Oxford Handbook of Mobile Music Studies, Volume 1
-15%
portes grátis
Oxford Handbook of Mobile Music Studies, Volume 1
Stanyek, Jason; Gopinath, Sumanth S.
Oxford University Press
03/2014
560
Dura
Inglês
9780195375725
15 a 20 dias
This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile - portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance.
Contents ; 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music ; Sumanth Gopinath and Jason Stanyek ; Part I: Theorizing Mobile Music ; 2. How the MP3 Became Ubiquitous ; Jonathan Sterne ; 3. Is a Download a Performance? ; Marc Perlman ; 4. Divisible Mobility: Music in an Age of Cloud Computing ; Martin Scherzinger ; 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction ; Michael Bull ; 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity ; Tim Wall and Nick Webber ; Part II: Mobility, Sound and Communication ; 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace ; David McCarthy ; 8. Mobile Semiotics ; Evelyn Nien-Ming Ch'ien ; 9. Calling my Name: Sound, Orality and the Cell Phone Contact List ; Heather A. Horst ; 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices ; Katie M. Lever-Mazzuto ; 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom ; J. Martin Daughtry ; Part III: Devices That Listen (The Politics of Aurality) ; 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser ; Mara Mills ; 13. Music Ethnography and Recording Technology in the Unbound Digital Era ; Anna Schultz and Mark Nye ; Part IV: Children, Adolescents and Mobile Music Listening ; 14. Forever and Ever: Mobile Music in the Life of Young Teens ; Arild Bergh, Tia DeNora, and Maia Bergh ; 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School ; Tyler Bickford ; Part V: Urban Ecologies and Politics ; 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines ; Jan M. Padios ; 17. Stereos in the City: Moving Through Music in South India ; Sindhumathi Revuluri ; 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s ; Joseph Schloss and Bill Bahng Boyer ; Part VI: National Mobile Music Markets ; 19. Mexican Mobile Music: Una Convergencia con Sabor ; Patrick Burkart and Christopher Joseph Westgate ; 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace ; Jayson Beaster-Jones ; 21. A Tale of Two Countries: Online Radio in the United States and Japan ; Noriko Manabe ; 22. Mobile Tactics in the Brazilian Independent Music Industry ; Kariann Goldschmitt ; Index
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This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile - portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance.
Contents ; 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music ; Sumanth Gopinath and Jason Stanyek ; Part I: Theorizing Mobile Music ; 2. How the MP3 Became Ubiquitous ; Jonathan Sterne ; 3. Is a Download a Performance? ; Marc Perlman ; 4. Divisible Mobility: Music in an Age of Cloud Computing ; Martin Scherzinger ; 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction ; Michael Bull ; 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity ; Tim Wall and Nick Webber ; Part II: Mobility, Sound and Communication ; 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace ; David McCarthy ; 8. Mobile Semiotics ; Evelyn Nien-Ming Ch'ien ; 9. Calling my Name: Sound, Orality and the Cell Phone Contact List ; Heather A. Horst ; 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices ; Katie M. Lever-Mazzuto ; 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom ; J. Martin Daughtry ; Part III: Devices That Listen (The Politics of Aurality) ; 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser ; Mara Mills ; 13. Music Ethnography and Recording Technology in the Unbound Digital Era ; Anna Schultz and Mark Nye ; Part IV: Children, Adolescents and Mobile Music Listening ; 14. Forever and Ever: Mobile Music in the Life of Young Teens ; Arild Bergh, Tia DeNora, and Maia Bergh ; 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School ; Tyler Bickford ; Part V: Urban Ecologies and Politics ; 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines ; Jan M. Padios ; 17. Stereos in the City: Moving Through Music in South India ; Sindhumathi Revuluri ; 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s ; Joseph Schloss and Bill Bahng Boyer ; Part VI: National Mobile Music Markets ; 19. Mexican Mobile Music: Una Convergencia con Sabor ; Patrick Burkart and Christopher Joseph Westgate ; 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace ; Jayson Beaster-Jones ; 21. A Tale of Two Countries: Online Radio in the United States and Japan ; Noriko Manabe ; 22. Mobile Tactics in the Brazilian Independent Music Industry ; Kariann Goldschmitt ; Index
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