Oxford Handbook of Film and Media Studies
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Oxford Handbook of Film and Media Studies
Kolker, Robert P.
Oxford University Press Inc
05/2022
642
Mole
Inglês
9780197614815
15 a 20 dias
1066
Descrição não disponível.
Introduction
1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
2. Brian Price, The Last Laoco:on
3. Devin Orgeron, Visual Media and the Tyranny of the Real
4. Francis Guerin, Radical Aspirations Historicized: The European Commitment to Political Documentary
5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of Photography in the Digital Age
6. Marsha Orgeron, Media Celebrity in the Age of the Image
7. Paul Young, Film Genre Theory and Contemporary Media: Description, Interpretation, Intermediality
8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And How-Gilda Says Textual Analysis
Needs To Learn From Political Economy And Ethnography
9. William Uricchio, Television's First 75 Years: The Interpretive Flexibility Of A Medium In Transition
10. Tara McPherson, "The end of TV as we know it": Convergence, Anxiety, Generic Innovation, and the Case of 24
11. John Caldwell, Screen Practice and Conglomeration: How Reflexivity and Conglomeration Fuel Each Other
12. Evans Chan, The Chinese Action Image and Postmodernity
13. Joseph Schaub, When Cute Becomes Scary: The Young Female in Japanese Horror Cinema
14. Gina Marchetti, Asian Film and Digital Culture
15. Manjunath Pendakur, Popular Cinema and "New" Media in India
16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media in the Digital Age
17. Andrew Flibbert, The Globalization of Filmmaking in Latin America and the Middle East
18. David Golumbia, Computers and Cultural Studies
19. Warren Buckland, Film and Media Studies Pedagogy
20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
Appendix I. Tom Bernard, Evolution of Modern Day Independent Film Making
Appendix II. Lee Berger & Richard Hollander, The Digital Revolution
1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
2. Brian Price, The Last Laoco:on
3. Devin Orgeron, Visual Media and the Tyranny of the Real
4. Francis Guerin, Radical Aspirations Historicized: The European Commitment to Political Documentary
5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of Photography in the Digital Age
6. Marsha Orgeron, Media Celebrity in the Age of the Image
7. Paul Young, Film Genre Theory and Contemporary Media: Description, Interpretation, Intermediality
8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And How-Gilda Says Textual Analysis
Needs To Learn From Political Economy And Ethnography
9. William Uricchio, Television's First 75 Years: The Interpretive Flexibility Of A Medium In Transition
10. Tara McPherson, "The end of TV as we know it": Convergence, Anxiety, Generic Innovation, and the Case of 24
11. John Caldwell, Screen Practice and Conglomeration: How Reflexivity and Conglomeration Fuel Each Other
12. Evans Chan, The Chinese Action Image and Postmodernity
13. Joseph Schaub, When Cute Becomes Scary: The Young Female in Japanese Horror Cinema
14. Gina Marchetti, Asian Film and Digital Culture
15. Manjunath Pendakur, Popular Cinema and "New" Media in India
16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media in the Digital Age
17. Andrew Flibbert, The Globalization of Filmmaking in Latin America and the Middle East
18. David Golumbia, Computers and Cultural Studies
19. Warren Buckland, Film and Media Studies Pedagogy
20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
Appendix I. Tom Bernard, Evolution of Modern Day Independent Film Making
Appendix II. Lee Berger & Richard Hollander, The Digital Revolution
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction
1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
2. Brian Price, The Last Laoco:on
3. Devin Orgeron, Visual Media and the Tyranny of the Real
4. Francis Guerin, Radical Aspirations Historicized: The European Commitment to Political Documentary
5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of Photography in the Digital Age
6. Marsha Orgeron, Media Celebrity in the Age of the Image
7. Paul Young, Film Genre Theory and Contemporary Media: Description, Interpretation, Intermediality
8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And How-Gilda Says Textual Analysis
Needs To Learn From Political Economy And Ethnography
9. William Uricchio, Television's First 75 Years: The Interpretive Flexibility Of A Medium In Transition
10. Tara McPherson, "The end of TV as we know it": Convergence, Anxiety, Generic Innovation, and the Case of 24
11. John Caldwell, Screen Practice and Conglomeration: How Reflexivity and Conglomeration Fuel Each Other
12. Evans Chan, The Chinese Action Image and Postmodernity
13. Joseph Schaub, When Cute Becomes Scary: The Young Female in Japanese Horror Cinema
14. Gina Marchetti, Asian Film and Digital Culture
15. Manjunath Pendakur, Popular Cinema and "New" Media in India
16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media in the Digital Age
17. Andrew Flibbert, The Globalization of Filmmaking in Latin America and the Middle East
18. David Golumbia, Computers and Cultural Studies
19. Warren Buckland, Film and Media Studies Pedagogy
20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
Appendix I. Tom Bernard, Evolution of Modern Day Independent Film Making
Appendix II. Lee Berger & Richard Hollander, The Digital Revolution
1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
2. Brian Price, The Last Laoco:on
3. Devin Orgeron, Visual Media and the Tyranny of the Real
4. Francis Guerin, Radical Aspirations Historicized: The European Commitment to Political Documentary
5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of Photography in the Digital Age
6. Marsha Orgeron, Media Celebrity in the Age of the Image
7. Paul Young, Film Genre Theory and Contemporary Media: Description, Interpretation, Intermediality
8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And How-Gilda Says Textual Analysis
Needs To Learn From Political Economy And Ethnography
9. William Uricchio, Television's First 75 Years: The Interpretive Flexibility Of A Medium In Transition
10. Tara McPherson, "The end of TV as we know it": Convergence, Anxiety, Generic Innovation, and the Case of 24
11. John Caldwell, Screen Practice and Conglomeration: How Reflexivity and Conglomeration Fuel Each Other
12. Evans Chan, The Chinese Action Image and Postmodernity
13. Joseph Schaub, When Cute Becomes Scary: The Young Female in Japanese Horror Cinema
14. Gina Marchetti, Asian Film and Digital Culture
15. Manjunath Pendakur, Popular Cinema and "New" Media in India
16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media in the Digital Age
17. Andrew Flibbert, The Globalization of Filmmaking in Latin America and the Middle East
18. David Golumbia, Computers and Cultural Studies
19. Warren Buckland, Film and Media Studies Pedagogy
20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
Appendix I. Tom Bernard, Evolution of Modern Day Independent Film Making
Appendix II. Lee Berger & Richard Hollander, The Digital Revolution
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
