Oxford Handbook of Music Performance, Volume 1

Oxford Handbook of Music Performance, Volume 1 -10% portes grátis

Oxford Handbook of Music Performance, Volume 1

McPherson, Gary

Oxford University Press Inc

04/2022

736

Dura

Inglês

9780190056285

15 a 20 dias

1

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Introduction: Gary E. McPherson

Section 1: Development and Learning - Section Editor Gary E. McPherson
1. The origins of musical expertise: Alexander P. Burgoyne, David Z. Hambrick & Lauren Julius Harris
2. Musical potential, giftedness and talent development: Gary E. McPherson, Jennifer Blackwell & Sue Hallam
3. Readiness for learning to perform: Jennifer Blackwell (& Gary E. McPherson
4. Talent development in music: Daniel Muellensiefen; Aaron Kozbelt; Paula M. Olszewski-Kubilius; Rena Subotnik; Frank Worrell; & Franzis Preckel
5. Self-directed learning strategies: Self-directed learning strategies: Kelly A. Parkes
6. High impact teaching mindframes: Gary E. McPherson & John Hattie

Section 2: Proficiencies - Section Editor Peter Miksza
7. Practice: Peter Miksza
8. Playing by ear: Warren Haston & Gary E. McPherson
9. Sight-reading: Katie Zhukov & Gary E. McPherson
10. Improvisation: Raymond MacDonald
11. Memorization: Jane Ginsborg
12. Conducting: Steven Morrison & Brian A. Silvey
13. Musical expression: Emery Schubert
14. Body movement: Jane Davidson

Section 3: Performance Practices - Section Editor Jane Davidson
15. Performance practices for Baroque and Classical repertoire: Dorottya Fabian
16. Performance practices for Romantic and Modern repertoire: Neal Peres Da Costa (
17. New music: Performance institutions and practices: Ian Pace
18. Emotion and performance practices: Stephanie Rocke, Jane Davidson & Frederic Kiernan
19. Musical creativity in performance: Dylan van der Schyff & Andrea Schiavio
20. Performing in the studio: Mark Slater
21. Diversity, inclusion and empowerment: Tawnya Smith & Karin Hendricks

Section 4: Psychology - Section Editor Paul Evans
22. Self-regulated learning music microanalysis: Gary E. McPherson
23. Self-determination theory: Paul Evans & Richard Ryan
24. Personality and individual differences: Emese Hruska & Arielle Bonneville-Roussy
25. Buoyancy, resilience, and adaptability: Andrew Martin & Paul Evans
26. Identity and the performing musician: Jane Oakland & Raymond MacDonald
27. Synesthesia and music performance: Solange Glasser

Index
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