A Midsummer Night's Dream, As You Like It, and Twelfth Night
33: Oliver Arnold: Problem Comedies: Troilus and Cressida, Measure for Measure, and All's Well That Ends Well

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• Estudos e crítica shakespeareana
• Estudos literários: c 1500 a c 1800