Soviet Art House
-10%
portes grátis
Soviet Art House
Lenfilm Studio under Brezhnev
Kelly, Catriona
Oxford University Press Inc
03/2021
536
Mole
Inglês
9780197548370
15 a 20 dias
938
Descrição não disponível.
Preface and Acknowledgments
Terminology, Abbreviations, and Transliteration
List of Illustrations
Introduction: The Art House
Chapter 1. Big Hopes and Trouble, 1961-1969
Chapter 2. "Serious" Movies and the Box Office, 1970-1985
Chapter 3. The Cinema-Centaur: Lenfilm as Film Factory
Chapter 4. Non-Existent Reality: The Lenfilm Aesthetic
Chapter 5. Pleasure and Danger: Yuly Fait, A Boy and a Girl (1966)
Chapter 6. The Indifference of Time: Gennady Shpalikov, A Long Happy Life (1967)
Chapter 7. Regulated Immediacy: Viktor Sokolov, A Day of Sunshine and Rain (1967)
Chapter 8. More in Expectation than Hope: Naum Birman, Chronicle of a Divebomber (1968)
Chapter 9. Cold War Fears: Savva Kulish, The Dead Season (1968)
Chapter 10. Personal Happiness: Vitaly Melnikov, Mother's Got Married (1969)
Chapter 11. Trust in Talent: Ilya Averbakh, Monologue (1972)
Chapter 12. Spontaneous Music: Dinara Asanova, Woodpeckers Don't Get Headaches (1974)
Chapter 13. Fervor and Tenderness: Gleb Panfilov, May I Speak? (1976)
Chapter 14. Private Grief, Public Mourning: Sergei Mikaelyan, The Widows (1977)
Chapter 15. Ludic Love: Kira Muratova, Getting to Know the Wide World (1978)
Chapter 16. Cast a Cold Eye: Boris Frumin, Errors of Youth (1978)
Chapter 17. Socialist Embarrassment: Viktor Tregubovich, Go If You're Going (1978)
Chapter 18. The Powers of Irony: Igor Maslennikov, The Queen of Spades (1982)
Chapter 19. Hystoria: Aleksei German, My Friend Ivan Lapshin (1984)
Conclusion: Arthouse Beyond the Art House
Filmography
Terminology, Abbreviations, and Transliteration
List of Illustrations
Introduction: The Art House
Chapter 1. Big Hopes and Trouble, 1961-1969
Chapter 2. "Serious" Movies and the Box Office, 1970-1985
Chapter 3. The Cinema-Centaur: Lenfilm as Film Factory
Chapter 4. Non-Existent Reality: The Lenfilm Aesthetic
Chapter 5. Pleasure and Danger: Yuly Fait, A Boy and a Girl (1966)
Chapter 6. The Indifference of Time: Gennady Shpalikov, A Long Happy Life (1967)
Chapter 7. Regulated Immediacy: Viktor Sokolov, A Day of Sunshine and Rain (1967)
Chapter 8. More in Expectation than Hope: Naum Birman, Chronicle of a Divebomber (1968)
Chapter 9. Cold War Fears: Savva Kulish, The Dead Season (1968)
Chapter 10. Personal Happiness: Vitaly Melnikov, Mother's Got Married (1969)
Chapter 11. Trust in Talent: Ilya Averbakh, Monologue (1972)
Chapter 12. Spontaneous Music: Dinara Asanova, Woodpeckers Don't Get Headaches (1974)
Chapter 13. Fervor and Tenderness: Gleb Panfilov, May I Speak? (1976)
Chapter 14. Private Grief, Public Mourning: Sergei Mikaelyan, The Widows (1977)
Chapter 15. Ludic Love: Kira Muratova, Getting to Know the Wide World (1978)
Chapter 16. Cast a Cold Eye: Boris Frumin, Errors of Youth (1978)
Chapter 17. Socialist Embarrassment: Viktor Tregubovich, Go If You're Going (1978)
Chapter 18. The Powers of Irony: Igor Maslennikov, The Queen of Spades (1982)
Chapter 19. Hystoria: Aleksei German, My Friend Ivan Lapshin (1984)
