Performing Time
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Performing Time
Synchrony and Temporal Flow in Music and Dance
Woellner, Clemens; London, Justin
Oxford University Press
07/2023
432
Dura
Inglês
9780192896254
15 a 20 dias
Descrição não disponível.
0: Woellner & London: Introduction to Performing Time
1 Foundations: The Flow of Time in Music and Dance
1: Bettina Blaesing: Time experiences in dance
2: Mariusz Kozak: Varieties of musical temporality
3: Keith Doelling, Sophie Herbst, Luc Arnal & Virginie van Wassenhove: Psychological and neuroscientific foundations of rhythms and timing
4: Sylvie Droit-Volet & Natalia Martinelli: The psychological underpinnings of feelings of the passage of time
2 Duration, Tempo and Pacing in Performance and Perception
5: Justin London: What is musical tempo?
6: Renee Conroy: Telling time: Dancers, dancemakers, and audience members
7: Molly Henry & Sonja Kotz: Preferred tempo and its relation to personal sense of time and temporal flow
8: Coline Joufflineau: Time through the magnifying glass of slowness: a case study in Myriam Gourfink's choreography
9: Alexander Jensenius: Standing still together: Reflections on a one-year-long exploration of human micromotion
10: David Hammerschmidt: Spontaneous motor tempo: A window into the inner sense of time
11: Mari Romarheim Haugen: An embodied perspective on rhythm in music-dance genres
3 Synchrony: Keeping Together in Time
12: Guy Madison: Moving together in music and dance - features of entrainment and sensorimotor synchronisation
13: Werner Goebl & Laura Bishop: Joint shaping of musical time: How togetherness emerges in music ensemble performance
14: Julien Laroche, Tommi Himberg & Asaf Bachrach: Making time together: An exploration of participatory time-making through collective dance improvisation
15: Birgitta Burger & Petri Toiviainen: Time and synchronisation in dance movement
16: Simone Dalla Bella: Unravelling individual differences in synchronizing to the beat of music
17: Anne Danielsen: Shaping the beat bin in computer-based grooves
18: Matthew H. Woolhouse: The 'synchrony effect' in dance: how rhythmic scaffolding and vision facilitate social cohesion
4 Performance Time Experienced: Attention, Expectation and Groove
19: Clemens Woellner: Changes in psychological time when attending to different temporal structures in music
20: Pieter-Jan Maes & Marc Leman: Expressive timing in music and dance interactions: a dynamic perspective
21: Psyche Loui: Temporal aspects of musical expectancy and creativity in improvisation: A review of recent neuroscientific studies and an updated model
22: Anna Pakes: Experiences of time in boring dance
23: Jason Noble, Tanor Bonin, Roger Dean & Stephen McAdams: Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of Gerard Grisey's Vortex Temporum
24: Kristina Knowles & Richard Ashley: Measuring experienced time while listening to music
25: Jan Stupacher, Michael Hove & Peter Vuust: The experience of musical groove: body movement, pleasure, and social bonding
5 Conclusions: Capturing Time in Performance and Science
26: Marc Wittmann: Embodied time: what the psychology and neuroscience of time can learn from the performing arts
27: Russell Hartenberger: Learning to feel the time: Reflections of a percussionist
28: Henry Daniel, Justin London: Performing and feeling time in contemporary dance
29: Kent Nagano, Clemens Woellner: Music is a unique artform because of the temporal aspect
30: Stewart Copeland & Daniel Levitin: Timing, tempo and rhythm: Evidence from the laboratory and the concert stage
1 Foundations: The Flow of Time in Music and Dance
1: Bettina Blaesing: Time experiences in dance
2: Mariusz Kozak: Varieties of musical temporality
3: Keith Doelling, Sophie Herbst, Luc Arnal & Virginie van Wassenhove: Psychological and neuroscientific foundations of rhythms and timing
4: Sylvie Droit-Volet & Natalia Martinelli: The psychological underpinnings of feelings of the passage of time
2 Duration, Tempo and Pacing in Performance and Perception
5: Justin London: What is musical tempo?
