Art, Aesthetics, and the Brain
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Art, Aesthetics, and the Brain
Conde, Camilo Jose Cela; Nadal, Marcos; Huston, Joseph P.; Agnati, Luigi F.; Mora, Francisco
Oxford University Press
10/2018
568
Mole
Inglês
9780198825234
15 a 20 dias
1104
Descrição não disponível.
Section One: Foundational Issues
1: Francisco Mora: Neuroculture: A new cultural revolution?
2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art
3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics
4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology
5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings
Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces
7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain
8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation
9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
Section Three: Cognitive Neuroscience of Dance
10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience
11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance
12: Julia F. Christensen and Corinne Jola: Moving towards ecological validity in empirical aesthetics
Section Four: Cognitive Neuroscience of Music
13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences
14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms
15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music
16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation
Section Five: Neuropsychology of Art and Aesthetics
17: Anjan Chatterjee: The Neuropsychology of Visual Art
18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia
19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
Section Six: The Evolution of Art, Aesthetics, and the Brain
20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics
21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution
22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes
Section Seven: Integrative Approaches
23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics
24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach
25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time
1: Francisco Mora: Neuroculture: A new cultural revolution?
2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art
3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics
4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology
5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings
Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces
7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain
8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation
9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
Section Three: Cognitive Neuroscience of Dance
10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience
11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance
12: Julia F. Christensen and Corinne Jola: Moving towards ecological validity in empirical aesthetics
Section Four: Cognitive Neuroscience of Music
13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences
14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms
15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music
16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation
Section Five: Neuropsychology of Art and Aesthetics
17: Anjan Chatterjee: The Neuropsychology of Visual Art
18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia
19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
Section Six: The Evolution of Art, Aesthetics, and the Brain
20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics
21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution
22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes
Section Seven: Integrative Approaches
23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics
24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach
25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Section One: Foundational Issues
1: Francisco Mora: Neuroculture: A new cultural revolution?
2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art
3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics
4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology
5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings
Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces
7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain
8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation
9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
Section Three: Cognitive Neuroscience of Dance
10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience
11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance
12: Julia F. Christensen and Corinne Jola: Moving towards ecological validity in empirical aesthetics
Section Four: Cognitive Neuroscience of Music
13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences
14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms
15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music
16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation
Section Five: Neuropsychology of Art and Aesthetics
17: Anjan Chatterjee: The Neuropsychology of Visual Art
18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia
19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
Section Six: The Evolution of Art, Aesthetics, and the Brain
20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics
21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution
22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes
Section Seven: Integrative Approaches
23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics
24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach
25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time
1: Francisco Mora: Neuroculture: A new cultural revolution?
2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art
3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics
4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology
5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings
Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces
7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain
8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation
9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
Section Three: Cognitive Neuroscience of Dance
10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience
11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance
12: Julia F. Christensen and Corinne Jola: Moving towards ecological validity in empirical aesthetics
Section Four: Cognitive Neuroscience of Music
13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences
14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms
15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music
16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation
Section Five: Neuropsychology of Art and Aesthetics
17: Anjan Chatterjee: The Neuropsychology of Visual Art
18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia
19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
Section Six: The Evolution of Art, Aesthetics, and the Brain
20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics
21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution
22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes
Section Seven: Integrative Approaches
23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics
24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach
25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