Conclusion: Arthouse Beyond the Art House
Filmography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Preface and Acknowledgments
Terminology, Abbreviations, and Transliteration
List of Illustrations
Introduction: The Art House
Chapter 1. Big Hopes and Trouble, 1961-1969
Chapter 2. "Serious" Movies and the Box Office, 1970-1985
Chapter 3. The Cinema-Centaur: Lenfilm as Film Factory
Chapter 4. Non-Existent Reality: The Lenfilm Aesthetic
Chapter 5. Pleasure and Danger: Yuly Fait, A Boy and a Girl (1966)
Chapter 6. The Indifference of Time: Gennady Shpalikov, A Long Happy Life (1967)
Chapter 7. Regulated Immediacy: Viktor Sokolov, A Day of Sunshine and Rain (1967)
Chapter 8. More in Expectation than Hope: Naum Birman, Chronicle of a Divebomber (1968)
Chapter 9. Cold War Fears: Savva Kulish, The Dead Season (1968)
Chapter 10. Personal Happiness: Vitaly Melnikov, Mother's Got Married (1969)
Chapter 11. Trust in Talent: Ilya Averbakh, Monologue (1972)
Chapter 12. Spontaneous Music: Dinara Asanova, Woodpeckers Don't Get Headaches (1974)
Chapter 13. Fervor and Tenderness: Gleb Panfilov, May I Speak? (1976)
Chapter 14. Private Grief, Public Mourning: Sergei Mikaelyan, The Widows (1977)
Chapter 15. Ludic Love: Kira Muratova, Getting to Know the Wide World (1978)
Chapter 16. Cast a Cold Eye: Boris Frumin, Errors of Youth (1978)
Chapter 17. Socialist Embarrassment: Viktor Tregubovich, Go If You're Going (1978)
Chapter 18. The Powers of Irony: Igor Maslennikov, The Queen of Spades (1982)
Chapter 19. Hystoria: Aleksei German, My Friend Ivan Lapshin (1984)
Conclusion: Arthouse Beyond the Art House
Filmography
Terminology, Abbreviations, and Transliteration
List of Illustrations
Introduction: The Art House
Chapter 1. Big Hopes and Trouble, 1961-1969
Chapter 2. "Serious" Movies and the Box Office, 1970-1985
Chapter 3. The Cinema-Centaur: Lenfilm as Film Factory
Chapter 4. Non-Existent Reality: The Lenfilm Aesthetic
Chapter 5. Pleasure and Danger: Yuly Fait, A Boy and a Girl (1966)
Chapter 6. The Indifference of Time: Gennady Shpalikov, A Long Happy Life (1967)
Chapter 7. Regulated Immediacy: Viktor Sokolov, A Day of Sunshine and Rain (1967)
Chapter 8. More in Expectation than Hope: Naum Birman, Chronicle of a Divebomber (1968)
Chapter 9. Cold War Fears: Savva Kulish, The Dead Season (1968)
Chapter 10. Personal Happiness: Vitaly Melnikov, Mother's Got Married (1969)
Chapter 11. Trust in Talent: Ilya Averbakh, Monologue (1972)
Chapter 12. Spontaneous Music: Dinara Asanova, Woodpeckers Don't Get Headaches (1974)
Chapter 13. Fervor and Tenderness: Gleb Panfilov, May I Speak? (1976)
Chapter 14. Private Grief, Public Mourning: Sergei Mikaelyan, The Widows (1977)
Chapter 15. Ludic Love: Kira Muratova, Getting to Know the Wide World (1978)
Chapter 16. Cast a Cold Eye: Boris Frumin, Errors of Youth (1978)
Chapter 17. Socialist Embarrassment: Viktor Tregubovich, Go If You're Going (1978)
Chapter 18. The Powers of Irony: Igor Maslennikov, The Queen of Spades (1982)
Chapter 19. Hystoria: Aleksei German, My Friend Ivan Lapshin (1984)
Conclusion: Arthouse Beyond the Art House
Filmography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
