Oxford Handbook of Emily Dickinson
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Oxford Handbook of Emily Dickinson
Sanchez-Eppler, Karen; Miller, Cristanne
Oxford University Press
04/2022
656
Dura
Inglês
9780198833932
15 a 20 dias
1292
Descrição não disponível.
Cristanne Miller and Karen Sanchez-Eppler: Introduction: A Poetry "Composed of Nows": Dickinson's Historical Context and Contemporary Relevance
PART I. "Do they know that this is Amherst": Dickinson in Place
1: Lisa Brooks: Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley
2: Jane Donahue Eberwein: "Where congregations ne'er break up": Dickinsons and Amherst's First Church
3: Claire Nashar: "The pedigree of Honey": Class, Colony, and Politics in Amherst's "Bee Hive" and Dickinson's Bee Poems
4: Lori Merish: "Seam by Seam": Dickinson's Literary Labors
5: Jane H. Wald: A Short Biography of the Homestead and The Evergreens
6: Karen Sanchez-Eppler: "Except the smaller size": Aunt Emily's Poetry
7: Polly Longworth: The Death of Little Gib
8: Nan Wolverton: "The Wanderers came last Night": Dickinson and the Material Culture of Indigenous Basket Sellers
Part II. "Essential Oils": Dickinson's Poetics and Compositional Practices
9: Ryan Cull: "Dragons--in the Crease--": Dickinson's Dangerous Lyricism
10: Kathryn R. Kent: Dickinson's Spinster Poetics
11: Paul Crumbley: The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World
12: Judith Scholes: "My Business is to Love": Address and Affect in Dickinson's Circulated Poems
13: Cristanne Miller: Writing for Posterity: Editing, Evidence, and Sequence in Dickinson's Composition and Circulation of Poems
14: Marta L. Werner: The Material and Editorial Condition of Dickinson's "Master" Documents
15: Branka Arsic: Butterfly Tropics: Dickinson, the Archive, and Ethereal Poetics
16: Rae Armantrout: Dickinson's Influence on Recent American Poetry
Part III. "You'll find the Music": Dickinson's Media Contexts
17: Mary Loeffelholz: "Yellow Noise": Information and Form in Dickinson's Intermedial Writing
18: Marianne Noble: "Say it Again! Saxon!": The Erotic Intimate Space of Reading
19: Maurice S. Lee: Dickinson Uncut: Reading and Not Reading in Print Culture
20: Paraic Finnerty: "On the wall of her own room hung framed portraits of Mrs. Browning, George Eliot and Carlyle": Dickinson's Heroes and Hero-Worship
21: Brigitte Fielder: Dickinson's Black Contexts
22: Michael C. Cohen: Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood
23: Midori Asahina, Nobuko Shimomura, and Masako Takeda: Looking Back on the Reception History of Dickinson in Japan
24: Gerard Holmes: "Discretion in the interval": Musical Improvisation and Dickinson's Manuscript Variations
25: Antoine Caze: Dickinson Composed
PART IV. "Such are the inlets of the mind--": Ways of Knowing and the World
26: Shira Wolosky: Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests
27: Benjamin Friedlander: Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen
28: Jennifer Leader: "The Finite--furnished / With the Infinite--": Dickinson's Biblical Imaginations
29: Adalberto Mueller: Imaginary Geography: Dickinson Latina
30: Christine Gerhardt: Dickinson's Garden Ecologies
31: Michelle Kohler: "You felt your Second": Dickinson and Nineteenth-Century Timekeeping
32: Renee Bergland: Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold
33: Lesley Dill: "How ruthless are the gentle": The Art of Emily Dickinson and Lesley Dill
PART V. Coda
34: Jed Deppman: Living and Dying with Emily Dickinson
PART I. "Do they know that this is Amherst": Dickinson in Place
1: Lisa Brooks: Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley
2: Jane Donahue Eberwein: "Where congregations ne'er break up": Dickinsons and Amherst's First Church
3: Claire Nashar: "The pedigree of Honey": Class, Colony, and Politics in Amherst's "Bee Hive" and Dickinson's Bee Poems
4: Lori Merish: "Seam by Seam": Dickinson's Literary Labors
5: Jane H. Wald: A Short Biography of the Homestead and The Evergreens
6: Karen Sanchez-Eppler: "Except the smaller size": Aunt Emily's Poetry
7: Polly Longworth: The Death of Little Gib
8: Nan Wolverton: "The Wanderers came last Night": Dickinson and the Material Culture of Indigenous Basket Sellers
Part II. "Essential Oils": Dickinson's Poetics and Compositional Practices
9: Ryan Cull: "Dragons--in the Crease--": Dickinson's Dangerous Lyricism
