Practice in Context
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Practice in Context
Historically Informed Practices in Nineteenth-Century Instrumental Music
Clarke, Eric F.; Holden, Claire; Ponchione-Bailey, Cayenna
Oxford University Press Inc
10/2025
302
Dura
Inglês
9780197571354
15 a 20 dias
Descrição não disponível.
1: George Kennaway: Nineteenth-Century Musicalities in the Twenty-First Century
2: Christina Bashford: Staging Chamber Music: Towards New Intersections of Performance Practice and Concert History
3: Mary Hunter: How Special Is Nineteenth-Century Performance Practice?
4: Marten Noorduin: The Rehearsal Practices of the London Philharmonic in the Early to Mid-Nineteenth Century
5: Trevor Herbert: Bands as Musical Subcultures: Cultures, Practices and Influences
6: David Milsom: String Sonority in the Nineteenth and Early Twentieth Centuries
7: Anna Scott: To Change One's Skin According to the Music at Hand: Locating the Transformative Power of Recordings-Informed Performance
8: Emily Worthington: HIP, Embodied Knowledge, and the Practice of Harmoniemusik
9: Neal Peres Da Costa: Concepts of Beautiful in Nineteenth-Century Musical Performance: Reinvigorating Artistic Personality and Spontaneous Creativity
10: Claire Holden: 'The Liberty to "Sing" to Their Heart's Content': Principles and Practices of Ensemble in Nineteenth-Century Orchestral String Sections
11: Eric F. Clarke and Cayenna Ponchione-Bailey: String Sound in the Round: Methods, Outcomes, and Implications of Experimental Approaches to Nineteenth-Century String Playing
2: Christina Bashford: Staging Chamber Music: Towards New Intersections of Performance Practice and Concert History
3: Mary Hunter: How Special Is Nineteenth-Century Performance Practice?
4: Marten Noorduin: The Rehearsal Practices of the London Philharmonic in the Early to Mid-Nineteenth Century
5: Trevor Herbert: Bands as Musical Subcultures: Cultures, Practices and Influences
6: David Milsom: String Sonority in the Nineteenth and Early Twentieth Centuries
7: Anna Scott: To Change One's Skin According to the Music at Hand: Locating the Transformative Power of Recordings-Informed Performance
8: Emily Worthington: HIP, Embodied Knowledge, and the Practice of Harmoniemusik
9: Neal Peres Da Costa: Concepts of Beautiful in Nineteenth-Century Musical Performance: Reinvigorating Artistic Personality and Spontaneous Creativity
10: Claire Holden: 'The Liberty to "Sing" to Their Heart's Content': Principles and Practices of Ensemble in Nineteenth-Century Orchestral String Sections
11: Eric F. Clarke and Cayenna Ponchione-Bailey: String Sound in the Round: Methods, Outcomes, and Implications of Experimental Approaches to Nineteenth-Century String Playing
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
1: George Kennaway: Nineteenth-Century Musicalities in the Twenty-First Century
2: Christina Bashford: Staging Chamber Music: Towards New Intersections of Performance Practice and Concert History
3: Mary Hunter: How Special Is Nineteenth-Century Performance Practice?
4: Marten Noorduin: The Rehearsal Practices of the London Philharmonic in the Early to Mid-Nineteenth Century
5: Trevor Herbert: Bands as Musical Subcultures: Cultures, Practices and Influences
6: David Milsom: String Sonority in the Nineteenth and Early Twentieth Centuries
7: Anna Scott: To Change One's Skin According to the Music at Hand: Locating the Transformative Power of Recordings-Informed Performance
8: Emily Worthington: HIP, Embodied Knowledge, and the Practice of Harmoniemusik
9: Neal Peres Da Costa: Concepts of Beautiful in Nineteenth-Century Musical Performance: Reinvigorating Artistic Personality and Spontaneous Creativity
10: Claire Holden: 'The Liberty to "Sing" to Their Heart's Content': Principles and Practices of Ensemble in Nineteenth-Century Orchestral String Sections
11: Eric F. Clarke and Cayenna Ponchione-Bailey: String Sound in the Round: Methods, Outcomes, and Implications of Experimental Approaches to Nineteenth-Century String Playing
2: Christina Bashford: Staging Chamber Music: Towards New Intersections of Performance Practice and Concert History
3: Mary Hunter: How Special Is Nineteenth-Century Performance Practice?
4: Marten Noorduin: The Rehearsal Practices of the London Philharmonic in the Early to Mid-Nineteenth Century
5: Trevor Herbert: Bands as Musical Subcultures: Cultures, Practices and Influences
6: David Milsom: String Sonority in the Nineteenth and Early Twentieth Centuries
7: Anna Scott: To Change One's Skin According to the Music at Hand: Locating the Transformative Power of Recordings-Informed Performance
8: Emily Worthington: HIP, Embodied Knowledge, and the Practice of Harmoniemusik
9: Neal Peres Da Costa: Concepts of Beautiful in Nineteenth-Century Musical Performance: Reinvigorating Artistic Personality and Spontaneous Creativity
10: Claire Holden: 'The Liberty to "Sing" to Their Heart's Content': Principles and Practices of Ensemble in Nineteenth-Century Orchestral String Sections
11: Eric F. Clarke and Cayenna Ponchione-Bailey: String Sound in the Round: Methods, Outcomes, and Implications of Experimental Approaches to Nineteenth-Century String Playing
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
