French Musical Life
French Musical Life
Local Dynamics in the Century to World War II
Oxford University Press Inc
01/2022
440
Dura
Inglês
9780197600160
708
Descrição não disponível.
Introduction -Centralization and its discontents -Decentralization, deconcentration, regionalism -Politics, then and now -A Study in four Parts -Approaches Part I Education Introduction Chapter 1: The National Conservatoire System -Class and access: working-class men -Class and status: young bourgeoises -Power, hard and soft -Directorial discretion: curricula -The 1930s: towards reform Chapter 2: Educational Independence -Pedagogical Difference c.1900 -The Schola's ghostly presences I: Montpellier -The Schola's ghostly presences II: Severac's vision, Le Havre and Nancy -Strasbourg -Bordeaux -Composition: the final frontier Part II Concert Rites Introduction Chapter 3: Choral Voices -Orpheons: uniformity and regional identity -Cathedral maitrises -Mixed choirs: Poitou-Charentes and Strasbourg -Belle Epoque ambition: Bordes, Witkowski and Lyon Chapter 4: Instrumental Music and Urban Gravitas -Private, public, "populaire" -The Symphony orchestra as musical hub -Amateur to professional -Provincial programming: orchestral, chamber and specialist ensembles -Local vs. (inter)national Part III Stage Musics Introduction Chapter 5: Opera Against the Odds -The 1864 liberte des theatres -Municipal perspectives -Industry perspectives Chapter 6: Operatic Competition -The Cafe-Concert -Operetta -Touring: individual and collective -Technology Chapter 7: Opera Inside and Out -Wagner's "tour de France" -Couleur locale in Paris and at home -Open-air opera Part IV Folk, Region, Nation Introduction Chapter 8: Folk Musics -The French folk-music problem -Politics of collection, transcription, and classification -Soundscapes of popular Catholicism -Folk music, the peasant, and the bourgeoisie -Display, domestication, tourism -Coda Chapter 9: Composition -A View from 1937 -Provincial career paths -Rethinking the Schola's regionalism -The Allure of the Russian Five -Back to opera: regionalism and nation -Mode, multi-regionalism, and patrimoine Conclusions -"Decentralization" through the lens of Lyon -Musical localism -Repositioning the rural Bibliography Index
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Introduction -Centralization and its discontents -Decentralization, deconcentration, regionalism -Politics, then and now -A Study in four Parts -Approaches Part I Education Introduction Chapter 1: The National Conservatoire System -Class and access: working-class men -Class and status: young bourgeoises -Power, hard and soft -Directorial discretion: curricula -The 1930s: towards reform Chapter 2: Educational Independence -Pedagogical Difference c.1900 -The Schola's ghostly presences I: Montpellier -The Schola's ghostly presences II: Severac's vision, Le Havre and Nancy -Strasbourg -Bordeaux -Composition: the final frontier Part II Concert Rites Introduction Chapter 3: Choral Voices -Orpheons: uniformity and regional identity -Cathedral maitrises -Mixed choirs: Poitou-Charentes and Strasbourg -Belle Epoque ambition: Bordes, Witkowski and Lyon Chapter 4: Instrumental Music and Urban Gravitas -Private, public, "populaire" -The Symphony orchestra as musical hub -Amateur to professional -Provincial programming: orchestral, chamber and specialist ensembles -Local vs. (inter)national Part III Stage Musics Introduction Chapter 5: Opera Against the Odds -The 1864 liberte des theatres -Municipal perspectives -Industry perspectives Chapter 6: Operatic Competition -The Cafe-Concert -Operetta -Touring: individual and collective -Technology Chapter 7: Opera Inside and Out -Wagner's "tour de France" -Couleur locale in Paris and at home -Open-air opera Part IV Folk, Region, Nation Introduction Chapter 8: Folk Musics -The French folk-music problem -Politics of collection, transcription, and classification -Soundscapes of popular Catholicism -Folk music, the peasant, and the bourgeoisie -Display, domestication, tourism -Coda Chapter 9: Composition -A View from 1937 -Provincial career paths -Rethinking the Schola's regionalism -The Allure of the Russian Five -Back to opera: regionalism and nation -Mode, multi-regionalism, and patrimoine Conclusions -"Decentralization" through the lens of Lyon -Musical localism -Repositioning the rural Bibliography Index
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