Oxford Handbook of Entertainment Theory

Oxford Handbook of Entertainment Theory

Vorderer, Peter; Klimmt, Christoph

Oxford University Press Inc

04/2021

896

Dura

Inglês

9780190072216

15 a 20 dias

1594

Descrição não disponível.
Preface

Section I: General Theoretical Accounts of Media Entertainment

Chapter 1: A Brief Analysis of the State of Entertainment Theory: Historical Achievements, Contemporary Challenges, and Future Possibilities
Peter Vorderer, Christoph Klimmt, and Jennings Bryant

Chapter 2: Entertainment Is a Journey, Not Just a Destination: Process Perspectives in Entertainment Theories
Andreas Fahr and Hannah Frueh

Chapter 3: The Narrative Enjoyment and Appreciation Rationale
Ron Tamborini, Sara Grady, Joshua Baldwin, Nikki McClaran, and Robert Lewis

Chapter 4: Life-Span Developmental Changes in Media Entertainment Experiences
Marie-Louise Mares and James Alex Bonus

Chapter 5: A Systematic Gender Perspective on Entertainment Theory
Sabine Reich

Chapter 6: How Universal Is Media Entertainment, Really? On the Enriching Potential of Cross-Cultural Approaches for Existing Entertainment Scholarship
OEzen Odag

Chapter 7: Entertainment and Resonance
Peter Vorderer

Chapter 8: Finding Elusive Resonance Across Cultures and Time
Gerald C. Cupchik, Despina Stamatopoulou, and Siying Duan

Section II: Models and Theories Dedicated to Specific Experiential Processes

Chapter 9: Selection of Entertainment Media: From Mood Management Theory to the SESAM Model
Kate T. Luong and Silvia Knobloch-Westerwick

Chapter 10: Binge-Watching as a Case of Escapist Entertainment Use
Annabell Halfmann and Leonard Reinecke

Chapter 11: Media Entertainment as Guilty Pleasure? The Appraisal of Media Use, Self-Control, and Entertainment (AMUSE) Model
Leonard Reinecke and Adrian Meier

Chapter 12: Advances in Research on the Model of Intuitive Morality and Exemplars (MIME)
Allison Eden, Ron Tamborini, Melinda Aley, and Henry Goble

Chapter 13: Stories Enlarge the Experience of Self: Evidence for the Temporarily Expanded Boundaries of the Self (TEBOTS) Model
Benjamin K. Johnson, Michael D. Slater, Nathaniel A. Silver, and David R. Ewoldsen

Chapter 14: Stepping In and Out of Media Characters: Identification and Dynamic Shifts in Users' Positioning towards Entertainment Messages
Jonathan Cohen and Christoph Klimmt

Chapter 15: Involvement with Media Personae and Entertainment Experiences
William J. Brown

Chapter 16: Only Project: A Psychological Principle Explored in a Novel
Keith Oatley

Chapter 17: The Role of Narrative Cues in Shaping ADT: What Makes Audiences Think that Good Things Happen to Good People?
Ron Tamborini, Matthew Grizzard, Lindsay Hahn, Kevin Kryston, and Ezgi Ulusoy

Chapter 18: Media Entertainment, Flow Experiences, and the Synchronization of Audiences
Jacob T. Fisher, Chelsea Lonergan, Frederic R. Hopp, and Rene Weber

Chapter 19: Transcending Eudaimonic Entertainment: A Review and Expansion of Meaningful Entertainment
Sophie H. Janicke-Bowles, Anne Bartsch, Mary Beth Oliver, and Arthur A. Raney

Chapter 20: Biographic Resonance Theory of Eudaimonic Media Entertainment
Christoph Klimmt and Diana Rieger

Chapter 21: Kama Muta as an Eudaimonic Entertainment Experience
Sophie H. Janicke-Bowles, Thomas Schubert, and Johanna K. Blomster

Chapter 22: Entertained by Amazement and Wonder: The Role of the Emotion Awe in Media Reception
Daniel Possler and Arthur A. Raney

Section III: Models on Entertainment Phenomena Bound to Specific Media or Message Types

Chapter 23: Humor and Comedy
Jeffrey Goldstein

Chapter 24: Portrayals of Human Sexuality as Entertainment
Francesca R. Dillman Carpentier and Farnosh Mazandarani

Chapter 25: Cooling Down or Charging Up? Engagement with Aggressive Entertainment Contents as an Emotion Regulation Strategy of Boredom and Anger
Heidi Vandebosch and Karolien Poels

Chapter 26: Sports as (Digital) Media Entertainment
Nicky Lewis

Chapter 27: News as Entertainment Format: Applying Affective Disposition Theory and the Affective News Extended Model
Melissa J. Robinson and Silvia Knobloch-Westerwick

Chapter 28: An Extended Dual-Process Model of Entertainment Effects on Political Information Processing and Engagement
Frank M. Schneider, Anne Bartsch, and Larissa Leonhard

Chapter 29: Cinematic Entertainment: Contemporary Adolescents' Uses-and-Gratifications of Going to the Movies
Maite Soto-Sanfiel

Chapter 30: How Do People Evaluate Movies? Insights from the Associative-Propositional Evaluation Model
Frank M. Schneider, Ines C. Vogel, Uli Gleich, and Anne Bartsch

Chapter 31: TV Series Fandom as Eudaimonic Consumption
Jose Antonio Muniz-Velazquez and Javier Lozano Delmar

Chapter 32: A Synergistic Multi-Process Model of Video Game Entertainment
Christoph Klimmt and Daniel Possler

Chapter 33: Interactivity as Demand: Implications for Interactive Media Entertainment
Nicholas D. Bowman

Chapter 34: Players' Moral Decisions in Virtual Worlds: Morality in Video Games
Andre Melzer and Elisabeth Holl

Chapter 35: Player-Avatar Identification, Relationships, and Interaction: Entertainment through Asocial, Parasocial, and Fully Social Processes
Nicholas D. Bowman and Jaime Banks

Chapter 36: Entertainment in Virtual Reality and Beyond: The Influence of Embodiment, Co-Location, and Cognitive Distancing on Users' Entertainment Experience
Tilo Hartmann and Jesse Fox

Section IV: Models on Consequences or Correlates of Entertainment Phenomena

Chapter 37: Retrospective Imaginative Involvement and Entertainment Narratives: Initial Forays
David R. Ewoldsen, Rick Busselle, Neha Sethi, and Michael D. Slater

Chapter 38: Media Entertainment as a Self-Regulatory Resource: The Recovery and Resilience in Entertaining Media Use (R (2)EM) Model
Leonard Reinecke and Diana Rieger

Chapter 39: Entertainment Media and Social Consciousness
Meghan S. Sanders, Chun Yang, Anthony Ciaramella, Rachel Italiano, Stephanie L. Whitenack, and Hope M. Hickerson

Chapter 40: Entertainment Theories and Media Addiction
Felix Reer, Robin Janzik, Lars-Ole Wehden, and Thorsten Quandt

Chapter 41: Theorizing Entertainment-Education: A Complementary Perspective to
the Development of Entertainment Theory
Hua Wang and Arvind Singhal