Style in Narrative
Style in Narrative
Aspects of an Affective-Cognitive Stylistics
Hogan, Patrick Colm
Oxford University Press Inc
03/2021
320
Dura
Inglês
9780197539576
15 a 20 dias
694
Part One: Literature
I. Literary Style
II. Story Structure: Shakespeare and the Integration of Genres
III. Verbal Narration: Ambiguities of Faulkner's As I Lay Dying
Part Two: Film
IV. Film Style
V. Perceptual Interface and Painterly Cinema: Three Minutes of Robert Rodriguez's Sin City
VI. Emplotment: Ellipsis and Excess in Yasujiro Ozu's Postwar Films
VII. Visual Narration: Embodiment and Point of View in Lu Chuan's Nanjing! Nanjing!
Part Three: Graphic Narrative
VIII. Stylistic Choices in Graphic Narrative: Particularity and Its Functions
in Art Spiegelman's Maus
Afterword. Keep Stylistics Great: A Note on Politics and the Analysis of Style
Works Cited
Part One: Literature
I. Literary Style
II. Story Structure: Shakespeare and the Integration of Genres
III. Verbal Narration: Ambiguities of Faulkner's As I Lay Dying
Part Two: Film
IV. Film Style
V. Perceptual Interface and Painterly Cinema: Three Minutes of Robert Rodriguez's Sin City
VI. Emplotment: Ellipsis and Excess in Yasujiro Ozu's Postwar Films
VII. Visual Narration: Embodiment and Point of View in Lu Chuan's Nanjing! Nanjing!
Part Three: Graphic Narrative
VIII. Stylistic Choices in Graphic Narrative: Particularity and Its Functions
in Art Spiegelman's Maus
Afterword. Keep Stylistics Great: A Note on Politics and the Analysis of Style
Works Cited