10: Kathryn R. Kent: Dickinson's Spinster Poetics
11: Paul Crumbley: The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World
12: Judith Scholes: "My Business is to Love": Address and Affect in Dickinson's Circulated Poems
13: Cristanne Miller: Writing for Posterity: Editing, Evidence, and Sequence in Dickinson's Composition and Circulation of Poems
14: Marta L. Werner: The Material and Editorial Condition of Dickinson's "Master" Documents
15: Branka Arsic: Butterfly Tropics: Dickinson, the Archive, and Ethereal Poetics
16: Rae Armantrout: Dickinson's Influence on Recent American Poetry
Part III. "You'll find the Music": Dickinson's Media Contexts
17: Mary Loeffelholz: "Yellow Noise": Information and Form in Dickinson's Intermedial Writing
18: Marianne Noble: "Say it Again! Saxon!": The Erotic Intimate Space of Reading
19: Maurice S. Lee: Dickinson Uncut: Reading and Not Reading in Print Culture
20: Paraic Finnerty: "On the wall of her own room hung framed portraits of Mrs. Browning, George Eliot and Carlyle": Dickinson's Heroes and Hero-Worship
21: Brigitte Fielder: Dickinson's Black Contexts
22: Michael C. Cohen: Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood
23: Midori Asahina, Nobuko Shimomura, and Masako Takeda: Looking Back on the Reception History of Dickinson in Japan
24: Gerard Holmes: "Discretion in the interval": Musical Improvisation and Dickinson's Manuscript Variations
25: Antoine Caze: Dickinson Composed
PART IV. "Such are the inlets of the mind--": Ways of Knowing and the World
26: Shira Wolosky: Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests
27: Benjamin Friedlander: Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen
28: Jennifer Leader: "The Finite--furnished / With the Infinite--": Dickinson's Biblical Imaginations
29: Adalberto Mueller: Imaginary Geography: Dickinson Latina
30: Christine Gerhardt: Dickinson's Garden Ecologies
31: Michelle Kohler: "You felt your Second": Dickinson and Nineteenth-Century Timekeeping
32: Renee Bergland: Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold
33: Lesley Dill: "How ruthless are the gentle": The Art of Emily Dickinson and Lesley Dill
PART V. Coda
34: Jed Deppman: Living and Dying with Emily Dickinson
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cristanne Miller and Karen Sanchez-Eppler: Introduction: A Poetry "Composed of Nows": Dickinson's Historical Context and Contemporary Relevance
PART I. "Do they know that this is Amherst": Dickinson in Place
1: Lisa Brooks: Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley
2: Jane Donahue Eberwein: "Where congregations ne'er break up": Dickinsons and Amherst's First Church
3: Claire Nashar: "The pedigree of Honey": Class, Colony, and Politics in Amherst's "Bee Hive" and Dickinson's Bee Poems
4: Lori Merish: "Seam by Seam": Dickinson's Literary Labors
5: Jane H. Wald: A Short Biography of the Homestead and The Evergreens
6: Karen Sanchez-Eppler: "Except the smaller size": Aunt Emily's Poetry
7: Polly Longworth: The Death of Little Gib
8: Nan Wolverton: "The Wanderers came last Night": Dickinson and the Material Culture of Indigenous Basket Sellers
Part II. "Essential Oils": Dickinson's Poetics and Compositional Practices
9: Ryan Cull: "Dragons--in the Crease--": Dickinson's Dangerous Lyricism
10: Kathryn R. Kent: Dickinson's Spinster Poetics
11: Paul Crumbley: The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World
12: Judith Scholes: "My Business is to Love": Address and Affect in Dickinson's Circulated Poems
13: Cristanne Miller: Writing for Posterity: Editing, Evidence, and Sequence in Dickinson's Composition and Circulation of Poems
14: Marta L. Werner: The Material and Editorial Condition of Dickinson's "Master" Documents
15: Branka Arsic: Butterfly Tropics: Dickinson, the Archive, and Ethereal Poetics
16: Rae Armantrout: Dickinson's Influence on Recent American Poetry
Part III. "You'll find the Music": Dickinson's Media Contexts
17: Mary Loeffelholz: "Yellow Noise": Information and Form in Dickinson's Intermedial Writing
18: Marianne Noble: "Say it Again! Saxon!": The Erotic Intimate Space of Reading
19: Maurice S. Lee: Dickinson Uncut: Reading and Not Reading in Print Culture
20: Paraic Finnerty: "On the wall of her own room hung framed portraits of Mrs. Browning, George Eliot and Carlyle": Dickinson's Heroes and Hero-Worship
