Storytelling in Motion
Storytelling in Motion
Cinematic Choreography and the Film Musical
Oyallon-Koloski, Jenny
Oxford University Press Inc
05/2024
320
Dura
9780197602669
Pré-lançamento - envio 15 a 20 dias após a sua edição
Acknowledgements
Introduction
Part I | Musical foundations
Chapter 1 | Formal conventions and musical practices: Singin' in the Rain (1952)
Chapter 2 | Seeing movement in cinema: An introduction to Laban Movement Analysis
Chapter 3 | Agency, control, and space: West Side Story (1961)
Part II | Musical eclecticism
Chapter 4 | Minimalism and excess: Les Demoiselles de Rochefort (1967)
Chapter 5 | Musical unease: Trois places pour le 26 (1988)
Chapter 6 | Endless conversations: Reflexive musical clusters
Part III | Musical realism
Chapter 7 | Diegetic flutters: Views from the bridge
Chapter 8 | Imperfect bodies: Jeanne et le garcon formidable (1998)
Chapter 9 | Rhythmic realism: La La Land (2016)
Appendix 1: Laban Movement Analysis
Acknowledgements
Introduction
Part I | Musical foundations
Chapter 1 | Formal conventions and musical practices: Singin' in the Rain (1952)
Chapter 2 | Seeing movement in cinema: An introduction to Laban Movement Analysis
Chapter 3 | Agency, control, and space: West Side Story (1961)
Part II | Musical eclecticism
Chapter 4 | Minimalism and excess: Les Demoiselles de Rochefort (1967)
Chapter 5 | Musical unease: Trois places pour le 26 (1988)
Chapter 6 | Endless conversations: Reflexive musical clusters
Part III | Musical realism
Chapter 7 | Diegetic flutters: Views from the bridge
Chapter 8 | Imperfect bodies: Jeanne et le garcon formidable (1998)
Chapter 9 | Rhythmic realism: La La Land (2016)
Appendix 1: Laban Movement Analysis