Relational Responses to Trauma in Twenty-First-Century French and Spanish Women's Writing
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Relational Responses to Trauma in Twenty-First-Century French and Spanish Women's Writing
Lawlor, Hannie
Oxford University Press
09/2024
240
Dura
9780198916734
15 a 20 dias
Descrição não disponível.
Dialogues in Twenty-First-Century Life Writing
Part One
1: Traumatic Legacies and Narrative Claims: Rewriting Relations in Colombe Schneck's La Reparation (2012) and Juana Salabert's Velodromo de Invierno(2001)
1.1: The Matter of Inheritance
1.2: Relations, Repairs and Replacement in La Reparation
1.3: Missing Fathers and Illegitimate Authors: Velodromo de Invierno
Displaced Subjects and Ventriloquised Voices: Intergenerational Relations and The Ethics of Representation in Dulce Chacon's La voz dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling the Other's Tale
2.2: Magnified Stories, Minimised Voices: La voz dormida
2.3: Pas pleurer: Speaking in (M)other Tongues
2.4: Reciprocal Relations and the Ethics of Postmemory
Part Two
Legacy, Lineage and lignes de fuite: Intergenerational Transmission in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela Ybarra's El comensal (2015)
3.1: (Dis)Connecting Traumatic Histories
3.2: Lines of Flight in Sauve qui peut la vie
3.3: Narrative Loops and Impending Returns in El comensal
3.4: Images of Intergenerational Transmission
Burials, Exhumations, and Textual Tombs: Addressing the Other in Milena Busquets's Tambien esto pasara (2015) and Sophie Daull's Camille, mon envolee (2015)
4.1: The Function of Funerals
4.2: Scattered Ashes in Tambien esto pasara
4.3: Constructing a Cenotaph: Camille, mon envolee
4.4: Burial Shrouds in La Suture (2016)
4.5: Ethical Reburials and Alternative Conversations
Part Three
Clashing Family Stories and Inconceivable Conversations: Christine Angot's Un amour impossible (2015) and Cristina Fallaras's Honraras a tu padre y a tu madre (2018)
5.1: Misalliance, Transmission and Incestuous Desire
5.2: Illusory Exchanges in Un amour impossible
5.3: Dialogues with the Dead: Honraras a tu padre y a tu madre
5.4: Contaminating Conversations
Writing Relational Lives
Bibliography
Part One
1: Traumatic Legacies and Narrative Claims: Rewriting Relations in Colombe Schneck's La Reparation (2012) and Juana Salabert's Velodromo de Invierno(2001)
1.1: The Matter of Inheritance
1.2: Relations, Repairs and Replacement in La Reparation
1.3: Missing Fathers and Illegitimate Authors: Velodromo de Invierno
Displaced Subjects and Ventriloquised Voices: Intergenerational Relations and The Ethics of Representation in Dulce Chacon's La voz dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling the Other's Tale
2.2: Magnified Stories, Minimised Voices: La voz dormida
2.3: Pas pleurer: Speaking in (M)other Tongues
2.4: Reciprocal Relations and the Ethics of Postmemory
Part Two
Legacy, Lineage and lignes de fuite: Intergenerational Transmission in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela Ybarra's El comensal (2015)
3.1: (Dis)Connecting Traumatic Histories
3.2: Lines of Flight in Sauve qui peut la vie
3.3: Narrative Loops and Impending Returns in El comensal
3.4: Images of Intergenerational Transmission
Burials, Exhumations, and Textual Tombs: Addressing the Other in Milena Busquets's Tambien esto pasara (2015) and Sophie Daull's Camille, mon envolee (2015)
4.1: The Function of Funerals
4.2: Scattered Ashes in Tambien esto pasara
4.3: Constructing a Cenotaph: Camille, mon envolee
4.4: Burial Shrouds in La Suture (2016)
4.5: Ethical Reburials and Alternative Conversations
Part Three
Clashing Family Stories and Inconceivable Conversations: Christine Angot's Un amour impossible (2015) and Cristina Fallaras's Honraras a tu padre y a tu madre (2018)
5.1: Misalliance, Transmission and Incestuous Desire
5.2: Illusory Exchanges in Un amour impossible
5.3: Dialogues with the Dead: Honraras a tu padre y a tu madre