21: Brigitte Fielder: Dickinson's Black Contexts
22: Michael C. Cohen: Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood
23: Midori Asahina, Nobuko Shimomura, and Masako Takeda: Looking Back on the Reception History of Dickinson in Japan
24: Gerard Holmes: "Discretion in the interval": Musical Improvisation and Dickinson's Manuscript Variations
25: Antoine Caze: Dickinson Composed
PART IV. "Such are the inlets of the mind--": Ways of Knowing and the World
26: Shira Wolosky: Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests
27: Benjamin Friedlander: Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen
28: Jennifer Leader: "The Finite--furnished / With the Infinite--": Dickinson's Biblical Imaginations
29: Adalberto Mueller: Imaginary Geography: Dickinson Latina
30: Christine Gerhardt: Dickinson's Garden Ecologies
31: Michelle Kohler: "You felt your Second": Dickinson and Nineteenth-Century Timekeeping
32: Renee Bergland: Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold
33: Lesley Dill: "How ruthless are the gentle": The Art of Emily Dickinson and Lesley Dill
PART V. Coda
34: Jed Deppman: Living and Dying with Emily Dickinson
PART I. "Do they know that this is Amherst": Dickinson in Place
1: Lisa Brooks: Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley
2: Jane Donahue Eberwein: "Where congregations ne'er break up": Dickinsons and Amherst's First Church
3: Claire Nashar: "The pedigree of Honey": Class, Colony, and Politics in Amherst's "Bee Hive" and Dickinson's Bee Poems
4: Lori Merish: "Seam by Seam": Dickinson's Literary Labors
5: Jane H. Wald: A Short Biography of the Homestead and The Evergreens
6: Karen Sanchez-Eppler: "Except the smaller size": Aunt Emily's Poetry
7: Polly Longworth: The Death of Little Gib
8: Nan Wolverton: "The Wanderers came last Night": Dickinson and the Material Culture of Indigenous Basket Sellers
Part II. "Essential Oils": Dickinson's Poetics and Compositional Practices
9: Ryan Cull: "Dragons--in the Crease--": Dickinson's Dangerous Lyricism
10: Kathryn R. Kent: Dickinson's Spinster Poetics
11: Paul Crumbley: The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World
12: Judith Scholes: "My Business is to Love": Address and Affect in Dickinson's Circulated Poems
13: Cristanne Miller: Writing for Posterity: Editing, Evidence, and Sequence in Dickinson's Composition and Circulation of Poems
14: Marta L. Werner: The Material and Editorial Condition of Dickinson's "Master" Documents
15: Branka Arsic: Butterfly Tropics: Dickinson, the Archive, and Ethereal Poetics
16: Rae Armantrout: Dickinson's Influence on Recent American Poetry
Part III. "You'll find the Music": Dickinson's Media Contexts
17: Mary Loeffelholz: "Yellow Noise": Information and Form in Dickinson's Intermedial Writing
18: Marianne Noble: "Say it Again! Saxon!": The Erotic Intimate Space of Reading
19: Maurice S. Lee: Dickinson Uncut: Reading and Not Reading in Print Culture
20: Paraic Finnerty: "On the wall of her own room hung framed portraits of Mrs. Browning, George Eliot and Carlyle": Dickinson's Heroes and Hero-Worship
21: Brigitte Fielder: Dickinson's Black Contexts
22: Michael C. Cohen: Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood
23: Midori Asahina, Nobuko Shimomura, and Masako Takeda: Looking Back on the Reception History of Dickinson in Japan
24: Gerard Holmes: "Discretion in the interval": Musical Improvisation and Dickinson's Manuscript Variations
25: Antoine Caze: Dickinson Composed
PART IV. "Such are the inlets of the mind--": Ways of Knowing and the World
26: Shira Wolosky: Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests
27: Benjamin Friedlander: Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen
28: Jennifer Leader: "The Finite--furnished / With the Infinite--": Dickinson's Biblical Imaginations
29: Adalberto Mueller: Imaginary Geography: Dickinson Latina
30: Christine Gerhardt: Dickinson's Garden Ecologies
31: Michelle Kohler: "You felt your Second": Dickinson and Nineteenth-Century Timekeeping
32: Renee Bergland: Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold
33: Lesley Dill: "How ruthless are the gentle": The Art of Emily Dickinson and Lesley Dill
PART V. Coda
34: Jed Deppman: Living and Dying with Emily Dickinson
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