6: Renee Conroy: Telling time: Dancers, dancemakers, and audience members
7: Molly Henry & Sonja Kotz: Preferred tempo and its relation to personal sense of time and temporal flow
8: Coline Joufflineau: Time through the magnifying glass of slowness: a case study in Myriam Gourfink's choreography
9: Alexander Jensenius: Standing still together: Reflections on a one-year-long exploration of human micromotion
10: David Hammerschmidt: Spontaneous motor tempo: A window into the inner sense of time
11: Mari Romarheim Haugen: An embodied perspective on rhythm in music-dance genres
3 Synchrony: Keeping Together in Time
12: Guy Madison: Moving together in music and dance - features of entrainment and sensorimotor synchronisation
13: Werner Goebl & Laura Bishop: Joint shaping of musical time: How togetherness emerges in music ensemble performance
14: Julien Laroche, Tommi Himberg & Asaf Bachrach: Making time together: An exploration of participatory time-making through collective dance improvisation
15: Birgitta Burger & Petri Toiviainen: Time and synchronisation in dance movement
16: Simone Dalla Bella: Unravelling individual differences in synchronizing to the beat of music
17: Anne Danielsen: Shaping the beat bin in computer-based grooves
18: Matthew H. Woolhouse: The 'synchrony effect' in dance: how rhythmic scaffolding and vision facilitate social cohesion
4 Performance Time Experienced: Attention, Expectation and Groove
19: Clemens Woellner: Changes in psychological time when attending to different temporal structures in music
20: Pieter-Jan Maes & Marc Leman: Expressive timing in music and dance interactions: a dynamic perspective
21: Psyche Loui: Temporal aspects of musical expectancy and creativity in improvisation: A review of recent neuroscientific studies and an updated model
22: Anna Pakes: Experiences of time in boring dance
23: Jason Noble, Tanor Bonin, Roger Dean & Stephen McAdams: Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of Gerard Grisey's Vortex Temporum
24: Kristina Knowles & Richard Ashley: Measuring experienced time while listening to music
25: Jan Stupacher, Michael Hove & Peter Vuust: The experience of musical groove: body movement, pleasure, and social bonding
5 Conclusions: Capturing Time in Performance and Science
26: Marc Wittmann: Embodied time: what the psychology and neuroscience of time can learn from the performing arts
27: Russell Hartenberger: Learning to feel the time: Reflections of a percussionist
28: Henry Daniel, Justin London: Performing and feeling time in contemporary dance
29: Kent Nagano, Clemens Woellner: Music is a unique artform because of the temporal aspect
30: Stewart Copeland & Daniel Levitin: Timing, tempo and rhythm: Evidence from the laboratory and the concert stage
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
0: Woellner & London: Introduction to Performing Time
1 Foundations: The Flow of Time in Music and Dance
1: Bettina Blaesing: Time experiences in dance
2: Mariusz Kozak: Varieties of musical temporality
3: Keith Doelling, Sophie Herbst, Luc Arnal & Virginie van Wassenhove: Psychological and neuroscientific foundations of rhythms and timing
4: Sylvie Droit-Volet & Natalia Martinelli: The psychological underpinnings of feelings of the passage of time
2 Duration, Tempo and Pacing in Performance and Perception
5: Justin London: What is musical tempo?
6: Renee Conroy: Telling time: Dancers, dancemakers, and audience members
7: Molly Henry & Sonja Kotz: Preferred tempo and its relation to personal sense of time and temporal flow
8: Coline Joufflineau: Time through the magnifying glass of slowness: a case study in Myriam Gourfink's choreography
9: Alexander Jensenius: Standing still together: Reflections on a one-year-long exploration of human micromotion
10: David Hammerschmidt: Spontaneous motor tempo: A window into the inner sense of time
11: Mari Romarheim Haugen: An embodied perspective on rhythm in music-dance genres
3 Synchrony: Keeping Together in Time
12: Guy Madison: Moving together in music and dance - features of entrainment and sensorimotor synchronisation
13: Werner Goebl & Laura Bishop: Joint shaping of musical time: How togetherness emerges in music ensemble performance
14: Julien Laroche, Tommi Himberg & Asaf Bachrach: Making time together: An exploration of participatory time-making through collective dance improvisation
15: Birgitta Burger & Petri Toiviainen: Time and synchronisation in dance movement
16: Simone Dalla Bella: Unravelling individual differences in synchronizing to the beat of music
17: Anne Danielsen: Shaping the beat bin in computer-based grooves
18: Matthew H. Woolhouse: The 'synchrony effect' in dance: how rhythmic scaffolding and vision facilitate social cohesion
