Music as Classical Reception

Part I. Introduction
1: Miranda Stanyon and Emily Pillinger: Classical Reception in Music: Sonic Figures, Ancient and Modern
2: Miranda Stanyon and Emily Pillinger: Towards a Theory of Amplification
Part II. Amplifying Ancient Texts
3: Stephanie Oade: Reshaping Catullus 101: Ned Rorem's Catullus: On The Burial Of His Brother
4: Markus Stachon: Ella Adaiewsky's Horazische Ode: A Female Composer's Response to Horace's Ode III 9
5: Michael Trapp: Homer for High Society: Professor Warr's Tale of Troy and Its Music
Part III. Amplifying Ancient Myth and Thought
6: Eugenio Refini: Without Tomorrow, Without Yesterday: The Elusive Present-ness of Reception in Vernon Lee's Ariadne in Mantua
7: Emily C. Mohr: 'Prends garde a toi': Carmen the Siren
8: Myrthe L. Bartels: Academic Disputations on Love: Socrates in Seventeenth-Century Opera
9: Tiziana Ragno: Amplifying Myth: Ariadne and the Others in Italian Opera
Part IV. Musical Reception after Electric Amplification
10: Justine McConnell: Digging in the Crates: Sampling Epic in Contemporary Hip-hop
11: Samuel N. Dorf: Amplifying Sappho: Lesbian Musicians and the Echoes of Antiquity
12: Joanna Paul: Amplification, Reverberation, and Distortion: The Curious Story of Pompeii and Popular Music

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• Teoria da música e musicologia
• Estudos literários: clássica, primitiva e medieval
• Gravação e reprodução musical