5.4: Contaminating Conversations
Writing Relational Lives
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Dialogues in Twenty-First-Century Life Writing
Part One
1: Traumatic Legacies and Narrative Claims: Rewriting Relations in Colombe Schneck's La Reparation (2012) and Juana Salabert's Velodromo de Invierno(2001)
1.1: The Matter of Inheritance
1.2: Relations, Repairs and Replacement in La Reparation
1.3: Missing Fathers and Illegitimate Authors: Velodromo de Invierno
Displaced Subjects and Ventriloquised Voices: Intergenerational Relations and The Ethics of Representation in Dulce Chacon's La voz dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling the Other's Tale
2.2: Magnified Stories, Minimised Voices: La voz dormida
2.3: Pas pleurer: Speaking in (M)other Tongues
2.4: Reciprocal Relations and the Ethics of Postmemory
Part Two
Legacy, Lineage and lignes de fuite: Intergenerational Transmission in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela Ybarra's El comensal (2015)
3.1: (Dis)Connecting Traumatic Histories
3.2: Lines of Flight in Sauve qui peut la vie
3.3: Narrative Loops and Impending Returns in El comensal
3.4: Images of Intergenerational Transmission
Burials, Exhumations, and Textual Tombs: Addressing the Other in Milena Busquets's Tambien esto pasara (2015) and Sophie Daull's Camille, mon envolee (2015)
4.1: The Function of Funerals
4.2: Scattered Ashes in Tambien esto pasara
4.3: Constructing a Cenotaph: Camille, mon envolee
4.4: Burial Shrouds in La Suture (2016)
4.5: Ethical Reburials and Alternative Conversations
Part Three
Clashing Family Stories and Inconceivable Conversations: Christine Angot's Un amour impossible (2015) and Cristina Fallaras's Honraras a tu padre y a tu madre (2018)
5.1: Misalliance, Transmission and Incestuous Desire
5.2: Illusory Exchanges in Un amour impossible
5.3: Dialogues with the Dead: Honraras a tu padre y a tu madre
5.4: Contaminating Conversations
Writing Relational Lives
Bibliography
Part One
1: Traumatic Legacies and Narrative Claims: Rewriting Relations in Colombe Schneck's La Reparation (2012) and Juana Salabert's Velodromo de Invierno(2001)
1.1: The Matter of Inheritance
1.2: Relations, Repairs and Replacement in La Reparation
1.3: Missing Fathers and Illegitimate Authors: Velodromo de Invierno
Displaced Subjects and Ventriloquised Voices: Intergenerational Relations and The Ethics of Representation in Dulce Chacon's La voz dormida (2002) and Lydie Salvayre's Pas pleurer (2014) 69
2.1: Loudspeakers and Mouthpieces: Contrasting Approaches to Telling the Other's Tale
2.2: Magnified Stories, Minimised Voices: La voz dormida
2.3: Pas pleurer: Speaking in (M)other Tongues
2.4: Reciprocal Relations and the Ethics of Postmemory
Part Two
Legacy, Lineage and lignes de fuite: Intergenerational Transmission in Nicole Lapierre's Sauve qui peut la vie (2015) and Gabriela Ybarra's El comensal (2015)
3.1: (Dis)Connecting Traumatic Histories
3.2: Lines of Flight in Sauve qui peut la vie
3.3: Narrative Loops and Impending Returns in El comensal
3.4: Images of Intergenerational Transmission
Burials, Exhumations, and Textual Tombs: Addressing the Other in Milena Busquets's Tambien esto pasara (2015) and Sophie Daull's Camille, mon envolee (2015)
4.1: The Function of Funerals
4.2: Scattered Ashes in Tambien esto pasara
4.3: Constructing a Cenotaph: Camille, mon envolee
4.4: Burial Shrouds in La Suture (2016)
4.5: Ethical Reburials and Alternative Conversations
Part Three
Clashing Family Stories and Inconceivable Conversations: Christine Angot's Un amour impossible (2015) and Cristina Fallaras's Honraras a tu padre y a tu madre (2018)
5.1: Misalliance, Transmission and Incestuous Desire
5.2: Illusory Exchanges in Un amour impossible
5.3: Dialogues with the Dead: Honraras a tu padre y a tu madre
5.4: Contaminating Conversations
Writing Relational Lives
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
