City and the Stage
-15%
portes grátis
City and the Stage
Performance, Genre, and Gender in Plato's Laws
Oxford University Press Inc
12/2015
400
Dura
Inglês
9780190266172
15 a 20 dias
Descrição não disponível.
Introduction: Performance and the Second-Best City ; Abstract ; 1 Introduction ; 2 An Ancient Quarrel Revisited ; 3 The Laws, Its City, Its Scope ; 4 Paradigmatism and the 'Second-Best' Politeia ; 5 The Correct Method (orthe methodos) of Cultural Criticism ; 6 Conclusions ; Notes ; Chapter 1. Marionettes of the Soul: Performance and the Psychology of Mousike in Plato's Laws ; Abstract ; 1.1 Introduction ; 1.2 Theoretical Orientations: Performance, Performativity, Political Dissent ; 1.3 Of Puppets and Passions: The Moral Psychology of Performance in Plato's Laws ; 1.4 Virtue, Education, Aesthetic Response: A Model of Performativity ; 1.5 Inscription and the Making of a Philosophical Performance Culture ; 1.6 Conclusions ; Notes ; Chapter 2. The Chorus and the Critic: Literary Criticism, Theatrocracy, and the Performance of Philosophy ; Abstract ; 2.1 Introduction ; 2.2 Critical Errors: Genre, Theatrocracy, and the Unideal City ; 2.3 Setting the Stage: Pleasure, Judgment, and the Performance of Philosophy ; 2.4 Beyond the Choral Muse: The Chorus of Dionysus and the Metaphysics of Literary Criticism ; 2.5 Conclusions ; Notes ; Chapter 3. Laws' Genres: Hymns, Encomia, and the Remaking of Lament ; Abstract ; 3.1 Th Introduction: ; 3.2 The Laws' Genres: Hymns, Encomia, and the Politics of Euphemia ; 3.3 The Laws in Praise and Blame ; 3.4 Funerary Regained ; 3.5 Conclusions ; Notes ; Chapter 4. Unideal Genres and the Ideal City: Comedy, Tragedy, and the Limits of the City Dancing ; Abstract ; 4.1 Introduction ; 4.2 Comedy, Threnody, and the Performance of Alterity ; 4.3 From Antithesis to Identity: Comedic and Iambic Invective ; 4.4 Plato's Tragic Muse ; 4.5 Beyond the Politics of Performance: ta bakkheia and the Genres of Ecstasy ; 4.6 Conclusions ; Notes ; Chapter 5. Women's Statuses in Plato's Laws: Nature, Gender, Law, and the Performance of Citizenship ; Abstract ; 5.1 Introduction ; 5.2 'Natural' Heterosexuality ; 5.3 Transgendered Virtues and the Social Contract ; 5.4 Natural Correction: Feasting, Warfare, Schooling, and the 'Trope of Life' (tropos tou biou) ; 5.5 Unnatural Limitations: The Political Lives of Women ; 5.6 Conclusions ; Notes ; Chapter 6. Engendering Harmonies: Women's Songs in Plato's Laws ; Abstract ; 6.1 Introduction ; 6.2 Veils of Silence: Women, Theater, and Performance in Athens and Magnesia ; 6.3 Performance, Performativity, and the Making of Citizen Women ; 6.4 'Cultic Citizenship' Revisited: Lament and the Female Voice ; 6.5 Conclusions ; Notes ; Epilogue. Plato's Last Long: A Postlude on Law and the Preludes ; Bibliography
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Introduction: Performance and the Second-Best City ; Abstract ; 1 Introduction ; 2 An Ancient Quarrel Revisited ; 3 The Laws, Its City, Its Scope ; 4 Paradigmatism and the 'Second-Best' Politeia ; 5 The Correct Method (orthe methodos) of Cultural Criticism ; 6 Conclusions ; Notes ; Chapter 1. Marionettes of the Soul: Performance and the Psychology of Mousike in Plato's Laws ; Abstract ; 1.1 Introduction ; 1.2 Theoretical Orientations: Performance, Performativity, Political Dissent ; 1.3 Of Puppets and Passions: The Moral Psychology of Performance in Plato's Laws ; 1.4 Virtue, Education, Aesthetic Response: A Model of Performativity ; 1.5 Inscription and the Making of a Philosophical Performance Culture ; 1.6 Conclusions ; Notes ; Chapter 2. The Chorus and the Critic: Literary Criticism, Theatrocracy, and the Performance of Philosophy ; Abstract ; 2.1 Introduction ; 2.2 Critical Errors: Genre, Theatrocracy, and the Unideal City ; 2.3 Setting the Stage: Pleasure, Judgment, and the Performance of Philosophy ; 2.4 Beyond the Choral Muse: The Chorus of Dionysus and the Metaphysics of Literary Criticism ; 2.5 Conclusions ; Notes ; Chapter 3. Laws' Genres: Hymns, Encomia, and the Remaking of Lament ; Abstract ; 3.1 Th Introduction: ; 3.2 The Laws' Genres: Hymns, Encomia, and the Politics of Euphemia ; 3.3 The Laws in Praise and Blame ; 3.4 Funerary Regained ; 3.5 Conclusions ; Notes ; Chapter 4. Unideal Genres and the Ideal City: Comedy, Tragedy, and the Limits of the City Dancing ; Abstract ; 4.1 Introduction ; 4.2 Comedy, Threnody, and the Performance of Alterity ; 4.3 From Antithesis to Identity: Comedic and Iambic Invective ; 4.4 Plato's Tragic Muse ; 4.5 Beyond the Politics of Performance: ta bakkheia and the Genres of Ecstasy ; 4.6 Conclusions ; Notes ; Chapter 5. Women's Statuses in Plato's Laws: Nature, Gender, Law, and the Performance of Citizenship ; Abstract ; 5.1 Introduction ; 5.2 'Natural' Heterosexuality ; 5.3 Transgendered Virtues and the Social Contract ; 5.4 Natural Correction: Feasting, Warfare, Schooling, and the 'Trope of Life' (tropos tou biou) ; 5.5 Unnatural Limitations: The Political Lives of Women ; 5.6 Conclusions ; Notes ; Chapter 6. Engendering Harmonies: Women's Songs in Plato's Laws ; Abstract ; 6.1 Introduction ; 6.2 Veils of Silence: Women, Theater, and Performance in Athens and Magnesia ; 6.3 Performance, Performativity, and the Making of Citizen Women ; 6.4 'Cultic Citizenship' Revisited: Lament and the Female Voice ; 6.5 Conclusions ; Notes ; Epilogue. Plato's Last Long: A Postlude on Law and the Preludes ; Bibliography
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