4 Performance Time Experienced: Attention, Expectation and Groove
19: Clemens Woellner: Changes in psychological time when attending to different temporal structures in music
20: Pieter-Jan Maes & Marc Leman: Expressive timing in music and dance interactions: a dynamic perspective
21: Psyche Loui: Temporal aspects of musical expectancy and creativity in improvisation: A review of recent neuroscientific studies and an updated model
22: Anna Pakes: Experiences of time in boring dance
23: Jason Noble, Tanor Bonin, Roger Dean & Stephen McAdams: Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of Gerard Grisey's Vortex Temporum
24: Kristina Knowles & Richard Ashley: Measuring experienced time while listening to music
25: Jan Stupacher, Michael Hove & Peter Vuust: The experience of musical groove: body movement, pleasure, and social bonding
5 Conclusions: Capturing Time in Performance and Science
26: Marc Wittmann: Embodied time: what the psychology and neuroscience of time can learn from the performing arts
27: Russell Hartenberger: Learning to feel the time: Reflections of a percussionist
28: Henry Daniel, Justin London: Performing and feeling time in contemporary dance
29: Kent Nagano, Clemens Woellner: Music is a unique artform because of the temporal aspect
30: Stewart Copeland & Daniel Levitin: Timing, tempo and rhythm: Evidence from the laboratory and the concert stage
1 Foundations: The Flow of Time in Music and Dance
1: Bettina Blaesing: Time experiences in dance
2: Mariusz Kozak: Varieties of musical temporality
3: Keith Doelling, Sophie Herbst, Luc Arnal & Virginie van Wassenhove: Psychological and neuroscientific foundations of rhythms and timing
4: Sylvie Droit-Volet & Natalia Martinelli: The psychological underpinnings of feelings of the passage of time
2 Duration, Tempo and Pacing in Performance and Perception
5: Justin London: What is musical tempo?
6: Renee Conroy: Telling time: Dancers, dancemakers, and audience members
7: Molly Henry & Sonja Kotz: Preferred tempo and its relation to personal sense of time and temporal flow
8: Coline Joufflineau: Time through the magnifying glass of slowness: a case study in Myriam Gourfink's choreography
9: Alexander Jensenius: Standing still together: Reflections on a one-year-long exploration of human micromotion
10: David Hammerschmidt: Spontaneous motor tempo: A window into the inner sense of time
11: Mari Romarheim Haugen: An embodied perspective on rhythm in music-dance genres
3 Synchrony: Keeping Together in Time
12: Guy Madison: Moving together in music and dance - features of entrainment and sensorimotor synchronisation
13: Werner Goebl & Laura Bishop: Joint shaping of musical time: How togetherness emerges in music ensemble performance
14: Julien Laroche, Tommi Himberg & Asaf Bachrach: Making time together: An exploration of participatory time-making through collective dance improvisation
15: Birgitta Burger & Petri Toiviainen: Time and synchronisation in dance movement
16: Simone Dalla Bella: Unravelling individual differences in synchronizing to the beat of music
17: Anne Danielsen: Shaping the beat bin in computer-based grooves
18: Matthew H. Woolhouse: The 'synchrony effect' in dance: how rhythmic scaffolding and vision facilitate social cohesion
4 Performance Time Experienced: Attention, Expectation and Groove
19: Clemens Woellner: Changes in psychological time when attending to different temporal structures in music
20: Pieter-Jan Maes & Marc Leman: Expressive timing in music and dance interactions: a dynamic perspective
21: Psyche Loui: Temporal aspects of musical expectancy and creativity in improvisation: A review of recent neuroscientific studies and an updated model
22: Anna Pakes: Experiences of time in boring dance
23: Jason Noble, Tanor Bonin, Roger Dean & Stephen McAdams: Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of Gerard Grisey's Vortex Temporum
24: Kristina Knowles & Richard Ashley: Measuring experienced time while listening to music
25: Jan Stupacher, Michael Hove & Peter Vuust: The experience of musical groove: body movement, pleasure, and social bonding
5 Conclusions: Capturing Time in Performance and Science
26: Marc Wittmann: Embodied time: what the psychology and neuroscience of time can learn from the performing arts
27: Russell Hartenberger: Learning to feel the time: Reflections of a percussionist
28: Henry Daniel, Justin London: Performing and feeling time in contemporary dance
29: Kent Nagano, Clemens Woellner: Music is a unique artform because of the temporal aspect
30: Stewart Copeland & Daniel Levitin: Timing, tempo and rhythm: Evidence from the laboratory and the concert stage
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
